Tag Archives: fantasy books

That time I completely redid the outline of Starless Night

I’d been sitting on the outline for Starless Night for a while… partially because I was cycling through projects, but also, because the prospect of the third Distant Horizon book was daunting.

I had a partial rough draft and an outline already written. (See the post from two weeks ago). But that outline was written before Isaac and I made major edits to Fractured Skies, thus changing the shape of where the story was headed.

Characters I thought were going to be dead were now still alive, and characters who lived in the role-play campaign ended up dead. (Still can’t quite believe Isaac convinced me to kill off that character… though it really did make sense for the story). And important plot points were revealed way earlier than we expected, rendering certain scenes in the third book no longer necessary.

Between all the character relationships and faction issues, I wasn’t sure where to start. Originally, I hoped to salvage bits and pieces of the previous draft to work into the revised version. But that seemed likely to cause more problems than help.

I stalled, hoping that writing Deceived would get me back in the swing of writing for the Distant Horizon universe. It did (and accidentally spawned a new series). I now wanted to return to Jenna’s story.

But it didn’t solve the wall I had been running into.

Then Isaac brought up the idea of cutting two very major plots that we had planned for the third book, and condensing the last two books back into one.

At first, I was resistant to the whole thing. I loved some of the scenes he was suggesting cutting, scenes we had discussed and honed a while back.

But…

There’s a saying that writers have to “kill their darlings.” (I kind of despise that saying, by the way). It doesn’t always hold true. But sometimes, eliminating a plot or a scene, or merging two characters, end up making for a better story. Or solves your problems.

I started thinking about Isaac’s suggestions. About eliminating those two major plot points and how it would affect the story.

And… um…

It worked a lot better.

Instead of taking a longer route to get to the climax by looking at various outside forces and their impact on Jenna’s brainseed, the focus is much more strongly related to the issues of Legion’s rise and the downfall of the Community.

Suddenly a lot of foreshadowing in Fractured Skies regarding artifacts, alchemist-enchanters, and the Elizabeth pendants had a direct tie back into the story. And the trimmed version made some of the future plans for this universe tie in more clearly, too.

I really liked the beginnings of the new outline and where it was going.

So I presented some of my new notes to Isaac and we began bouncing ideas off each other again, rather than coming to a stalemate about where the story should go.

So I decided to scrap the entirety of the previous rough draft. It exists as writing practice and helped to flesh out the world, but it was going to be simpler to start book three from scratch.

And that’s okay.

My hope was that my writing skills would have improved since I wrote the original draft, and starting from scratch helped reduce the amount of “revision smudge” likely to sneak in if we weren’t careful.

Best of all, we were having fun with the story again, and I looked forward to seeing how the pieces that we decided should stay would weave themselves together.

There were a couple directions we could take the end of Jenna’s arc, so we still had to figure out which one was the most satisfying and would make the most sense, especially since there was still going to be one more book after Starless Night, but it was now planned to be a four-book series instead of a five-book one.

((*Insert defeated laughter/crying here.* A note from present-day me who is in the process of revising this ancient newsletter email into a blog post… “Just four books? Sure… If I can figure out how to condense Changing Tides. Because last I checked, there’s still a whole missing middle section, and it’s already well over full-length. Either something major needs cut, or the book needs to be split into two.”))

So… what was one of those major changes?

Warning! Spoilers for Fractured Skies ahead!

It involved a return to the Community after Legion strikes.

The thing is, Legion isn’t entirely destructive. Though a lot of people end up with their life force drained to feed Legion’s ghostly legionnaires (hence sending teams to evacuate the area when it gets attacked), others choose to join Legion’s call to “control the chaos,” forming a cult that sees Legion as more efficient than the Community under Camaraderie rule.

Originally, we planned a sequence in St. Petersburg involving the destruction of the city, and after that, we didn’t see much of the cult (though Jenna did try to help with evacuations in other parts of the Community).

This time, we decided to explore what happens when Legion gets into the Community. The destruction-versus-life going on sort-of normally… while a certain prior (second-in-commands for Legion) becomes a primary antagonist, rather than being defeated early on. Which means this prior will return in Changing Tides.

And the HUGE thing we considered that we hadn’t before is how Jenna’s brain seed handles dealing with Legion.

After all, the brain seed’s creator also had a hand in creating Legion (well, the Legion Spore… since the creator didn’t expect it to be “killed”), and thus has a particular interest in Legion’s powers…

And acquiring said powers.

Normally, Jenna wants nothing to do with Legion. But while Jenna is under the brain seed’s influence, she has far more interest in Legion’s power than she should…

AND IT DOES NOT END WELL FOR THE RESCUE MISSION.

(Remember how I said there was a character who survived in the campaign but not in Starless Night?)

Anyway, that scene allowed us to really explore Legion’s influence, the Community, and the brain seed, in ways we had never expected…

And even ended up influencing the book cover design for Starless Night, as well.

I’m much happier with that book now. (And ugh… having a tooth pulled was literally easier than writing that particular book). But I really like how Starless Night wraps up. Redoing the outline was the right call.

So yeah. Ever completely scrapped an outline and tried again?

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This series has undergone so many changes since we first started Jenna’s journey with a role-play game…

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Happy reading and writing!

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Monthly Book Promotion Highlight

Today I have two fantasy and short story ebook promos for you!

This month’s promos include the Free Fantasy & SciFi ebook promo and the Short Story Smorgasbord ebook promo!

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Looking for something fantastical, and/or short? Browse these free ebooks and find one you like!

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Free Fantasy & Sci-Fi Ebook Promo

Short Story Smorgasbord Ebook Promo

(Note: The giveaways above are hosted through BookFunnel. Authors will usually ask for your email address, and in many cases, the author will collect these addresses for their newsletters.)

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I hope you find a good book! 😀

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Rough Drafts and Conlangs

The process of writing a rough draft can be… well… a bit rocky. Surprisingly, at the time I originally wrote this post to send to newsletter subscribers, the draft for a novella I’d been working on (and later shelved) had been going surprisingly smoothly.

Well… sort of.

Originally, I planned on it being a short story. (If you’ve been following me long at all, you probably have an idea of where this is going.

At the time I wrote newsletter email, the story was sitting firmly in the “novella” category at 28,000 words.

And it wasn’t done yet.

The story finalized at finalized at 37,000 words. For comparison, Magic’s Stealing is a novella of 34,000 words, and Wind and Words clocks in at 22,000 words.

The good news was that I only had two or three scenes left before the story is complete. Then came the challenge of editing to create a tight plot (because extraneous scenes like to make their way into the rough draft while I’m still figuring out the details).

Then I got to go back and add in the translations for the various spells and sections in different languages.

Which is what I wanted to talk about today. Because seriously, I had sections in the rough draft that looked something like this:

He came out of the storeroom with a shallow bowl and a pitcher of water. “Be la mireyan naébiéeth so nocho Farris NAME chono li mirra da nac so wusna miduhan la be.” (CHECK PHRASE… add (not to exceed my focus))

In this case, I snagged the scrying spell from The Shadow War, inserted the correct name (and realized I didn’t have the targetted character’s last name), and made a note to myself to recheck the phrase and add in an extra qualifying statement.

Err… it looks a lot more coherent when it’s done.

The extra fun part of this was that I knew I’d probably have to do additional grammar work due to including the then-fledgeling conlang in the story.

He went back to the storeroom and came out with a shallow bowl and a pitcher of water. “Be la fayquelvi miruen, mireyan naébiéeth so nocho Farris chono li mirra da nac so wusna miduhan la be.”

Magic, not to exceed my focus, reveal the location of Farris in the form of an image in the bowl of water before me.

And as you might notice… I decided to omit the last name. Ideally, the caster would use the full name. But this character is supposed to be exceedingly strong at wielding intent versus precision (which is also extremely dangerous), so it’s fine. And words got added.

But that’s a little look into my rough draft process where conlangs are involved.

Originally I planned to release this story after Magebane, with the idea that it was going to be a bridge between The Wishing Blade series and the Stone and String series.

But Isaac pointed out some world-breaking holes in the current version of the story, so it’s been hanging out on the back shelf of one of my hard-drives while I tackle other books.

That said, I’d like to return to this one eventually…

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Read the two series that this novella was intended to bridge…

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Happy reading and writing!

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Behind the Scenes with an Outline from Starless Night

Today I thought I’d preview a small section of what had been the outline for Starless Night, the third book in the Distant Horizon series. 🙂

Key word is *had* because if you’ve read Starless Night, you’ll notice this isn’t how the story starts.

In a couple weeks, I’ll have a post for you about that time that I completely scrapped an outline… and an entire rough draft.

But first… let’s have a look at what one version of my outlines look like! (Because it might not look like what you expect).

WARNING: Spoilers ahead for the Glitch saga and Fractured Skies!

Already read those books? Don’t mind spoilers?

Proceed! 😁

Here’s what the beginning of my outline looked like. It’s rough, not always in complete sentences, and my outlines often change before I actually begin drafting. (And usually change again during drafting).

I’ve made a few adjustments here for clarity, since some of my notes were vague since I knew who/what they referenced, but probably wouldn’t be clear outside of context.

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Jenna waiting with team on lawn for COE arrival (solidarity/support from team). When Camaraderie ship arrives, Lady Black and Stuart are the first to come out. They make it clear they want to discuss Val’s… and her guards’… release. They walk in like they own the place, much to the COF’s annoyance. Lady Black mentions to Pops that last time they met (before he switched sides) her grandfather had been with them (remind readers that the grandfather is Lord Black). Meanwhile, Pops feels like he’s never met Stuart before, though Stuart assures him he has. Jenna remembers Stuart from the COE base and has the beginnings of a memory attack (Legion Spore memory), which fades. She’s confused, but thankful it doesn’t get worse. The team members out to greet the COE are Pops, Jenna, Quin (Quin: “this is a historical meeting… *Squee!*” Jenna: you’re far too excited about this.), Lily there because Quin dragged her there (besides, if something does happen, it’s an excuse… she’s a good fighter… (really trying to get her to be less down and just go talk to Jenna)). Awkwardness between Jenna and Lily (they go to target range later?). Gwen, along with South African (SA) forces (introduce Ambassador Jordaan). Jenna heads to garden while the COE goes on tour of area.

While in the garden, the tour stops by. Pops formally introduces them… (though Jen has met Lady Black before… when kidnapped. “Can you kidnap your own citizens?” “Yes.” “You speak your mind… I like that.” Jenna perplexed, not sure what she thinks of her. However, Lady Black is #sorrynotsorry about it. Still thinks having Jenna on COE side would have been better for Community. But there are bigger issues to worry about now). Lady Black is polite, reserved… and nervous, Jenna realizes. (Tries to read her mind with flower charm, gets a little bit of the truth… then after almost using her flower charm to try sensing her motive, gets rebuked by Stuart who asks her to politely control her telepathic searches).

They’re starting to move on to a private part of garden, and Lady Black brings up the time stones and concern for Legion’s advances (foreshadowing further issues). Jenna notices that the lady seems a little more—invested—in those time stones than she expected. Pops suggests they can discuss this later. He’s hesitant to share information. Lady Black points out Master Zaytsev had info (a guilt trip for Jenna… it’s a reminder of Legion’s interest in her and the brain seed). She’s getting some emotion from her flower charm (though not actively prying on Lady Black). Decides to go back inside to get away from them… but gets a private thought from Stuart, who comments on Jenna’s garden (favorably… the first step in gaining Jenna’s trust). (Ugh… Telepaths!)

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The outline is mostly meant to remind me of the general gist of what’s supposed to happen in the opening scenes and the kind of emotions the characters have, as well as what needs to be foreshadowed for later. I often have scenes visualized in my head from day-dreaming, so this is just meant to streamline the writing process.

(And sometimes I’m literally telling myself the story as I write the outline, and then the draft is just fleshing out the detail. This particular outline is short per scene compared to some of my recent outlines.)

But here’s the thing. When I shared the original version of this post with my newsletter a long, long time ago, Starless Night was still being the problem book of the series. And so it would go a while without any progress because it wasn’t working.

Until, finally, I realized I needed to scrap my outline and start fresh.

In a couple weeks, we’ll get back to that. So keep an eye out for that post, coming soon. 😉

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See the difference in how the story starts in Starless Night… (Though you might want to read the other two book first).

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Happy reading and writing!

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Using charts to write The Wind Mage of Maijev

Today, I thought I’d take a look at one of the methods I used in writing The Wind Mage of Maijev, the first in the Legends of Cirena series.

This series started with me writing a “segment a week” based on voting from members of the Legends of Cirena Facebook group (now on a semi-permanent hiatus).

My writing partner, Isaac, did quite a bit of world development for the Legends era, especially in regards to the different districts and the shops. While this was meant for a personal tabletop roleplay version of Cirena, it’s also been really helpful for world development. (And I’ve still occasional yanked out the charts he made for reference in later stories that are currently in development).

In this case, Isaac took what I had already developed of Maijev (the general concept for the city, the larger world map, etc.), divided the city-as-a-country into districts (such as the Northern and Southern Quarters, of which the Southern Quarter is the primary area where The Wind Mage of Maijev takes place), and figured out who would likely frequent the region, the kind of prices those stores would have, and even which factions characters might run into.

Here’s a glimpse at the document he created:

Enen’s Study and Zora’s Market are the primary characters and locations I pulled for The Wind Mage of Maijev, though Cross Bones does get a brief reference.

Overall, having these charts has been really helpful in developing the Legends stories, since I can easily look to them to figure out what might be in the area and what sort of encounters a character might have.

For example, Livena, the protagonist of The Wind Mage of Maijev, has mixed feelings about Zora’s Market… especially since they sell a few items that probably shouldn’t be in Maijev. 😉

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See how those charts turned into a story in The Wind Mage of Maijev, (and you can get the ebook edition for FREE from online retailers!)

The Wind Mage of Maijev - Book Cover

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Happy reading and writing! 📖

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Distant Horizon-Inspired Flash Fiction

I found this flash fiction nugget (your choice if it’s more like a chicken nugget or a gold nugget) while looking through my older Distant Horizon Universe newsletters. I originally sent this out on February 20th of 2020.

Since I’ve been having fun with flash fiction and poetry lately, I thought it might be fun to revisit now.

This little shorty doesn’t follow a particular character, but does take inspiration from both Distant Horizon and Deceived. 🙂

Students mill around her. Chatting. Heading to class. Nothing new.

But this place is a lie.

It’s that poster by the door that reminds her. Stark white with pale blue lettering.

Safety
Security
Efficiency

Her throat squeezes and she can barely breathe.

Lie-lie-lie…

A firm hand clamps on her shoulder. Soldier-agent-danger–

She recoils and her shoulder slams the wall, knocking aside the poster. She needs to hide–

“Woah, it’s just me.” A young man smiles at her, confusion in his eyes. “I didn’t mean to startle you.”

She knows him. Knew him.

He doesn’t know her. Not anymore.

Still, she forces a smile and rights the poster on the wall. She can’t afford to lose the efficiency points. “Sorry. I guess I was thinking too hard about which building has my next class.”

Her heart pounds like a student slamming the walls of a transformation chamber.

“You weren’t gone that long.” He chuckles. “Which Community did you visit, anyway? We thought you’d failed the scan.”

It’s hard to maintain her smile. “I visited the European Community.”

A lie like those words on that poster.

“Neat. Maybe I’ll get to go sometime. See you around.” He waves as he reenters the stream of students filtering through the hall. “The Community is safe!”

She can’t muster the enthusiasm to say the usual response.

She never went to Europe.

She never knew where they sent her when she failed the scan.

But she found her way back.

They’re going to wish she hadn’t.

One of the things I enjoy about flash fiction is the questions they spawn, and the possible stories. 🙂

Who is she? Will she succeed in getting vengeance? What in particular does she want vengeance for?

Seeing as how she failed the scan, what are her powers?

Why, and how, did she make it back to the Community?

I didn’t have those answers when I first wrote it and I still don’t have them now… but it’s still a fun exercise.

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Jenna and Galina both see the Community in new light after an unfortunate visit to a transformation facility…

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Happy reading and writing!

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Monthly Book Promotion Highlight

Looking for a free YA fantasy or sci-fi book this week? Or maybe you’ve recently dabbled in a Kobo Plus subscription and are interested in seeing what books are waiting for you?

You’re in luck!

This month I’m featuring the YA/NA Fantasy that Pushes Limits ebook promo, the Life at the Crossroads ebook promo, and the Science Fiction & Fantasy in Kobo Plus ebook promo!

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Enjoy a genre blend with a healthy dose of fantasy? Check out this promo!

YA/NA Fantasy that Pushes Limits Ebook Promo Banner

Want a YA book where the protagonist finds themselves at the crossroads of a big decision? Check out this promo!

Life at the Crossroads YA Fiction Ebook Promo Banner

(Note: The giveaways above are hosted through BookFunnel. Authors will usually ask for your email address, and in many cases, the author will collect these addresses for their newsletters.)

Then, as I mentioned last week, we also have a Kobo Plus promo!
So if you have a Kobo subscription, you can read these books at no additional cost!

Science Fiction & Fantasy in Kobo Plus Promo Banner

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I hope you find a good book! 😀

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Designing the Cover for The Cursed Halls of Kalecen

I recently shared my process for designing the cover of The Restless Sands of Neel, and today I thought I might take a look into the steps I took for the next book in the series, The Cursed Halls of Kalecen.

This ended up being the final cover:

The Cursed Halls of Kalecen - Book Cover

I had a lot of fun with this story, since it deals with an immortal creature known in Cirena as a chesnathé.

Long story short, they’re this world’s version of a unicorn… except they’re a mix of the European unicorn and the Asian qilin, so chesnathéme are known for either judging their victims as guilty and killing them by spearing the guilty party’s heart with their horn, or determining they’re innocent and, (if “pure of heart”), granting them immortality.

Thing is, one of the Cirenan gods, Kalecen, has a broken horn and his sense of justice is… skewed. Technically a god of justice, he’s more a god of revenge.

So when the student of a protective duelist, Hahven,foils a revenge plot and incurs the wrath of Kalecen, it’s up to Hahven to shield her from the god’s harsh judgement.

For the cover, I wanted to depict Hahven facing off with Kalecen, but the first few images I rendered seemed far too static, so I ultimately ended up adding the god’s blood-thirsty champion to the picture… and I liked the result a lot better.

Here’s a few of the in-progress pictures:

I used Daz Studio to model the images, and it took several tries before I was finally happy with how it looked. (And a few days of running renders at night to give it enough time to render at a large size without being grainy). The images above are the raw renders, before I took them into Photoshop.

A: The first version. I used atmospheric lighting, which I liked, but it was too dark and Hahven’s pose seemed too static. Not exciting enough.

B. Different lighting method (no atmosphere), and I tweaked the pose so that he would be facing Kalecen better, but it was still missing something. Too static.

C. Added in Kalecen’s champion. Now he’s facing off with her… and he is supposed to be level headed, but… (can you guess what I’m going to say here?) Still too static.

(Noticing the trend?)

D. Brightened the scene a bit more and changed Hahven’s pose. Much more dynamic… but forgot to use DForce on the clothes to get them to lay naturally. Not a fan of the lighting. Also, accidentally angled the camera wrong and ended up with the purple blotch where the floor ended.

E. DForced Hahven’s clothes and now they lay properly. Also added the atmospheric lighting back (but with higher brightness levels). After changing the angle, I was much happier with the result. He’s benefitting from one of the roof’s lights, and it’s also much more dynamic. Plus… shiny reflection, even if you don’t get to see much of it on the actual cover do to the typography.

Ultimately I decided to zoom in so he’d be closer on the cover, but version E was the one I ended up Photoshopping. 🙂

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Read The Cursed Halls of Kalecen and root for a duelist fighting an unhinged god of justice

The Cursed Halls of Kalecen - Book Cover

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Happy reading and writing! 📚

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A Romantic Subplot in the Distant Horizon Series

Today I thought I’d dive into the romance sub-plot in the Distant Horizon series. Now… before we go any further…

If you like to read books with no idea of which characters show any interest in each other, then go read Distant HorizonFractured Skies, and Starless Night first! There will be spoilers ahead. I’ll try not to go into anything too major, but it’s kind of hard to avoid in this particular overview.

Have you read them? (Or don’t mind spoilers?)

All right. We shall now proceed. 🙂

Anyway, in Distant Horizon there wasn’t much of a romance sub-plot. I tend to prefer slow-burn stories, if there’s romance at all, and for the most part, Jenna’s mind really wasn’t on finding a partner. She’s a too busy fighting terrifying subhuman beasts and trying not to get killed.

Once we get to Fractured Skies, however, that starts to change. While Jenna is still dead-set on stopping beast transformation, certain other team members *Cough*Lance*Cough* are starting to settle into their new roles and are interested in pursuing a relationship.

Which… ah… if you remember the first book, Jenna and Lance butted heads. A lot.

They’re best friends, but they don’t always see eye-to-eye.

But there’s that expectation of childhood friends sometimes going on to become efficient partners in the Community, so Jenna (somewhat begrudgingly) decides to give dating a try between researching how to stop beast transformation and how to get rid of the memory seeds.

Let’s just say there are complications… especially when she starts to realize that she and Lily… a mercenary who seems to understand where she’s coming from surprisingly well… get along better.

(I apparently rather enjoy the enemies to allies/enemies to lovers trope).

Now, when Isaac and I first ran the campaign that Distant Horizon spawned from, the original pairing was Jenna and Lance… with all the complications that came with them clashing. What I hadn’t anticipated was that, when writing the story, Jenna and Lily would end up with far more chemistry. (The sort of warm, fluttery feeling of “will they get together?” despite not planning on writing it that way. Which seems to keep happening to me. Characters completely surprise me by being tender to each other or pebbling each other with cute gifts and the next thing I know I’m shipping them together… and then I realize I’m the author so… does that still count as shipping?).

After having Isaac read the draft and having him be completely in favor of giving them a chance…

(By completely in favor I mean he kept nudging me with more ideas of cute scenes.)

I rewrote those scenes with the idea of building the romantic tension between Jenna and Lily, which added to Jenna’s debate of whether to go the more expected route of the efficiency of a Community partner, which she and Lance don’t seem to have… or her gut feeling that she and Lily share something special and work together better, despite their different backgrounds.

Isaac and I further explored the different relationships in Starless Night.

And let’s just say the bond between Lily and Jenna becomes extremely important. (Especially as a certain brain seed she’s fighting is determined to cut away any romantic bonds in its fight to stay relevant). Starless Night is not a romance book by any stretch of the imagination, but their relationship becomes crucial to the book’s resolution and Jenna’s fight with the brain seed.

Though Jenna and Lily haven’t yet had a happily-ever-after (HEA) or even a happy-for-now (HFN), I have my suspicions about how I want their relationship to go by the time I get to the end of the series (whether that’s one or two more books… not sure yet).

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Read a very slow-burn romance seeded under a lot of world-building and adventure…

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Happy reading and writing! 📖

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Designing the cover for The Restless Sands of Neel

Like many of my cover designs, especially my designs using Daz renders, the design for The Restless Sands of Neel had a major shift from the first iteration to the final.

Sometimes the title changes, too! Originally I was going to call the novella, The Dragon in the Desert.

But, after feedback from newsletter subscribers, I was worried it might disappoint readers looking for a more typical dragon.

Ro’nor, the protagonist, might have descended from dragons, but he doesn’t have wings or any of their special powers, and he can’t shift into their form. The biggest creature we see in the story is a monstrous pit worm.

So… after a bunch of brainstorming, deliberating, and tweaking words to see what else might work, I finally settled on:

The Restless Sands of Neel

Anyhow, here’s a look at the first proof I made for the cover:

There were some changes I already planned to make: a different set of robes/shirt, maybe a different hair once I double-checked what was stated in the story, possibly a different coat pattern for the horse to make sure it’s consistent with the story, and the final touch-ups to make it look like a polished cover.

I sent this out, along with the tentative title, to the newsletter, and several readers chimed in with their thoughts and suggestions. (Much appreciated!)

As a result, I ended up making some major changes, two based on making it more accurate to the novella (the horse’s coat color and the main character’s hair style), and I did a bit of work to make it more dynamic and personal (a common problem of mine, for some reason).

And so I ended up with this for the final version of the cover:

What do you think? Did the changes work in its favor?

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Read The Restless Sands of Neel and see how a (sort-of) dragon fairs against a giant pit worm…

The Restless Sands of Neel Book Cover

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Happy reading and writing! 📚

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