Tag Archives: dystopian

Fractured Skies is here! :-D

It’s here! Today is the release day for Fractured Skies! 😀

Fractured Skies

A Dystopian Thriller

Fractured Skies - Book Cover

Amazon (US) | Amazon (UK) | BN.com | iTunes | Kobo | Smashwords

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Not sure if this is the book for you? Try answering these questions…

  • Do you love a good dystopia, and want even more vivid world-building and believable factions?
  • Do you crave lots of fast-paced action, thrilling adventure, and cool, unique ways to use familiar superpowers?
  • Do you prefer character romances to be a slow-burn, and not always end in a happy-ever-after?
  • Do you want your cast filled with heroes who face antagonists where it isn’t always clear who is really the “good” guy and who is really “bad” guy… despite what they may believe?
  • Do you love little Easter Eggs referencing various movies and games, interwoven into the story so that even if you don’t recognize the reference, you’ll still “get” the joke?
  • Do you like strong protagonists who make tough choices and aren’t afraid to state their mind… even when no one else agrees with them?

If you answered “yes” to the above (or even most of the above), then Fractured Skies may be the book for you to dive into.

So grab your copy today, sit back, and enjoy the adventure. 🙂

Amazon (US) | Amazon (UK) | BN.com | iTunes | Kobo | Smashwords

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Weekly Book Promotion Highlight

For this week’s book promotion highlight, I’m featuring the Nuclear Summer giveaway and the Supernatural Thriller giveaway!


Looking for dystopian reads and post-apocalyptic worlds? Try the Nuclear Summer ebook giveaway!

Nuclear Summer Ebook Giveaway


Prefer supernatural thrillers and paranormal suspense? Check out this ebook giveaway!

The Supernatural Thriller EBook Giveaway


(Note: These giveaways are hosted through Book Funnel. Authors will usually ask for your email address, and in many cases, the author will collect these addresses for their newsletters.)

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I hope you find a good book to read.  🙂

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Weekly Book Promotion Highlight

For this week’s book promotion highlight, I’m featuring the Through the Portal Fantastic giveaway and the YA Dystopian giveaway!


Enjoy portal stories and adventures in unexpected places? Check out this giveaway!

Through the Portal Fantastic


If young adult dystopian ebooks are your thing, take a look at this giveaway!

YA Dystopian Ebook Giveaway


(Note: These giveaways are hosted through Book Funnel. Authors will usually ask for your email address, and in many cases, the author will collect these addresses for their newsletters.)

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I hope you find a good book to read.  🙂

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Distant Horizon Cover Reveal!

The day has finally arrived–the day of the Distant Horizon cover reveal! That’s right. This cover, which has been waiting two years to be revealed (Seriously, I created the near-final version in early 2014) now gets to be seen by the light of day–or the computer screen.


Now, for the reveal, which has been organized by the wonderful Lola’s Blog Tours! 😀

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Distant HorizonDistant Horizon (Distant Horizon #1)
By Stephanie and Isaac Flint
Genre: Dystopia with superhero elements
Age category: Young Adult
Release Date: October 27, 2016

The Community is safe.
Unless you have superpowers.

Sixty years ago, a hallucinogenic plague annihilated half the world’s population, leading to the formation of the Community—an international government that promises its citizens safety, security, and efficiency. Every day, Community citizens swallow a mandatory pill to ensure their immunity to the plague. A year after graduating high school, they take the Health Scan.

Most pass, and continue with their lives. Others disappear.

Eighteen-year-old Jenna Nickleson hasn’t taken the pill since her senior year in high school. She feels more alive without it, and she hasn’t shown any signs of infection—at least, not until two days after a surprise Health Scan is announced and Special Forces arrive at her university campus.

Spurred by the recent string of hallucinations, Jenna searches for any inkling of what happens to those who fail the scan. Rumor has it that they’re sent away for treatment and, once cured, receive a menial job. But when she uncovers the cruel truth behind the plague, her ideal world is shattered.

Underneath the illusion of safety, Special Forces agents harbor a dark secret.

The plague is a lie.

You can find Distant Horizon on Goodreads

You can pre-order Distant Horizon here:
Amazon UK

There was a fifteen minute break between classes. Since the two buildings were right next to each other, that was plenty of time for me to browse EYEnet. My primary question regarded the old man’s warning that I’d fail the scan. I focused on the blog from my friend in high school—the one whose sister failed.
According to Galina’s posts, she’d been afraid of failure early on, and on the day of the Health Scan, she’d made another post reiterating the same fear. She’d been having hallucinations that liquids would shape themselves from images in her thoughts, and she was sure she had theophrenia.
It’d been almost a year since Galina left, but I wasn’t sure how long the recovery effort lasted. I checked the last active day she was on her account. There was nothing since the day of her scan.
I checked other blogs, searching for any references to fear of failure. One girl thought she could fly. Another guy swore he could read his professor’s mind. All signs of advanced delusions, and in each case, they didn’t return.
Three years passed. Five. Nothing.
A chill ran through me. The old man said to try controlling vines and grass. That was crazy. Impossible. And yet… I’d felt that stem move. I’d seen it move.
My phone chimed a one-minute warning before class. Students stirred and finished their conversations, and I stared at the small screen of my phone. Only one person, out of the entirety of blogs I’d found, had ever come back.

Stephanie and Isaac FlintAbout the Author:
Stephanie and Isaac Flint met at the University of Central Missouri, where they discovered a common interest in world-building and tabletop role-play games. Distant Horizon is their first joint world, the result of a role-play game Isaac ran in the summer of 2010. After graduating with Bachelors of Science (Photography for Stephanie, Psychology for Isaac), they were married in 2012. Together, they plot stories, torment each other’s characters, and enjoy the occasional cosplay.

You can find and contact Stephanie and Isaac here:
Author Blog
Publisher Website
Twitter Stephanie
Twitter Publisher
Author Goodreads
Stephanie Goodreads


banner Lola's Blog Tours


Want to check out the other blogs who are participating in this tour?

SCHS Best Books Blog
Bookworm for Kids
Redd’s Reads
Lilly’s Book World
Outlandish Reads
The Silver Dagger Scriptorium
We All Make Mistakes in Books
Pippa Jay
Katie’s Clean Book Collection
Their Vodka
The Phantom Paragrapher
Books and Kats
Scott Umphrey
A Leisure Moment
Kindle and Me
Mello & June, It’s a Book Thang!
TMBA Corbett Tries to Write
Amanda’s Book Nook
The Writer’s Inkwell
Mel’s Shelves
Diana’s Book Reviews
Leila Tualla: Bookshelf
Cheyanne Young
YA Book Divas

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Thoughts on Writing – Consistency of Style

With Magic’s Stealing out to beta readers, I’m trying to avoid working on that story line until I get the collected thoughts of the readers. That way I can evaluate all the comments and figure out how best to apply them. In the meantime, I’ve switched gears. I’m working on Isaac’s and my Distant Horizon story line. The first book is written and mostly polished, so I’m working on plot consistency in the second book. To do that, I’m rereading the first book to refresh my memory on what changes were made. (Seriously… my notes suggest I’ve read the first book twenty times. Granted, some of those rounds only involved skimming for minor edits, but some of those included major overhauls, and needless to say, I’m starting to get a little tired of rereading it.)

During my read-through, I realized that there’s a shift in the writing style from the first few chapters to the later chapters. There’s less description, more every-day action, and the slow set-up of things starting to go wrong for the protagonist. Events are happening, but I’m worried that they aren’t as enticing as they could be. Now, one possibility is that I’ve read through these first few chapters so many times that it’s all kind of a gray blur. I know the plot too well, but the story may be fine as-is. The other possibility is that there’s a definite shift in writing style that needs to be corrected, or risk turning away readers who might otherwise be interested in the story.

When the story first starts, its sounds very much dystopian:

The first time I flushed adominogen, the oblong capsule tumbled from my hand and bounced off the bathroom sink, once, twice, then fell into the toilet with a finalizing plop.


I waited all day for someone to ask why I didn’t report accidently losing my pill. But no one did, and I didn’t have any of the hallucinations that I might have had for not taking adominogen. Instead, the world around me felt so much more alive. My attention improved, not that it was bad to begin with, and I could think clearer. Be more efficient.

After that, I stopped taking the pill. I graduated high school and moved into my first year of college, no sign of theophrenia. But when our hall advisor announced that the annual Health Scan would take place in two days, I panicked.

I needed three things to graduate: excellent grades, as many efficiency points as possible, and to pass the scan. It wasn’t often that someone failed, but it did happen. One of my friends in high school had a sister who failed. Galina. She took the scan at the clinic downtown, and Special Forces escorted her away, all while assuring her everything would be fine.

I didn’t want to end up like her, so right after the announcement yesterday, I took the pill. It was like throwing a clear, plastic tarp over my world. I couldn’t concentrate, but I couldn’t go to the doctor for the symptoms.

Not taking the pill was an international offense.

And a little bit later, still in the same style:

After the incident with Lady Black, I had this constant, nagging feeling that someone stood right behind me, watching me. Stalking me. If this was the plague, then I could only guess this was the onset of paranoia, the delusion that I was somehow important enough to warrant special attention.

Or I maybe I was just paranoid; the Health Scan was less than twenty-four hours away.

My bedroom door rattled and I looked up from my biology book. Faint, golden light traced my desk, highlighting the leaves of my plant and trailing along the edge of my bookcase.

The doorknob rattled again, followed by a new, chinking sound of metal.

I scooted from my chair, then sidled against the wall before checking the door’s peephole.

No one was out there.

Maybe the air pressure was playing with the hinges.

I opened the door and stuck my head into the hall. A couple students passed by, but they’d been too far back to affect the door.

But, as the story progresses (leaving act one into act two), the style shifts, bringing on more description:

Pops led us into a dark, narrow hall, a far cry from the neatly glowing dorm corridors. What might’ve gleamed with bronze reflections was now a dull, dented bit of metal. Yellow lights ran the length of the ceiling in small round inlets, casting a weird, brownish glow over the area. One of the lights was burnt out, and another was completely missing, the socket bare.

We headed up the second flight of stairs. The elevator we passed had a piece of yellowed paper with a DO NOT USE warning taped across it.

“We’ve been running on minimal repairs,” Pops explained. “We have decent funding, but we haven’t had a chance to resupply, and Crush only has so much time to work. He usually monitors the computers for signs of enemy activity.” Pops stopped at a plain, bronze door at the top flight of steps. “This is Jim’s office. My room is across the hall.”

Inside, a dusty world globe sat on the corner of an ornate, wood desk, obscured by various file folders and papers. Books were piled high, their spines haphazardly stacked like a puzzle game. An ancient, faded rug lay beneath the desk, so worn that its vibrant, geometric shapes and numbers were barely distinguishable. Bookshelves surrounded us from floor to ceiling, organized and decorated with models of antique stealth planes and trinkets. A giant, arched window graced the far wall, overlooking the night sky, and two red, plush chairs sat opposite the desk, where a reading lamp blanketed the room in a warm glow.

Later, part of an action sequence:

I followed Lance, since he was closest, and we huddled in the leaves, taking shelter from the fight. A local rushed the monster, and the beasts grabbed him by the throat and yanked him from the ground. Bones snapped and his screams fell short.

“We’ve got to help,” Lance said.

I wasn’t sure if it was his heart or mine pounding double-time in my ears.

No wonder Inese gave me her gun.

Behind us, there was no sign of Jack or Matoska, and I couldn’t hear anything more than a mingled mass of screams and shouts. Ahead, more beasties darted through the field, half-loping, half-running. One was lanky and pale, what little clothing it wore hooked over its bony waist. Crusted blood and clods of dirt plastered its skin. A feline eye stared my direction, while the other was swollen shut.

Other beasts were bulky and heavily muscled, swinging swords or metal clubs, bashing in the locals’ skulls if they got too close. A large glob of water hovered around a beast that stood straighter, more human than the others. The creature lunged at a man and water splashed onto the electric spear. Static traversed the metal shaft. Both man and beast crashed to the ground as electricity coursed over the beastie’s water-slick skin.

In the long run, I see a potential benefit of keeping the story the way it is because, as the style shifts, it suggests that the main character, Jenna, opens her eyes and really starts to see the world as it is, not how it’s portrayed by the sheltered Community. The story goes from being light on description to heavy on description, and the writing style includes thicker paragraphs. In addition, at least in the examples I’ve posted, the character goes from reflecting on the world around her (distant), to becoming heavily involved, a participant. Which might not be a bad thing. I won’t know until I have it available for readers to read.

I hope you enjoyed this post (and the sneak peek at Distant Horizon), and I’d love to hear your thoughts. Have you experienced any issues with keeping the style and tone of a story consistent? Have you read any books where the style shifted subtly, or even dramatically?

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Guest Interview: Author Sarah Dalton

A few weeks ago, I had the pleasure of beta-reading a novella by Sarah Dalton, a member of the Absolute Write forums. (For those who don’t know, Absolute Write is a great place to find information and improve your writing craft, whether you write science fiction, literary, romance, or pretty much any genre you can think of). We got to talking about her self-publishing process, and much of the information sounded like it’d be really useful for others to know as well. So, I asked if she’d be willing to do an interview with me regarding her latest novella, The Fractured: Maggie (released yesterday!) and the approach she’s taken in regards to her book series. The Blemished. Lucky for us, she agreed. Without further ado, an interview with Sarah Dalton!


This is her most recent novella, the second of The Fractured series. Not my cover, but I wanted to share it, none-the-less. 🙂

Sarah Dalton - The Fractured: Maggie


Tell us a little about yourself. 🙂

Well, I’m from the UK and live in Yorkshire.  I grew up as a country bumpkin with lots of horses and chickens. The Blemished was my debut novel, but I have been published in short form prior to that, with stories in Apex, PANK and the British Fantasy Society anthology. I’m most definitely a chocaholic and for the most part believe animals are better than humans. 🙂

What kind of books do you enjoy reading? Have any of them been particularly helpful in your recent series?

I’ve always read a diverse range of genres, from literary to science fiction to horror. I had a huge thing for Victorian Gothic classics such as Dracula and The Picture of Dorian Gray. Then, I started reading a lot of dystopian books such as Margaret Atwood’s MadAddam trilogy and JG Ballard’s novels. I think Atwood is a particular inspiration; I love her feminist themes and genetic mutations. Her books are incredibly clever and insightful.

Then I discovered the Hunger Games and it opened up a while other genre for me – young adult. In Britain we didn’t have a YA section before the Hunger Games, there were children’s books and adult’s books with nothing in between. I loved the drama of being a teenager coupled with the post-apocalyptic setting.

When I was a teenager I loved to read Point Horror and Goosebumps books and now that I write books for teenagers I’ve realised that I would love to be a similar kind of author.

What was your inspiration for the Blemished series?

I wanted to write a book for teenage girls with a heroine they can look up to, and with a love interest worthy of that heroine. It was really important to me for feminist themes to be brought to young adults. When I look around and see the models and beauty industry it makes me feel like I already live in a dystopia. It made me think about what else I could cram into a novel, what do girls need to know? And that was when I thought up the idea of control and choice. The Blemished is about choice being taken away and women not having control over their bodies. In the Blemished it is the women who are sterilised, not the men, because that has always been typical to the way the world works. Mina is the person who stands up and thinks to herself that this isn’t right, and she doesn’t want it to happen to her. She’s just not sure how to go about changing things.

But I also wanted to write something entertaining that has you reading it with a torch at night. So there’s lots of action and adventure. Throughout the series Mina and the gang get into lots of trouble, discover different ways of living and just how nasty human beings can be. On the flip side they discover how wonderful human beings can be, what it’s like to love and be loved, and how you can find a family in unexpected places. There’s something for everyone, and boys can enjoy it just as much as girls.

When did you first start writing the Blemished series?

I think it was just over two years ago. At first I tried to write a novel set on a different planet. It went a bit wrong so I decided to give myself an easier ride, keeping just one thing from the original idea – superpowers. But at first Mina had the extraordinary sense of smell, not the telekinesis. It made the book a bit boring so I changed it!

Tell us about your latest/upcoming novella, The Fractured: Maggie.

Maggie is about Mrs Murgatroyd from the first novel – The Blemished. She’s a very nasty woman who vilifies Mina and Mina’s choices. She’s not exactly a girl’s girl! J I wanted to write about her story in order to show her human side. I don’t believe in evil and good, and I think that even the most horrible of people have something inside that we can sympathise with. It was a long and hard road for Maggie, she didn’t become Mrs ‘Murder-Troll’ Murgatroyd overnight.

What made you decide to write the Fractured novellas?

There were a couple of characters whose stories I couldn’t quite finish, or forget. They appeared in the first book but didn’t make it to the second, and whilst I always planned to bring them back, I wasn’t sure how much ‘page time’ they’d get. In the reviews of The Blemished, Elena always seemed very popular, and I really liked her too. I figured she deserved a story, and some romance.


What’s your favorite part of writing this series? Any favorite characters?

Ali is hands down my favourite character. He’s the kind of guy I want to be best friends with. He’s just a chilled out rock star. In the third book we learn more about Ali. He has hidden depths.

My favourite part of the series is writing little civilisations, like the Perthans. I like thinking up ideas for societal structure – so in The Vanished there is the Glasgow cult who keep women as slaves, but then the Perthans where the women rule and the men take on historically ‘feminine’ roles; then there’s the Moorlanders and Dales folk coming up in The Unleashed. In The Blemished we have the Slum people who live in the Areas but outside the law.


Why did you decide to self-publish?

I decided to do it after getting a few rejections from agents. For me it was about timing, and going down the trade route could have taken too long. I knew that YA dystopia was popular now so thought I’d best get it out there while there are readers wanting to buy it.

How has self-publishing worked out for you?

It’s definitely a long game, because you don’t have a publisher behind you to help with marketing, you have to make a name for yourself and that takes time. The first few months were slow but the reviews were encouraging. You have to work out how much you want to spend on your marketing, and how much you need to spend on editing and cover art. There is only so much you can do yourself, and I’ve learned the importance of beta readers, and of people who support you and your book, such as bloggers and reviewers.

I’m really happy with what I’ve achieved so far, but as my goal is to support myself as a full-time writer, I’ve still got a long way to go.

Has it worked out well having beta readers help edit for you? Has there been much of a difference? How many do you typically ask? I know some people go the beta route, others go editing.

Betas are really important in my opinion. They’ve helped me to shape the relationship between Mina and Daniel, to make sure that characters are well-rounded, and helped a great deal with grammar and typos. I usually ask two or three beta readers to read my book and send me their comments.

In an ideal world I think a combination between beta reading and editing is best, but when you need to be frugal, betas are essential. Especially trusted writers. It can be hard to know what advice to take and what to dismiss, but you get used to trusting your instincts.

I’m using Betas as a necessity at the moment. I can’t really afford to pay for editors, as much as I’d like to. I think betas do a fantastic job but I must admit there’s always a part of me in a slight panic over spelling and grammar, especially grammar. But even professionally edited novels often have tiny mistakes in them so you have to learn to switch off that panic.


What is bookbub?

Bookbub is an email subscription service telling readers about kindle deals. They have thousands of sign-ups and you can pay them a fee to email their subscribers details about your discounted book. I was lucky enough to be picked by them and it really worked for me. http://www.bookbub.com/home/


At what point did you submit to Bookbub, and how long did it take to accept your book? Did it help with sells/reviews? 

I went to Bookbub in February. I think they responded in a week. There might be some info on the site about how much notice to give them.

To be honest, I feel as though I owe all my sales since February to Bookbub. On the first day I sold 300 books which tripled the amount of sales I’d gotten in the first five months of publication. Since then, even after putting the price of my book back to 2.99, I’ve had really good sales.

I noticed you have a Wattpad account. Have you found it to be a useful tool? How have you used it?

Actually, no! I probably don’t spend enough time on there, but not many people read my stories. It seems more geared towards One Direction fan fiction! I know some people find it a great place to post their work, and I do like adding stories that were not good enough to sell. At least then someone gets to enjoy them.

Your book covers are beautiful (and so are the promotional materials you have posted on Facebook). Who did you have do your covers? They look really well done. 🙂

My cover designer is Najla Qamber, she’s the in-house designer for Inkspell Publisher and a really lovely person to boot http://www.najlaqamberdesigns.com/

I have a go at image manipulation from time to time and experiment with covers and promo bits and bobs but Naj is the real talent.

Have you found having the promotional banners to be helpful? What sort of promotional tools do you use?

I tend to use whatever is free and inexpensive – posting images to facebook, using social media, contacting bloggers, setting up blog tours… I don’t tend to spend a lot of money on adverts. I have tried Goodreads and Facebook adverts but they don’t affect sales.

I have some bookmark designs but until I find myself at a writer’s conference I don’t think I’ll bother getting any printed.

Do you primarily use the internet to promote your books, or have you done any book signings or other author events?

Just the internet for me! I’m a bit shy about book signings but would like to once I have a few more sales and maybe more books. I’d love to team up with another writer in my genre and maybe share a table at an event. Perhaps in the next year or so.

Does having your own specialized website help promote your books? Did you create it yourself or hire someone to make it for you?

My partner is a computer programmer so he did it for me! I’m very lucky to have him around.

Do you plan on continuing to self-publish, or do you hope to trade publish as well?

I’ve really enjoyed the experience but I must admit I would like a trade contract. I think my ambition is to be both trade and self published. If I can get at least one book to a bigger audience, then hopefully my sales would increase for the other books, and I’d get to keep 70% of the royalties from the self published books.

Or another ideal would be to have a print deal and retain my ebook rights. Some of the authors who have had amazing success at self-publishing – Hugh Howey, Bella Andre – have done this. It would be amazing to walk into a supermarket and see your book on the shelves.

I saw on goodreads you had a few short stories trade published (congrats on getting into Apex, by the way). Do you think being located in Britain versus the US has had any difference on your market/target audience?

I’m not sure about the Britain/US thing. I tend to read US based YA so I think my books are heavily influenced by the US trends. But at the same time I write in British spelling and set my books here, so that might actually work to my favour for a US audience. I think we’re pretty popular in America at the moment, what with Harry Potter, Doctor Who and One Direction. Most of my sales are in the US. I find my home country the hardest to sell to!


I saw on your Amazon page that FeedARead is listed as your publisher. Can you tell us a little more about them and how they work, and if they have been useful to you?

Feed a Read are a Print On Demand service for British writers and funded by the UK Arts Council. They pretty much offer the same service as Create Space but work as a smaller company. I’ve had no problems with them at all and am very happy with the royalties and the quality of the book.

I went with Create Space for my second book so I could compare. They are a lot quicker and the direct link to Amazon is really helpful, but the royalties aren’t quite as generous. When I first published The Blemished, Create Space didn’t have direct bank transfer payments for UK authors (another reason for choosing Feed a Read) but now they do, which is much easier.

For the third book I’m not sure which way I’m going to go. Amazon is my priority for sales, so I’m drawn to Create Space.

Any suggestions for authors considering going the self-publishing route?

I’d say have a go to anyone. As long as you research everything and get a really kick-ass cover (and have a good story) then there’s no reason why you can’t have some success. One key factor is releasing more than one book. That’s one of the reasons I decided to do novellas, so readers wouldn’t forget about me when waiting for the third book. It does put a little bit of pressure on the turnaround time, but I work part time so have been able to handle it so far.

Check out Kindleboards Writer’s Cafe if you want to know more. (http://www.kboards.com/index.php/board,60.0.html)


I understand the novella bit. It was something I’d wondered about doing. Actually, I’d wondered about splitting novels into self-contained “episodes” that were novella length and releasing them within a period of five months or so, but I wasn’t sure how well that would go.

The episodes thing worked really well for Hugh Howey and Wool. I think it’s a good idea when self publishing because regular releases bump sales. One thing I’ve noticed from the people who earn their living through self publishing is that they write fast and they release often.


On the topic of suggestions for self-publishing, was there anything you found particularly useful or not useful when you started promoting your books?

Kindleboards Writer’s Café and Absolute Write are really useful forums to learn more. I love reading other people’s experiences with selling their work.

Having a good cover is really important, and it needs to represent the genre you’ve written.

Goodreads – excellent for finding reviewers and building up a good relationship with people enthusiastic about your books.

I saw that you had advanced reader copies available for reviewers when you published the Vanished. Have you found ARCs to be useful in getting reviews? How early do reviewers like to have their copies to read?

I got some advice from a publicist before I published my first book (she was kind enough to stop by my blog and offer advice) who suggested I send ARCs out about a month before the release. I don’t always make that deadline.

Anything you’d like to add (either about the books or self-publishing) before the interview concludes?

Just that you’ll come across many cautious people who make you feel like you’re doing the wrong thing. Sometimes people are right and sometimes they are very wrong. It’s a learning curve. You have to learn who to listen to and who to ignore. When people begin to tell you their way is the right way alarm bells ring in my head.


And that’s a wrap. To find out more about her books, take a look at the links below. I hope you the information proves useful, and perhaps you’ll even find an intriguing book to dig into. 🙂








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1000 Words: The Socks Project Continued

Good news! I’ve finally started editing the prequel to “Socks,” one of the short stories from my 1000 Words project. I’m happy to announce that the title will be “Ashes.” I’m currently in the process of planning the cover, which shall be done in similar fashion to Socks, as a way to show they’re related. The difference is that “Ashes” is not restricted to a one thousand words word-length, and is currently closer to 7000 words. I’m planning on self-publishing it and selling it for $0.99 on both Smashwords and Kindle.

So, for a little more information about “Ashes,” it takes place in the time before “Socks,” so you’ll get to see a little more about the bunkers and the world she lives in. It’s also young adult, sci-fi romance. I hesitate to call it dystopian, since it’s not technically a dystopia, but it runs along similar worlds to popular dystopian YA right now (Pandemonium is the one that comes to mind, though I wrote this before reading that book). It is a complete story, however, if people like it, there is room to continue it before the actual “Socks” story begins. As well as room for right afterwards. Granted, it’ll be competing for time with Distant Horizon, the novel my husband and I are working on, but we’ll see how well it’s recieved. 🙂

In the meantime, go check out “Socks” if you haven’t already. It’s available on Smashwords, and best of all, it’s free. 🙂


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