Tag Archives: writing fantasy

Differing character POVs in The Trial of Bells and Blood

How do Hahven and Alia see the world of Cirena?

Both are fighters of a sort. Hahven is a duelist. Alia is a former guard.

Both have a desire to protect.

But whereas Hahven looks to protect his students from the dangers of the world around them, Alia tries to switch wagons and become a merchant after an attempt to protect people goes horribly wrong.

And how they view the world differently is really fun to write.

Hahven is annoyed with the gods but willing to deal with them if it means protecting someone. Alia is trying to honor her new patron deity of merchants, but still feels honor-bound to step in and protect if no one else can.

Their perceptions of the world, and their biases about the world, each plays a large role in how they interact with the world and with each other.

One thing I strive for with storytelling is writing with character perceptions and biases in mind, especially for any point-of-view characters, so that the world we see is heavily influenced by their perception and biases.

It’s something I’ve been trying to do with the Wishing Blade universe since Magic’s Stealing (we briefly see Aifa and Shevanlagiy’s points of view, in addition to Toranih), and especially the further we go as more character POVs and arcs are added. By the time we get to Magebane, we’re also in Daernan’s head and Siklana’s head. The same events take on different flavors depending on which character approaches that event.

(For my Wishing Blade Universe newsletter, I’ve been working on a draft with a WIP title of “Twins in Ferta”/”the Ferta Story,” and that’s been really fun to write. Not just because Ehmina and Lesi each see the world a bit differently, but because I got to hop into young Isahna’s head… and that led me to some unexpected revelations about his character and backstory).

As for Legends of Cirena, the first six stories each focus on a singular character, but since they’re short stories and novellas, I got to do something similar to the Wishing Blade series, where I’ve been able to explore the world through different characters in different regions with different perceptions.

For example, on one end you have characters like Livena (The Wind Mage of Maijev and The Wind Mage and the Wolf), who is very confident in her beliefs about how the world should be, tends to comment on the social structure of her surroundings, and speaks negatively about magic. On the other end, in The Gryphon and the Mountain Bear, you have a shapeshifting rogue who is completely comfortable using her magic to fool a gryphon (well, as comfortable as anyone can be while trying not to become a gryphon’s dinner).

Or Ro’nor (The Restless Sands of Neel), who really just wants to settle down someplace nice and cool, and isn’t sure what to think of his talkative, very excitable guide. Meanwhile, his guide is friendly and curious and wants to know more about him and where he came from, but that’s maybe too friendly when he’s tired of being asked the same questions about dragons when he doesn’t have any of the powers in question.

Then there’s Hahven and Alia (The Cursed Halls of Kalecen, The Scars of Her Past, and The Trial of Bells and Blood)… Both are jaded by events from their past (Hahven more recently), but whereas Alia leans into her faith in the gods and worries over the cost of having accidentally broken the code of her first patron god, Hahven didn’t really worship any of the gods and doesn’t mind griping about the god he’s become a champion for.

Knowing what the characters value and what they despise or distrust can be a great way to figure out their goals or where they clash. And being able to write from multiple character POVs (points of view) and showing how they react to other familiar characters is one of the things that I’m particularly enjoying with the crossover stories The Wind Mage and the WolfThe Trial of Bells and Blood, and the upcoming The Dark Forest of Aneth.

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Read the very different perspectives of Hahven and Alia…

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Happy reading and writing!

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Choosing a title for “The Trial of Bells and Blood”

While working on The Wind Mage and the Wolf, I was still thinking onward to the next book of the Legends of Cirena series.

Problem is, I hadn’t decided on a title.

I mean, I kind of had an idea of what I was leaning toward, but I wasn’t sure it was really right.

(Choosing a title, like blurb rewriting, is usually one of my writing banes).

I tried brainstorming potential titles by jotting down the first ones that came to mind and then branching off from those.

Some of them seemed promising.

Some of them really didn’t fit the story.

Some seemed like… maybe?

After a bit, I whittled the choices down to three and asked the Wishing Blade Universe newsletter readers for feedback.

I gave them some details about the book I was trying to title: Legends of Cirena #8, which brings in the characters of Hahven (The Cursed Halls of Kalecen, Legends of Cirena #4) and Alia (The Scars of Her Past, Legends of Cirena #5).

Synopsis

Hahven is a duelist who would rather train his students to protect themselves than spend his time serving a vengeful god of justice, but due to an event from The Cursed Halls of Kalecen, he’s now stuck as the vengeful god’s champion. He’s forced to serve the god, or risk going back on a deal.

Thanks to those same events, he also has a rather annoying chesnathé horn growing from his forehead that intrudes on his thoughts with the guilt or honor of nearby people. Unfortunately, the horn also comes with a desire to stab and kill those he deems guilty, or to stab and grant immortality to those he finds worthy.

(Either way, the horn tends to be on the stabby side).

So when his god calls on him for a mission, he dreads learning what he might be asked to do.

Meanwhile, Alia is a merchant with a past she has tried to atone for and forget (as detailed in The Scars of Her Past). She’s almost ready to start a caravan of her own when one of the criminals she crossed during her time as a guard makes a plea to the vengeful god Hahven serves, determined to get revenge on Alia.

Problem is, that vengeful god takes a liking to Alia instead, and wants Hahven to convince her to serve him, too.

Alia isn’t having it.

Neither is Hahven.

Determined to keep her from facing the same fate he did, Hahven calls upon the high god for help circumventing his current master, and he’s surprised when he actually gets an answer.

The high god sends Alia and Hahven to the southern desert of Neel via a caravan that belongs to the gods. But when they get there, they discover an atrocious murder that tests Hahven’s increasingly irritable horn, and forces Alia to reconsider whether or not she’s really done protecting people from those who mean harm.

So that’s the overview.

These were the titles I presented that I thought might work, and there was one in particular I was leaning toward, though I hadn’t settled on anything and was open to ideas if readers were willing to share.

  1. The Trial of Bells and Blood
    • There are multiple trials throughout the story, the bells are a symbol of the vengeful god, and the horn wants blood… constantly nagging at Hahven to kill those it finds guilty. Also, it was the vengeful god’s blood that gave Hahven the judgmental horn.
    • However, the downside of this one was that it was very close to the title of our work-in-progress Multiverse Chronicles story and its Battle Decks edition: Trials of Blood and Steel.
  2. The Bells of Truth and Blood
    • The bells are a symbol of the vengeful god, the horn sees the “truth” of people, though its judgement is skewed, and the horn wants blood.
  3. The Caravan of the Gods
    • Alia is given a caravan to take to Neel where she and Hahven investigate the murder. As the caravan was organized by the gods, it’s a “caravan of the gods.”

In the end, I chose the one I was originally leaning toward: The Trial of Bells and Blood.

But what do you think?

Does The Trial of Bells and Blood have a ring to it (pun intended)?

I hope you enjoyed this look into my title-choosing process. 🙂

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Delve into three tales of vengeance and forgiveness

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Happy reading and writing!

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Cover Process for The Wind Mage and the Wolf

Today I thought I’d give you a look into the messy sketches and scribbles of my cover design process for the The Wind Mage and the Wolf, the seventh story in the Legends of Cirena series.

I don’t always make sketches like these, but in this case, I had a few ideas I wanted to jot down so I wouldn’t forget.

Note: the scribbles are barely readable in person. Unforunately, that means they’re even less readable here.

As you can see, these are really rough sketches, meant to give me a general idea of where I might place key elements.

I’ve tried to make a note of possible titles, variant backgrounds, and things I’d need to take into consideration when I went to create the proof.

All of this was on one sheet of paper, and covered multiple stories, but I cut the page in Photoshop to make it easier to view in an email, where I originally sent out this preview in 2019.

Fast forward to the finished version of the cover, which I designed in Daz 3D Studio:

SBibb - The Wind Mage and the Wolf Cover

Here we have Livena and Nuaka (currently in an altered wolf form) as they head down the streets of Ashan. Though Livena’s magic wouldn’t normally be visible to the naked eye (she can’t see it, either), I was aiming to convey the magic/fantasy genre.

This was the first of the covers for the crossover portion of the Legends of Cirena series, each of which are novellas (or a novel, in the case of the upcoming The Dark Forest of Aneth) instead of short stories.

Eventually I decided on the title: The Wind Mage and the Wolf

(Notice in the sketch it’s “The Wolves of Maijev” which… didn’t really work for me)

My logic was that “The Wind Mage and the Wolf” crosses the title conventions of the two previous stories (“The Wind Mage of Maijev” and “The Gryphon and the Mountain Bear”), where Livena was the wind mage, and the cover art focuses on the style of her cover, whereas the title style is closer to Nuaka’s story (previously she was the mountain bear, and now she’s the wolf).

I was concerned it might sound too silly (or be too close to the first title), but ultimately, it stuck. 😄

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A wind mage and a shapeshifting thief start with their own adventures… and then end up working together:

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Happy reading and writing!

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A Render of Merto from Magebane

A couple weeks ago, I introduced you to Lord Cafrash Menchtoteale, the blacksmith who forged the Wishing Blade.

Today, I’d like you to meet Merto, one of Cafrash’s two sons. Unlike Camir, who makes a grandiose show of impressing those around him and makes favors with anyone he can work into his grasp, Merto tries to stay out of the public eye, careful not to draw to much attention to himself.

For now, Merto remains meek… though he knows and can do far more than he lets on.

Merto makes his first appearance in Magebane, and will continue to make appearances throughout the Wishing Blade series.

Excerpt from Merto’s first appearance (Magebane):

“What are you doing here?” Toranih demanded. The leather hilt felt slick under her clammy fingers.

The light stopped moving. “Father sent me.”

“Father?” She frowned, still not quite able to make out the figure’s features in the low light. “Show yourself.”

The young man opened his hand and a pale turquoise crystal dimly lit his tall frame. He looked about Toranih’s age—she couldn’t tell if he was older or younger—and he was a shadow like the others, his features clear since she was part of his realm. His dull, grayish hair was cut loosely around his ears. His eyes were pale and he had a petite, pointy nose and rounded jaw, both of which looked familiar.

The light weaved back and forth as the young man swayed, unstable on his feet. “My father… Cafrash.”

Though Merto has a fairly small role to play in Magebane, he has his own secrets, and Toranih quickly decides she isn’t sure if she should trust him.

But then, that could be said for everyone in Cafrash’s family, and Merto isn’t the only one with a hidden agenda.

(Huh. I realize now that I haven’t designed Camir’s character in Daz yet. Given his flare for fancier clothes and haughty attidude, I bet his render would be fun. What do you think? Should I take some time to make his render?)

Eventually I want to edit Merto’s backstory novella… which I do have written but needs edits to avoid breaking my plot. Fun times.

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Both brothers have an agenda… but whose plans are more dangerous?

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Happy reading and writing!

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An early render of Lord Cafrash Menchtoteale

Since we’ve been looking at a lot of my early Daz renders, let’s now take a look at the renders I have of Lord Cafrash Menchtoteale, one of my characters from the Wishing Blade series. (He starts as an antagonist… then kind of ends up in as the questionable mentor… whether he wants to be a mentor or not).

So a long, long time ago when I was playing around with Daz, I rendered Cafrash, the creator of the Wishing Blade (the series’ namesake). I rendered this image a couple times, since I apparently designed it on my older laptop, whose graphics card that would have made rendering nice went caput before I found Daz. Then I rendered it again once I got my then-new laptop (which now mostly lays in rest because I used it a lot for rendering and that’s… very intensive on a laptop, unfortunately. Renders now happen on a desktop with much better fans and airflow.

That first render took 7 hours, and didn’t have nearly as good as the results of this 2-hour render.

Needless to say, I was quite happy with the capabilities of the then-new laptop. (And I suspect the new desktop would render this much faster… though we’re on a new version of Daz now so the lighting system would probably have to be readjusted).

Anyway, enough about laptop capabilities. Lord Menchtoteale was a blacksmith before getting involved with the trickster god. Long story short, he forges the Wishing Blade, the weapon used to steal magic from Cirena in Magic’s Stealing.

Here’s a render that Isaac put together from a later version of Cafrash’s character design, which I then polished:

A blacksmith hammers a sword with magical blue wisps above it.

But did Cafrash actually want to forge the sword?

Is he really the warlord everyone thinks he is?

Or is there more going on behind the Trickster’s plans than meets the eye?

Cafrash’s backstory is one part of the story I’m having a lot of fun working with, and first started showing up in The Shadow War, and has a much larger role in Magebane.

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Meet Lord Menchtoteale in all his grumpy “I’m going to give you advice whether either of us want to deal with this,” in The Wishing Blade series…

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Happy reading and writing!

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An early render of Siklana

At some point in 2019, I took to learning how to use Daz Studio in my spare time. Daz is a 3D modeling program that lets you purchase assets (poses, characters, clothing, backgrounds, etc) for your own use and then position those assets to create scenes.

There is also the ability to “morph” the basic models so they match how you envision your own characters.

The first character I customized was Siklana Covonilayno, Toranih’s sister from The Wishing Blade series:

A young noblewoman with long brown hair  in a navy blue dress and overcoat.

Her hair’s a bit too long here, but this was a quick render to test the outfit and general background.

Here’s a closer look at her facial structure (customized from the Victoria 4 base model — which I’m still impressed I succeeded with since shortly after, I started working primarily with Genesis 8 models).

(At some point I needed a Daz PA (Published Artist) profile image, and this was one of my early renders I was happy with, so I used that. Later on I realized that she looks a little like me when the image is in tiny thumbnail size. Not intentional.)

At some point I might make some adjustments to Siklana’s design, mostly in redoing the character on a later model to take into account some issues and limitations I didn’t know about when first starting.

I continued to work with learning the program, and eventually put together a full scene with her.

In this case, she’s with her horse, Esara.

A young woman standing on a vine-tangled staircase offers her hand to a curious horse at the foot of the stair.

(The horse’s coat and mane ended up a bit darker than I was initially picturing for Esara, so I may need to do some tweaking if I do further images with her).

The idea behind this image, though only mentioned in The Wishing Blade series rather than actually seen, is that Siklana used to go outside of Cirena City to practice her knife-throwing skills in peace.

She would ride out to the forested region behind the city walls to a small, abandoned ruin. (This region was once Aneth, home to those who would eventually spread throughout Cirena. At the time, they faced attacks by the immortals, and many of their buildings ended up in ruin once they fled). This particular building would likely have been fairly recent in their history, though still abandoned. But now this side of the forest is relatively safe. The perfect place to go when someone wants time to themselves to study and throw knives.

Are there any characters from the Wishing Blade universe (any of the stories) that you would be interested in seeing?

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Though Siklana starts as a side character, by Magebane she has a major character arc…

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Happy reading and writing!

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An early render of Meshon

Today I thought I’d do a behind-the-scenes snippet for one of the Cirenan-Cantingen goddesses: Meshon.

Meshon is one of the older goddesses, and she has a strong presence in both Cirenan and Cantingen pantheons.

Though not considered a primary goddess in the Cantingen pantheon (who only recognize a small handful of deities in addition to Madia), Meshon is revered as Madia’s trusted messenger.

Meshon is often referred to as the Oracle, capable of seeing visions of the future and walking between realms–though her ability to cross realms means it’s not always clear which world her visions refer to, and that issue has landed many of her followers into trouble for trying to interpret her dreams.

Shevanlagiy/Ralendacin has held a grudge with the goddess for this very reason, and that grudge is clear in Magebane.

Meshon currently has a role in both The Wishing Blade series and Stone and String, and even plays small roles in some of the Legends of Cirena short stories, such as The Scars of Her Past… though she plays a much larger role in the upcoming Legends of Cirena novel, The Dark Forest of Aneth. (Yes, novel. It was supposed to be a novella but it has well surpassed that word count at this point).

Below is one of the test images I created for Meshon using Daz 3D Studio. Her design is still in progress, but this is fairly close to how I see her. 🙂

The goddess Meshon spreads her arms to do magic. She has dark skin, wears a sheer head scarf, and has beads in her braided hair.

Meshon’s prophecies will eventually have a strong role in the next Stone and String story, and it’s her prophecy that references the coming of Ralendacin, the “Destroyer of Worlds” (Shevanlagiy in The Wishing Blade series).

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Meshon plays a role in many stories…

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Happy reading and writing!

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Rough Drafts and Conlangs

The process of writing a rough draft can be… well… a bit rocky. Surprisingly, at the time I originally wrote this post to send to newsletter subscribers, the draft for a novella I’d been working on (and later shelved) had been going surprisingly smoothly.

Well… sort of.

Originally, I planned on it being a short story. (If you’ve been following me long at all, you probably have an idea of where this is going.

At the time I wrote newsletter email, the story was sitting firmly in the “novella” category at 28,000 words.

And it wasn’t done yet.

The story finalized at finalized at 37,000 words. For comparison, Magic’s Stealing is a novella of 34,000 words, and Wind and Words clocks in at 22,000 words.

The good news was that I only had two or three scenes left before the story is complete. Then came the challenge of editing to create a tight plot (because extraneous scenes like to make their way into the rough draft while I’m still figuring out the details).

Then I got to go back and add in the translations for the various spells and sections in different languages.

Which is what I wanted to talk about today. Because seriously, I had sections in the rough draft that looked something like this:

He came out of the storeroom with a shallow bowl and a pitcher of water. “Be la mireyan naébiéeth so nocho Farris NAME chono li mirra da nac so wusna miduhan la be.” (CHECK PHRASE… add (not to exceed my focus))

In this case, I snagged the scrying spell from The Shadow War, inserted the correct name (and realized I didn’t have the targetted character’s last name), and made a note to myself to recheck the phrase and add in an extra qualifying statement.

Err… it looks a lot more coherent when it’s done.

The extra fun part of this was that I knew I’d probably have to do additional grammar work due to including the then-fledgeling conlang in the story.

He went back to the storeroom and came out with a shallow bowl and a pitcher of water. “Be la fayquelvi miruen, mireyan naébiéeth so nocho Farris chono li mirra da nac so wusna miduhan la be.”

Magic, not to exceed my focus, reveal the location of Farris in the form of an image in the bowl of water before me.

And as you might notice… I decided to omit the last name. Ideally, the caster would use the full name. But this character is supposed to be exceedingly strong at wielding intent versus precision (which is also extremely dangerous), so it’s fine. And words got added.

But that’s a little look into my rough draft process where conlangs are involved.

Originally I planned to release this story after Magebane, with the idea that it was going to be a bridge between The Wishing Blade series and the Stone and String series.

But Isaac pointed out some world-breaking holes in the current version of the story, so it’s been hanging out on the back shelf of one of my hard-drives while I tackle other books.

That said, I’d like to return to this one eventually…

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Read the two series that this novella was intended to bridge…

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Happy reading and writing!

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Using charts to write The Wind Mage of Maijev

Today, I thought I’d take a look at one of the methods I used in writing The Wind Mage of Maijev, the first in the Legends of Cirena series.

This series started with me writing a “segment a week” based on voting from members of the Legends of Cirena Facebook group (now on a semi-permanent hiatus).

My writing partner, Isaac, did quite a bit of world development for the Legends era, especially in regards to the different districts and the shops. While this was meant for a personal tabletop roleplay version of Cirena, it’s also been really helpful for world development. (And I’ve still occasional yanked out the charts he made for reference in later stories that are currently in development).

In this case, Isaac took what I had already developed of Maijev (the general concept for the city, the larger world map, etc.), divided the city-as-a-country into districts (such as the Northern and Southern Quarters, of which the Southern Quarter is the primary area where The Wind Mage of Maijev takes place), and figured out who would likely frequent the region, the kind of prices those stores would have, and even which factions characters might run into.

Here’s a glimpse at the document he created:

Enen’s Study and Zora’s Market are the primary characters and locations I pulled for The Wind Mage of Maijev, though Cross Bones does get a brief reference.

Overall, having these charts has been really helpful in developing the Legends stories, since I can easily look to them to figure out what might be in the area and what sort of encounters a character might have.

For example, Livena, the protagonist of The Wind Mage of Maijev, has mixed feelings about Zora’s Market… especially since they sell a few items that probably shouldn’t be in Maijev. 😉

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See how those charts turned into a story in The Wind Mage of Maijev, (and you can get the ebook edition for FREE from online retailers!)

The Wind Mage of Maijev - Book Cover

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Happy reading and writing! 📖

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Designing the Cover for The Cursed Halls of Kalecen

I recently shared my process for designing the cover of The Restless Sands of Neel, and today I thought I might take a look into the steps I took for the next book in the series, The Cursed Halls of Kalecen.

This ended up being the final cover:

The Cursed Halls of Kalecen - Book Cover

I had a lot of fun with this story, since it deals with an immortal creature known in Cirena as a chesnathé.

Long story short, they’re this world’s version of a unicorn… except they’re a mix of the European unicorn and the Asian qilin, so chesnathéme are known for either judging their victims as guilty and killing them by spearing the guilty party’s heart with their horn, or determining they’re innocent and, (if “pure of heart”), granting them immortality.

Thing is, one of the Cirenan gods, Kalecen, has a broken horn and his sense of justice is… skewed. Technically a god of justice, he’s more a god of revenge.

So when the student of a protective duelist, Hahven,foils a revenge plot and incurs the wrath of Kalecen, it’s up to Hahven to shield her from the god’s harsh judgement.

For the cover, I wanted to depict Hahven facing off with Kalecen, but the first few images I rendered seemed far too static, so I ultimately ended up adding the god’s blood-thirsty champion to the picture… and I liked the result a lot better.

Here’s a few of the in-progress pictures:

I used Daz Studio to model the images, and it took several tries before I was finally happy with how it looked. (And a few days of running renders at night to give it enough time to render at a large size without being grainy). The images above are the raw renders, before I took them into Photoshop.

A: The first version. I used atmospheric lighting, which I liked, but it was too dark and Hahven’s pose seemed too static. Not exciting enough.

B. Different lighting method (no atmosphere), and I tweaked the pose so that he would be facing Kalecen better, but it was still missing something. Too static.

C. Added in Kalecen’s champion. Now he’s facing off with her… and he is supposed to be level headed, but… (can you guess what I’m going to say here?) Still too static.

(Noticing the trend?)

D. Brightened the scene a bit more and changed Hahven’s pose. Much more dynamic… but forgot to use DForce on the clothes to get them to lay naturally. Not a fan of the lighting. Also, accidentally angled the camera wrong and ended up with the purple blotch where the floor ended.

E. DForced Hahven’s clothes and now they lay properly. Also added the atmospheric lighting back (but with higher brightness levels). After changing the angle, I was much happier with the result. He’s benefitting from one of the roof’s lights, and it’s also much more dynamic. Plus… shiny reflection, even if you don’t get to see much of it on the actual cover do to the typography.

Ultimately I decided to zoom in so he’d be closer on the cover, but version E was the one I ended up Photoshopping. 🙂

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Read The Cursed Halls of Kalecen and root for a duelist fighting an unhinged god of justice

The Cursed Halls of Kalecen - Book Cover

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Happy reading and writing! 📚

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