Tag Archives: back cover blurb

Thoughts on Writing – A Blurb for The Shadow War

I’m preparing to create the pre-order page for The Shadow War, the second book of The Wishing Blade series. I’m still in the editing phases, and it’s going to be a little while before it releases (I’m planning to set the release date for February, though I’m hoping to release it sooner). But I want to have the page up before I do the Stone and String freebie days from Kindle Select.

Before I can create the page, however, I want to have a blurb ready (those dreaded, tricky things that entice readers to buy the book). The Shadow War is a YA/Middle Grade fantasy novella (47,000 words), the second of The Wishing Blade series. (You can read the blurb for the first book by clicking here).

So I’ve been thinking about a blurb, and this is what I’ve come up with:

The kingdom of Cirena is under attack from an army of shadows—beings who can only be hurt by magic or fire. But magic has been stolen, and as the shadows spread, infecting all they touch, the last two ribbon mages race to the nearest port city to warn them of the impending invasion. One of those mages, Toranih, is among the few who can even see the Trickster-cursed army, and she’s determined to get magic back—no matter how much she distrusts it. But when she gets captured by the shadows and a secret is revealed about her future, her only chance of survival may be to fight the shadows from within.

While this may be what I use for my initial post of the pre-order page, I want to make sue it works in the long run. So my questions for you are these:

  1. Is the blurb intriguing?
  2. Does it reveal too much? Too little?
  3. Does it show clear goals and motivations?
  4. If you’ve read Magic’s Stealing, does it interest you in reading The Shadow War?
  5. If you haven’t read Magic’s Stealing, does it interest you in learning more or looking inside either of the books?

Thanks for your input! I appreciate it! 😀

I hope you find this post helpful for your own writings. What pitfalls have you run into when writing a blurb?

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Thoughts on Writing – A Blurb for Distant Horizon: Part Two

Last week I did a post about writing a blurb for Distant Horizon, the YA/NA Dystopian novel that my husband and I will soon publish.

After writing the previous post, then editing the blurb, I came up with three versions that Isaac and I took to the writer’s meeting we attend. The first version was a short blurb in present tense that focused on the world of the novel, but didn’t mention the protagonist. The second was the blurb-ified query letter. The third was a cross between the two.

At the writer’s meeting, we struck out the first one. The second and third versions tied for favorite in regards to which each person preferred.

I’ve made the suggested edits, and I’ve come up with two versions as possible options.

Which one would entice you to read the book?

Version 1

The Community is safe.

At least, that’s what we are supposed to believe.

 

Eighteen-year-old Jenna Nickleson resides in an efficient, secure society that’s recovering from a hallucinogenic plague. So when agents of the Community’s Special Forces arrive at her university prior to a mandatory Health Scan, Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that they’re sent away for treatment, but when she uncovers a ruthless government conspiracy, her ideal world is shattered.

Terrified, Jenna flees her home under the protection of a ragtag band of freedom fighters. The rebels offer her refuge on their rusty airship and claim her hallucinations are elemental plant powers. She’s not so sure she trusts them, but when she comes face-to-face with a cruel telepath in charge of the government’s darkest secrets, Jenna realizes she’ll need more than special powers to escape with her mind and body intact.

 

Version 2

The Community is safe.

At least, that’s what we are supposed to believe.

 

Sixty years ago, a hallucinogenic plague annihilated half the world’s population, leading to the formation of the Community—an international government that promises its citizens safety, security, and efficiency. Every day, Community citizens swallow a mandatory pill to ensure their immunity to the plague. A year after graduating high school, they take the Health Scan.

Most pass, and continue with their lives.

Others disappear.

Eighteen-year-old Jenna Nickleson hasn’t taken the pill since her senior year in high school. She feels more alive without it, and she hasn’t shown any signs of infection—at least, not until two days after a surprise Health Scan is announced and Special Forces arrive at her university campus.

Spurred by the recent string of hallucinations, Jenna searches for any inkling of what happens to those who fail the scan. Rumor has it that they’re sent away for treatment, and once cured, receive a menial job. But when she uncovers the cruel truth behind the plague, her ideal world is shattered.

Underneath the illusion of safety, Special Forces agents harbor a dark secret.

The plague is a lie.

Version one is based on the final query letter we wrote before deciding to create our own company. The blurb reveals a lot more information, but (as some of the writers at the meeting pointed out) narrows the options that the protagonist might choose. With this blurb, we know that the government’s secrets involve super powers, a telepath, and that the protagonist goes with the rebels (at least to start with).

This blurb seems to ask the question, “How will Jenna escape the telepath?” “What other secrets does this government have?”

For the moment, I’ve chosen the same tagline for both versions and changed them completely to present tense. The goal is to draw readers into the story by giving them the sense that all this is happening immediately.

Version two sets up the world before the protagonist. We don’t know what she ultimately chooses to do, though we know that she’s uncovered some kind of secret, Special Forcess agents are enforcing that secret, and that the plague is a lie.

“Why is the government lying about the plague?” “What’s really going on?” “What’s going to happen to Jenna?”

We don’t know, but the blurb promises the reader that if they read the book, they’ll find out.

What do you think? Which blurb catches your attention, and why?

I hope you’ve enjoyed this post. 🙂

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Thoughts on Writing – A Blurb For Distant Horizon

Isaac and I are preparing to publish our YA/NA science fiction novel, Distant Horizon, and one of the many things that must be completed is a shiny blurb for the back of the book (and the Amazon storefront).

This particular blurb has been through many incarnations, especially seeing as how it started as a query letter (which went through many revisions on Absolute Write’s forums). Of course, the story changed over time, and some of the query letters became obsolete… even when they sounded half-way decent.

In a query letter, you want to give a little more information than a blurb (though you don’t typically reveal the end in either), and as such, I wasn’t sure what should stay and what should go.

How much information is too much?

If I reveal a certain plot point, is it a spoiler, or does it intrigue the reader?

I’ve read some blurbs that pretty much went all the way to the climax of the book, or ran through each major plot point without room for deviation. I’ve read some blurbs that didn’t tell me much at all.

Needless to say, I’ve started to avoid reading blurbs again once I’ve actually started reading a book, that way I don’t start waiting to see when the next plot point shows up. But I’ve also noticed that it takes a really good blurb to hold my attention and make me read it word for word, rather than skimming for key words that catch my interest.

That being said, let’s take a look at what Isaac and I currently have written for Distant Horizon.

The Community is safe, unless you have superpowers.

 

Eighteen-year-old Jenna Nickleson resides in an efficient, secure society that’s recovering from a hallucinogenic plague. So when Special Forces agents arrive at her university prior to a mandatory Health Scan, Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that they’re sent away for treatment, but when she uncovers a cruel government conspiracy, her ideal world is shattered.

Terrified, Jenna flees her home under the protection of a ragtag band of freedom fighters. The rebels offer her refuge on their rusty airship and claim her hallucinations are elemental plant powers. She’s not so sure she trusts them, but when she comes face-to-face with a cruel telepath in charge of the government’s darkest secrets, Jenna realizes she’ll need more than special powers to escape with her mind and body intact.

This particular blurb has a tagline: The Community is safe, unless you have superpowers.

(There’s an explanation on the difference between a tagline and a logline here, and a quick explanation here.)

We’re briefly introduced to our protagonist (Jenna), our setting (an efficient, secure society), and a conflict (Society is recovering from hallucinogenic plague. Jenna’s been having hallucination. Societal enforcers show up, making her wonder what’s going to happen to her). We also learn there’s a government conspiracy and get information that gets us just about halfway into the book (when she first meets the telepath).

Analyzing this, I wondered if the conflict could be made clearer from the get-go, and if there’s more we should know about Jenna to make her an interesting character right from the start.

I thought about trying to write the blurb in third person, but offhand I could only think of one book that did this well (Delirium by Lauren Oliver), and I think that worked so well in part because it captured the feel of her writing style.

In one article I read about writing a blurb, the author suggested that introducing the setting before the main character was important in science fiction and fantasy. I checked this theory. This holds true for both Hunger Games and Divergent, and to some degree, Matched (the tagline sets up the world).

Given that the world plays a huge role in Distant Horizon, I’m now considering setting up the world first. (In a world where super villains won the day and dismissed super heroes as delusional misfits with a hallucinogenic plague… All right, all right, I won’t start with “In a world”… And I’m fairly certain that “super villains” and “super heroes” are trademarked terms. *Sigh.*)

Based on the idea of setting first, I came up with this rough blurb:

Ever since a hallucinogenic plague wiped out half the world’s population, the Community has been a haven for its citizens. The people of the Community are safe, secure, and efficient. They take a daily pill to ensure their immunity to the plague, and when the time comes for them to enter the work force, they take a mandatory Health Scan. It’s their duty.

But underneath the illusion of safety, the Community’s Special Forces agents enforce a dark secret.

The plague isn’t real.

Eighteen-year-old Jenna Nickleson is a freshman biology student with a secret of her own. She hasn’t taken the pill since her senior year of high school. She feels more alive without it, and she doesn’t show any signs of infection—until just two days before a surprise Health Scan is announced and Special Forces agents arrive at her university. Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that they’re sent away for treatment, but when she uncovers the cruel government conspiracy behind the scans, her ideal world is shattered.

I’d be tempted to cut it off here, but I’m not sure that it shows enough about what Jenna will do next. What are her goals? What are the stakes?

This is the amended blurb (though maybe a bit lengthy…):

Ever since a hallucinogenic plague wiped out half the world’s population, the Community has been a haven for its citizens. The people of the Community are safe, secure, and efficient. They take a daily pill to ensure their immunity to the plague, and when the time comes for them to enter the work force, they take a mandatory Health Scan.

It’s their duty. But underneath the illusion of safety, the Community’s Special Forces agents enforce a dark secret.

The plague isn’t real.

Eighteen-year-old Jenna Nickleson is a university biology student with a secret of her own. She hasn’t taken the pill since her senior year of high school. She feels more alive without it, and she doesn’t show any signs of infection—until just days before a surprise Health Scan is announced and Special Forces agents arrive at her university.

Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that the students who fail the scan are sent away for treatment, but when she uncovers the cruel conspiracy behind the scans, her ideal world is shattered.

Terrified for her life, Jenna flees under the protection of a ragtag band of so-called “freedom fighters” whose arrival coincided with that of Special Forces. These rebels offer her refuge and claim her hallucinations are elemental plant powers, but she’s not so sure she trusts them. Still, her curiosity gets the best of her, and when she comes face-to-face with a cruel telepath in charge of the government’s darkest secrets, Jenna realizes she’ll need more than special powers to escape with her mind and body intact.

Eh… it’s a work in progress.

Let’s look at the taglines real quick.

The current one I have is:

The Community is safe, unless you have superpowers.

An alternative tagline I’ve considered is:

The Community is safe, secure, efficient.

At least, that’s what we were supposed to believe.

Or simply:

The Community is Safe.

The Community is Secure.

The Community is Efficient.

It is our duty.

The first tagline introduces part of the Community mantra, and also brings in the idea of superpowers (which is nice to for attracting the attention of readers who enjoy superhero stories). The downside I’ve considered is that it may not be clear whether the Community isn’t safe for people with superpowers, or if the Community isn’t safe from people with superpowers.

Or both.

Technically, it’s both, but the potential problem is a concern I have.

The second tagline introduces a condensed version of the Community mantra, and instantly sets up that things aren’t as they seem (yay, tension!). Downside… no mention of superpowers.

The third tagline is a bit lengthy, but it clearly shows the Community mantra, which is repeated several times and places a huge role throughout the book. Should be a tad discomforting for the reader, but the downside is that it doesn’t reveal superpowers or and other form tension/conflict.

But what do you guys think? Which tagline do you like best, and why?

What do you think about the blurb? Are there any blurbs you’ve particularly enjoyed reading?

I hope you found this post helpful. 🙂

___

By the way, as a way to say thanks for reaching 1000 Twitter followers, I’m currently running a giveaway for two ebook copies (.mobi file or Smashwords coupon) of Magic’s Stealing!

Click here if you’re interested in entering the Rafflecopter giveaway, and good luck! 😀

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Thoughts on Publishing – Back Cover Blurb

I’m currently formatting the Magic’s Stealing ebook editions for Smashwords and Kindle, and since I’m determined to get the files uploaded for pre-order tonight, I’m keeping this blog post shorter than usual. But I thought we could take a look at the back cover copy… the little blurb about the book that you see after clicking the cover online.

This little blurb is important, since it tells the reader whether or not they might like the book.

I have a habit of only skimming the blurbs when I’m looking for the next book to read, rather than really letting the information sink in. I’ve noticed this before, but it really became evident today while I was reading The Masque of the Red Death by Bethany Griffin, when I realized that I had little idea about where the book was going. I flipped it over, read the blurb again, and the puzzle pieces fit into place.

It was like the blurb didn’t sink in until after I’d become acquainted with the world.

The same thing happened when I was reading The Girl with the Iron Touch by Kady Cross. I reread the blurb after I’d gotten a few chapters in, and then the blurb seemed to finally ‘click’ for me.

But something in the blurb made me want to pick up the book, so it did its job.

There are also blurbs where I read them after I finish the book, and they don’t quite fit the events of the story. (Or they fit the second book better than the first). The blurb caught my attention, and I enjoyed the book… but it wasn’t really what the book was about.

So today, let’s take a look at the blurb for Magic’s Stealing and compare it to the contents of the book.

For centuries, ribbons of magic have provided the kingdom of Cirena with light, healing, and protection. Then, in a span of minutes, those ribbons fly from their masters, stolen, save for the magic of a few chosen mages. One of these mages is Toranih, a young noblewoman who would rather have a sword in her hand than use her powers to heal or throw fireballs. As a result, her magic skills are lacking. But with former mages dying from magic withdrawal, and the looming threat of an army of shadows who are impervious to mortal weapons, she must either embrace the responsibilities of a mage or watch her home perish.

First off, we have the line about magic and how it gets stolen. This doesn’t actually happen until chapter four, though plenty of stuff happens before then. This is that “start with the action” bit. There’s no fighting yet, but we have tension.

For example, in the first chapter (read it here if you missed it), Toranih’s best friend convinces her to attend a “notoriously magical festival” against her better judgement. She’s conflicted, but ultimately decides to go, leading to her magic being altered by unknown forces. As the story continues, we see her struggling to use her magic (the “her magic skills are lacking” bit in the blurb) and get multiple references to her preference for swords. Once magic is finally stolen, we immediately see the impact it has on mages. Shortly thereafter, Toranih and her friend stumble on the army of shadows in their attempt to find out what happened. Following that, we see Toranih continuing to struggle with her own magic and stubbornness as she responds to the shadow threat.

Though it takes time for the blurb to unfold within the actual story, the main aspects are present. I excluded a number of details from the blurb, such as the involvement of Toranih’s best friend and her sister, the details of the antagonist, and the involvement of time travel (which I may use as a key phrase).

The goal is to give just enough information to entice the reader into reading the first page or buying the book, rather than giving them a detailed synopsis (I’ve read those blurbs, too… in which I knew every major turn of events in the story).

Will this blurb work? I don’t know yet, but we’ll find out soon. If all goes well, expect to see the cover reveal and announcement of a release date for Magic’s Stealing in my next post. 🙂

Have you found any blurbs that didn’t quite fit the book, or didn’t really click until after you started reading? Have you had trouble figuring out what to include in your blurbs?

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