Tag Archives: fantasy

Behind the Scenes – Demon Hunter

A cover for Melange Books. We wanted to match the cover to the first book in the series, Night of the Hunter. We used the same cover model, but a different pose, and similar lighting techniques. However, we switched the background to have more of a setting-based focus, and gave it that stormy lighting to convey mood. We also kept the typography the same and in relatively the same position so that the series was evident.

SBibb - Demon Hunter - Book Cover

Stock images from Dreamstime:

https://www.dreamstime.com/royalty-free-stock-photos-dark-ominous-rain-clouds-lightning-image18357018 – sky

https://www.dreamstime.com/stock-photo-new-orleans-lafayette-cemetery-above-ground-tombs-image60673899 – cemetery

https://www.dreamstime.com/stock-photo-abstract-smoke-moves-black-background-image48826804 – fog

https://www.dreamstime.com/stock-photo-business-man-holding-gun-monochromatic-background-image48451524 – man

http://depositphotos.com/39716167/stock-photo-couple-with-sword-and-historical.html – head

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Thoughts on Writing – Using Music for Plotting (The Wishing Blade series)

When writing and plotting stories, I like listening to music. (Not so much when editing… then I prefer to see how the story is speaking for itself). Listening to music helps me set the tone of the scene, and it provides inspiration while I’m plotting, whether I’m stuck in a scene, or just want something to help convey the tone. Another benefit I’ve found is that if I listen to music while plotting, then listen to the same song again later when writing, I can reintroduce that feeling, that mood I was in when I originally crafted the story. (For this, playlists are extremely helpful).

For example, I’ve used music constantly while writing and plotting The Wishing Blade series. There are certain songs I listen to when I want to be reminded of specific characters and their motives. For example, “The Other Side” by Blackmore’s Night is one I’ve recently found useful when I want to think of Shevanlagiy’s character arc (since there’s a particular character she’s trying to keep from dying again that drives her motives).

As for influences on the world of the story in general, “Shadows” by Gordon Lightfoot, and “Rainbow Connection” from the Muppet Movie (I must admit that I’m not a fan of the original recording; I heard a different version of it when I was taking singing lessons that I became a fan of), both influenced the world. “Shadows” inspired some of the longing of Daernan’s character in The Shadow War, who sees that the world is no longer what it appeared, and it influenced how he sees the war affecting Toranih. “Rainbow Connection” pushed me toward the original idea of the Wishing Blade and more importantly toward the idea of there being some unnatural call (in this case, Magic’s Lure) pulling characters in directions they hadn’t expected (though the call in the story is a bit more sinister than that of the song).

But not all of the songs that influence the story and character arcs are ones I listened to in the early stages of writing. Aside from “The Other Side,” which was a fairly recent discovery, I enjoy several versions of “Luna’s Future” that fans have covered from the My Little Pony: Friendship is Magic TV series. When I listen to the song, I enjoy picturing it as a dialogue between Madiya and Shevanlagiy (minus the names of the ponies involved, since neither characters would wish to be caught in a musical, or as their equine counterparts…). I also enjoy “Elf Glade” by Meg Davis, which I picture as a dialogue between young Lord Menchtoteale and Shevanlagiy… despite the fact that there are no elves in the story, and that I can’t go into too much detail about why I see this song with those characters without giving potential spoilers.

If you listen to music while plotting, consider the reasons for it. Does it inspire a certain mood for you? Help you picture scenarios between characters you hadn’t pictured before? If you’re stuck on a certain plot point, try putting together a list of songs that have influenced your story, or look for new ones in a similar vein to help inspire you. (Just don’t do like I do and discover that a couple hours have passed with nothing written, but with a host of new songs added to the playlist).

Another joy of plotting while listening to music is misinterpreting lyrics. The first time I heard “The Skye Boat Song,” I heard “Carry the lad that’s born to be king, over the sea to die” rather than “over the sea to Skye.” Though the plot arc that resulted hasn’t appeared in the current version of The Wishing Blade series, it led to a concept that played in the original draft, where a young boy who was stillborn was brought back to life by the high god so that he would later become king. There was no sea involved in the plot, but the character played a large role in the original story. (And who knows… he may later play a role in the world of Cirena, even if he doesn’t appear in The Wishing Blade series). Likewise, “Kingsword” by Heather Dale also makes me think of that particular story arc.

Have you found any songs to have given you story ideas because you didn’t quite hear what was being said? Or because there are variations on the song?

There were certainly other songs that influenced the world of The Wishing Blade and helped shape it into what it is today. Most of the stories I write have been influenced in one way or another by the songs I listen to (and the songs I listen to have been influenced by what I write).

If anyone’s interested, I’m considering looking at how music has influenced the other stories I’ve written and that I’m working on. But, for now, do you listen to music while you plot, and have you found any songs to be helpful in writing a particular story? 🙂

 

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Behind the Scenes – Song of the Sword

This is a cover for Melange Books. For this cover we wanted to keep with the theme of the previous books: Dragon SwordSword of DoomSword of the Quest, and Star Sword. Again, I piece-parted images of the model to get the dramatic pose we wanted, and per usual, I added specific lighting to the background and foreground using overlay and softlight blending layers, in order to make the image look cohesive. Adding a bit of “fog” at the base of the image allowed the title to stand out better while blending out the legs of the model where the stock image was cut away.

SBibb - Song of the Sword - Book Cover

Stock images from The Dollar Photo Club (Site no longer functional):
two images of the model

Stock from Dreamstime:
https://www.dreamstime.com/royalty-free-stock-photos-dark-ominous-rain-clouds-lightning-image18357018 – sky
https://www.dreamstime.com/stock-photo-castle-kreuzenstein-leobendorf-near-vienna-austria-image45372240 – castle
https://www.dreamstime.com/stock-photo-roche-rock-ancient-ruined-chapel-perched-top-rocky-granite-outcrop-known-as-located-mid-cornwall-dedicated-to-st-image32326080 – rocks

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Behind the Scenes – Star Sword

A cover for Melange Books. For this cover we wanted to keep with the theme of the previous books: Dragon SwordSword of Doom, and Sword of the Quest.  I used the same model (piece-parted to get the pose we wanted). In order to try speeding up the process, we fully discussed the author’s vision for the cover before I started piecing everything together. I asked him to clarify a few of his ideas, and we managed to get this put together withing four proofs (minor tweaks on each. I toyed with the idea of the flames pouring over into the series title to add more drama and flare.

This is the result:

Behind the Scenes - Star Sword - Book Cover

Stock images from The Dollar Photo Club (Site now defunct):
katana and three images of the (same) model

Stock from Dreamstime:

https://www.dreamstime.com/royalty-free-stock-photo-bonfire-flame-fire-forest-autumn-flames-image34236555 – fire
https://www.dreamstime.com/stock-photo-meteor-shower-isolated-black-background-image49030556 – meteor
https://www.dreamstime.com/stock-photo-roche-rock-ancient-ruined-chapel-perched-top-rocky-granite-outcrop-known-as-located-mid-cornwall-dedicated-to-st-image32326080 – ancient ruins
https://www.dreamstime.com/royalty-free-stock-image-black-smoke-red-flames-photo-special-nature-protection-action-intended-to-make-better-habitat-rare-heathland-image39123676 – lower fire

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ConQuest 48 – Panels and Readings!

Hey guys, I’m excited to announce that I’m going to be sitting on a few panels at ConQuest 48 in Kansas City, Missouri! The convention runs from May 26th-28th (that’s this weekend), and it’s a great resource for fantasy and science fiction writers. Definitely an event to check out to gain all sorts of writing information.

If you’re going to be in the area, and you want to see me on a panel, these are the ones I’m scheduled to be on:

Saturday, May 27th

3:00 pm || How to over-think your way out of writing

5:00 pm || Fantasy and Science

Sunday, May 28th

10:00 am || Creating Languages (I’ll be moderating this one)

12:00 pm || Reading

Thus far I’ve been enjoying practicing a couple different selections I’m considering for the reading, and tomorrow I’ll be brushing up on the panel topics to remind myself of all the awesome things there are out there.

The times I’ve gone to watch the panels in the past have been really informative, and a lot of fun. Plus, there are several other authors and speakers there worth listening to. I hope to see you there! 😀

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Thoughts on Writing – A Use for Prologues

Writers often hear that they shouldn’t include a prologue in their novel. That, if necessary at all, the prologue should become the first chapter.

I’ll admit, though I’ve often attempted to write a prologue into my stories, I’ve usually turned back around and taken them out later at the suggestion of beta readers. Prologues are often a breeding ground for unnecessary info dumps that really would be better interwoven into the actual story. (Or in my case, prologues were excuses to bring in confusing characters that weren’t ready to be revealed until a bit more foreshadowing has been dropped into the story).

However, there are exceptions to every rule, and most writing rules are really more like guidelines that, if you know their purpose, can be broken.

For example, I’ve become a fan of the writing podcast, Writing Excuses, which is an excellent resource for writers who want to hone their craft. The podcasters of Writing Excuses cover many different topics, and one topic they covered was the effectiveness (and lack of effectiveness) of prologues. An example they gave of a useful prologue was the intro for A Song of Ice and Fire, in which the readers see an example of the monsters in the introduction long before monsters are shown again in the main story. (Note: I haven’t read A Song of Ice and Fire, so I may be misinterpreting their explanation.) The point of this prologue was to set up reader expectations and promises, to say that even though you aren’t going to see these monsters again for a while, they do exist in this world and the reader will see it again.

This is exactly what we see happen in Marvel’s Doctor Strange movie. The introduction begins with a dark ritual and an exciting, mind-bending fight between the antagonist and the Ancient One, and shows that there is a whole magical side to this universe that the viewer should expect to see later. The movie then launches into the beginning of the story for Doctor Strange, which has absolutely no magic, focuses heavily on a medical-science focus, and shows a rather self-absorbed protagonist. If the movie had not started with the prologue to show the magic that would come in later on, the viewer who simply started with Doctor Strange’s part of the story would be in for a bit of a surprise once the mystical stuff shows up (landing quite a punch for both the main character and the viewer). In the meantime, those viewers who wanted exciting action and magical sequences might have gotten bored and decided to skip out on the rest of the movie. Because of the promises made at the beginning of the movie, the viewer knows that if they wait around long enough, their patience will be rewarded.

A different use of prologues is to help set up foreshadowing that readers won’t see otherwise, at least, not until far too late into the story. (The trick here, it seems, is to make sure it is interesting and still drives the plot, despite a difference in time or perspective). One of my favorite prologues is from Brandon Sanderson’s Steelheart, which is a fast-paced sequence that introduces the concept of “epics” (those who use superpowers tend to go evil in that universe) and sets up the weakness of the antagonist, though it doesn’t explain what the antagonist’s particular weakness is until much later. It does a good job of setting up that this is going to be a novel where the main character is set on vengeance, and setting up promises and expectations for the reader. Another thing I enjoyed about the prologue in Steelheart is that the whole sequence is explained later by starting with the character’s explanation of the events, but cutting before everything is explained and going to the next chapter, allowing the reader assume that the story the protagonist tells is the same one from the prologue. Arguably, this scene could have been shown at that point in the story. But then it would have slowed down the main plot and the reader would have lost knowledge about the driving force behind the main character’s actions, something that helps the reader sympathize with the protagonist (whose original goal is more or less to uncover the weaknesses of various epics so he can assassinate them).

Thus far I have not yet used prologues in any of my published works, but that may change in the future if the right story comes along. What are your thoughts on prologues? Have you used prologues in your fiction? Do you have any favorite prologues?

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Behind the Scenes – Entrance to Dark Harbor

A cover for Melange Books. For this cover, we wanted to keep the same style as the first book, Dusk Runner. I used the same two textures to create the background (though I made sure to do the retouching on the basic layers this time, so that next time will require less retouch work). The author already had an image in mind for the main picture. While it wasn’t from one of our usual stock providers, I used the provided image and their description of the ship to find a similar picture at Dreamstime. I kept the text placement and style the same (though some adjustments had to be made, since the title was longer). We also tried two different font colors, a pale, near-white blue, and then a light blue. We ultimately chose the light blue since the color was still visible and provided the closest match to the previous title.

This is the result:

Behind the Scenes - Entrance to Dark Harbor Book Cover

Behind the Scenes - Entrance to Dark Harbor - Back of Book Cover

Stock images from Dreamstime:

http://www.dreamstime.com/stock-images-brown-leather-texture-image21958744 – leather texture

http://www.dreamstime.com/stock-photos-old-yellow-brown-vintage-parchment-paper-texture-image24082203 – paper texture

https://www.dreamstime.com/stock-image-sailing-ship-image12784651 – ship silhouette

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Thoughts on Writing – Trickster God’s Deleted Scene from “The Shadow War”

I’m not much of an April Fool’s Day fan, but it seemed like the perfect day to post a deleted scene from The Shadow War, one which involves the trickster god, Isahna.

While I loved the scene, I ended up cutting it from the book because we didn’t really need to see Isahna’s point of view and it wasn’t quite matching the tone needed at the point in the book where it was relevant.

Be warned, there may be a few minor spoilers in this, but since this scene was cut in mid-edits, a few things have changed as to what is actually happening behind the scenes.

The overall event does still happen, though… much to Isahna’s displeasure.

Deleted Scene from The Shadow War:

Isahna held the precious oil-skin bundle in his hands. He toyed with the fabric, savoring the anticipation of seeing the shodo’charl in its full glory. He couldn’t use the stone, not yet, but once his shadows had killed the minor gods, their combined powers would give him what he needed to harvest the stone’s power—and maybe even figure out how the whole “time travel” part worked.

Or maybe he’d just dangle the stone in front of Shevanlagiy’s nose and watch her throw a jealous hissy fit. Maybe he could even work a blood deal out of her. A little more info about her past in exchange for this handy-dandy all important stone…

He grinned.

That would be worth her rage, surely.

He rubbed his hands together, made sure no traces of shadow magic were on his person, and then tossed the oil-skin back.

His jaw dropped.

He didn’t have the shodo’charl.

In its place was a piece of shiny black obsidian. Beside it, a small roll of parchment tied with a thin, curly ribbon.

Isahna tore the ribbon from the parchment and cast it into the swirling mist around him. The ribbon vanished, lost forever to the fog of the Immortal Realm.

He unrolled the parchment. In Cirenan script, each letter written precisely by a careful hand, was a note penned to multiple recipients:

If Daernan: I apologize for the inconvenience of taking this stone, but it is needed elsewhere. Too easy that a god might trick you for their own nefarious purposes.

If Cafrash: I apologize that I did not stay and guide you from Shevanlagiy’s plans. I realize you must be hurting now, and I shall try to end this as soon as humanly possible.

If Shevanlagiy: Please go back to your realm and leave us alone. You have caused us enough trouble. Thank you.

If Isahna: *See Daernan above. Oh, and I am thrilled to proclaim that I have made the first move.

If anyone else: I highly advise you avoid pick-pocketing powerful mages. On the bright side, you now have a decent sized lump of obsidian which you might sell for a small fortune.

Isahna cursed and shredded the note. He twisted his lips and tapped the table, trying to decide what to do now. The note was obviously written by someone familiar with his work, and if he were to guess, the culprit was one Nihestan Nivasha.

Did the man still have magic?

After the whole chesnathé incident, Isahna couldn’t be sure.

He rapped his knuckles on the table, then nodded decisively. He would “let slip” Nihestan’s presence to Shevanlagiy. That ought to keep her busy. With her out of the way, Isahna would have no one to stop him from taking over Cirena with his horde of shadows.

But he sure would have liked to dangle the stone in front of her nose.

Another time, another time.

Happy April first… and I hope you enjoyed the scene. 🙂

Have you ever deleted any scenes from your stories? If so, why?

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Thoughts on Writing – Developing a Fantasy Language (Interrogative)

For my short story, “Stone and String,” and for The Wishing Blade series, I’ve been trying to develop a functional conlang (constructed language) to add flavor to the world and for use as plot points. However, I ran into a problem… how do I ask questions in my Cantingen language?

See, I’ve been developing this over a period of time. Figuring out potential words and jotting them down for future use… figuring out a grammar rule (researched a whole slew of grammar rules from various languages to figure out the previous grammar rule)… and adding them to the dictionary as I go. I already had verb conjugations figured out (at least for an imperative style phrase in present tense), numbers, possessives (sort of) and adjectives. Apparently I already figured out adverbs, too, but hadn’t realized it. (And so I jotted that down, too).

But then it hit me that I hadn’t figured out how to ask a question in the Cantingen language.

I considered not having them use questions at all… then decided that would be just a bit too bossy for them. While word magic based on the language isn’t likely to use questions (though Isaac has challenge me to figure out how they might make it work) since it’s based on commanding magic to do what they want, the casual speaker is going to want to ask questions.

So I did some quick internet research on interrogative language stuff… (it may become quickly apparent that while I am trying to learn what the various mechanics are, I have trouble remembering the names for those mechanics)… and began formatting how to create the questions.

First off, I knew that I couldn’t use tone to imply that something is a question. That’s because word magic is intended to be read and still be clear… without the use of a question mark. I didn’t want to mess with swapping sentence structure around to make a question. And I didn’t want to inflect the verb in order to suggest that it’s a question.

Somehow, the result ended up reminding of an elementary school English lesson:

How does the dog run? The dog runs quickly. The dog runs how? Quickly.

And thus I decided on these rules:

  1. Questions are to be phrased so that the interrogative portion of the question replaces the who/what/etc portion of the question.
    1. (Ex. The dog runs how? vs The dog runs quickly.)
  2. To form a question, the who/what/etc suffix is attached before the word quéth, thus forming the phrase which replaces the part of the sentence in question.
    1. (Ex. nanlli mean “how,”quéth indicates that the sentence is question. Together, they create nanlliquéth.)
  3. Because the question is indicated in the sentence, there is no need for a question mark.
    1. (Ex. In English, it would look like the person says: “The dog runs how.” It should read flatter, without the rise in tone that a question in English would have. )
  4. Yes/No questions simply attach quéth to the verb in question.
    1. (Ex. hasil is “dog” and nivé is “to run.” “The dog runs,” translates to Hasil nivétra. If you say “The dog runs?” in English, you would say Hasil nivétraquéth. in Cantingen.

 

The questions ended up looking something like this:

 

Who – ka 

Who is that girl? Edyli is that girl.

Kaquéth dratethol ali doran. Edyli dratethol ali doran.

*
What kas

That sound is of what? That sound is of leaves.

Ali runin dratetha so kasqueth. Ali runin dratethtra so inarame.

*
Whenvésa

We leave when? We leave soon.

Yliav vésaquéth. Yliav jano.

*

Whereuru

The scroll is where? The scroll is in the box.

Kev dratethtra da uruquéth.Kev dratethtra da vari.

*
Whyji

She weaves why? She enjoys to weave.

Walol jiquéth. Kaviol wal.

*
How  – nanlli

She weaves how? She weaves quickly.

Walol nanlliquéth. Walol naf.

*
Yes/No Questions

This is the girl I seek?

Éda dratetholquéth doran somaria.

It’s still rough, and probably needs some polishing, but that’s what I have so far. It came in handy while working on The Shadow War. While there aren’t anyone asking questions directly in the Cantingen language, there are a few times when the main characters are speaking to people who are from the Cantingen Islands. Knowing how their primary language worked, I was able to change the sentence structure to add to the voice of those character.

For example, there’s a scene that takes place at the marketplace outside of Ashan.

The merchant bowed politely to the horses. She spoke softly in a Cantingen dialect, nothing Toranih understood, before finally turning to her customers and smiling. “Something attracts your eye?” she asked. Her Cirenan speech was articulate and careful, common among the Islanders. A rich blue sash wrapped around her hips and across her slender, bronze shoulders. Her dark hair had been pulled into loose curls and silver ribbons.

Daernan gestured to a pastry with a flaky, golden-brown crust, apricot paste, and streaks of yogurt frosting. “I’ll have that.”

Though I use the question mark here to mark correct English grammar, note how the question is phrased… “Something attracts your eye?” rather than “Does something attract your eye?” or “Do you see anything you like?” Theoretically, you could read it as a statement: “Something attracts your eye.” But if the merchant were to be speaking in the Cantingen language, she would use “quéth” to designate the question. “Eliaved nicolquéth naenlli.” (Literally, it translates to “Unknown sweet bread attracts your attention.” but the merchant knows enough Cirenan to phrase the question in a more familiar way).

* * *

I hope you enjoyed this post. 🙂 Have you tried constructing your own language, and if so, what problems have you run into?

If you want to read more about conlangs, I also have a post about Developing a Fictional Language (Cantingen) and Developing a Fictional Language (Maijevan).

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“Path to Old Talbot” by Jordan Elizabeth – Blog Tour

Today I’m participating in a blog tour for fellow author Jordan Elizabeth. She has a new book coming soon. 🙂

(Note: I did not design the cover. The cover artist is Rue Volley.)

~

PATH TO OLD TALBOT

A Young Adult Fantasy

Path to Old Tabot - Book Cover

Thirteen-year-old Charity can escape her unpleasant reality by stepping through the parlor closet of her mother’s new home, a mansion built in the 1800’s. 

In her hometown of Talbot, New York, in the year 1880, she doesn’t have to worry about her depressed father skipping his medications or her mother flirting with her coworker. Instead, she gets to know the hatter’s son, who shows her a lifestyle of manners and pride. Few have ever accepted Charity’s old-fashioned ways…until now. 

However, old Talbot can’t banish the present. Charity can stay in the mansion, with access to the hatter’s son in the past, and the prospect of a steady family unit with her mother and the new man in her mother’s life, or she can go back to her father, who has been given the option to straighten out his life and join them in their new home. Instead, his world unravels, and he spirals into violence and self-harm.

Torn between two worlds, Charity knows that if she doesn’t help him, she may lose him forever if he follows through on his threats of self-destruction. 

PATH TO OLD TALBOT is on Amazon from CHBB.

Check out early reviews on GoodReads!

~

Check out Chapter 1:

Sunlight reflects off the pavement and bakes my bare legs. Shadows play across Daddy while he cries on the stoop, slumped forward, his shoulders shaking. How many times will he play this game? If he got it together, Mom and I wouldn’t be packing the car to move to a different house.

I shade my eyes and look away from him. Think about the steps. Don’t think about him. It’s a lovely stoop, with only a few chips, and it has a wrought iron railing that curls at the end.

“Why does life keep throwing crap at me?” Daddy’s yell makes a crow fly from the old oak tree in our front yard.

Leaves rustle in its wake as the bird shoots over the house like a black ball, and it caws, a hoarse screech like Daddy’s voice when he’s upset.

Mom carries her last box of books from inside the garage and sets it in the trunk of her Subaru. The huge box catches on an edge and she grunts as she shoves it. Her biceps flex— surprising how strong she is, since she never works out. I swear Mom can lift anything. She wipes her palms on her shorts, smearing dust across the black denim.

“Why does this always happen?” Daddy slams his fist into the cement stoop.

I wince. I could cover my ears against the sound, but I’m not a little kid anymore; no more hiding for me.

His hand bleeds. It will add a new scar to the skinny white lines that crisscross his knuckles.

When I was younger, I pretended they were lines from elf hoes, and miniature vegetables would grow among the whorls of dark curls. Now, seeing the scars makes my stomach clench.

Mom won’t bandage him up. She stopped years ago. This time, I won’t either, even though my fingers itch to fetch the Band-Aids and Neosporin. I didn’t make Daddy punch anything. He needs to patch himself. It isn’t our fault he won’t take his medication.

I pick at my glittered purple polish, catching a hangnail. The red stain mixes with the polish as if I intended for a gruesome pattern.

Daddy staggers off the stoop and paces.

“I need a gun,” he rants. “I’m gonna put a bullet in my head.”

Mom clears her throat. “Come on, Charity. We’re leaving.” She presses her lips into a thin line and slams the trunk door, making her Impreza vibrate. She walks along the path of flat rocks, trampling some of the grass that has grown too tall, and pauses next to him.

Daddy grunts, dropping back down onto the stone, and he tips his head up, his fingers dragging across his cheeks. Blood trickles down the back of his hand into the sleeve of his button-up shirt. His blue eyes are wide and bloodshot, tear-filled. Sometimes when he cries, Mom kisses the tears away.

Even though I’m thirteen, I should be the one crying. Heck, I’m still a child. His therapist said so. Daddy should hold me and promise everything will be fine. He’ll take his meds and we’ll all be okay.

I’m too delusional for all that, but the thoughts slip in anyways.

I shouldn’t have to avoid Daddy when he’s in a mood. I shouldn’t have to worry about my words making him emotional, or my attitude setting him off, or whether I’m going to find him dead when I come home.

Mom kneels to clasp his wrists. “I love you, Max. I will always love you.” Her voice squeaks, but her body remains steady. She doesn’t look away from his stare.

“You can’t go!” He yanks his arms free and stands on the stoop, but he teeters. His bare feet poke from the ragged hem of his jeans. The lack of shoes makes him look like a teenager. When has Daddy ever been an adult for me?

Has he ever been an adult for himself? According to my grandparents, his depression started in high school. Why hasn’t he learned how to cope yet?

“I’ll kill myself!”

I wince at the threat, but Mom rises, shaking her head. Why can’t he see how much we love him? Why aren’t we enough to stop his pain?

“You know where we are. When you’re ready, come find us.” She kisses his mouth, fast, as if afraid he’ll push her away. His blood smears her palm, but she doesn’t look down when she wipes it on her thigh. It leaves a crimson streak, as if she’s the one bleeding.

“Charity!” Daddy stumbles toward me. “You won’t leave me. Come back, honey. I need you.”

I quicken my pace to open the car door and slip into the passenger’s seat. My fingers shake as I fasten my seatbelt. He doesn’t need me. He needs to help himself. I play with my hemp bracelet to avoid looking at him. My stomach heaves as I fight back tears.

“Isadora,” he yells.

I glance back, a final glimpse in case he does kill himself.

It won’t be my fault, or Mom’s. We don’t make Daddy do things. Mom tells me that every day. It is never your fault. Sometimes it hurts to think that. If it was my fault, maybe I could fix it.

His brown hair is in that buzz cut Mom hates. He’s gotten blood on his cheek. If only he took care of the things about the house the way he cuts his hair, the place wouldn’t look so run down. After we leave, he’ll break things, but we took the things we cherished— everything except for Daddy, and seeing the tears in Mom’s eyes, I know we cherish him most of all.

That’s why we have to leave.

Mom sits beside me and slams her door. She slips the key into the ignition and turns it without taking her gaze from the road. I stare forward too, because it only hurts to think about the past. Tall grasses wave in the breeze next to the garage as if saying goodbye.

I’ll really miss this place.

“He needs to get help,” Mom whispers. “He can’t do that with us. We’re just his crutch now.”

A chipmunk darts across the driveway and from somewhere down the street, music plays through an open window. I almost forget how hot the day is until sweat gathers behind my knees.

We need to grow up, too, but I don’t talk in case Mom needs solitude. What will the neighbors think?

It’s about time Isadora and Charity left.

How dare they leave that poor man? Mrs. Ames next door has always seen him as someone to coddle, like an oversized infant. No doubt she’ll go with that train of thought.

Mom drives forward and heads down the road, past all the neighbors with their happy, safe families, as peaceful as the fluffy clouds dancing over the blue sky.

“Isadora! Charity!” Daddy’s wails fade and I bite my lower lip.

Mom told him to come home once he becomes well. Our new house. Her dream house.

Our home.

I want to squeeze Daddy’s hand, to feel secure, but my fingers close on false hope.

 

Jordan Elizabeth - Author Photo

Jordan Elizabeth is known for her odd sense of humor and her outrageous outfits.  Surrounded by bookshelves, she can often be found pounding away at her keyboard – she’s known for breaking keyboards, too.  Jordan’s young adult novels include ESCAPE FROM WITCHWOOD HOLLOW, COGLING, TREASURE DARKLY, GOAT CHILDREN, and VICTORIAN.  PATH TO OLD TALBOT is her third novel with CHBB.  Check out her website for bonus scenes and contests.

Jordan Elizabeth - Author Logo

 

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