Tag Archives: Stephanie Flint

Behind the Scenes – A Day Without a Night – Book Cover

This is a cover for Melange Books. We wanted to match this with the cover for the first book in the series (Note: I did not make the cover for the first book), so we kept the black background and the same styles and general placement of the text. The author had a few ideas for symbols that they wanted to use, so they found the corresponding stock images. After tinkering a bit with placement, this is the final result:

SBibb - A Day Without A Night - Book Cover
Stock images from 123RF and Dollar Photo Club.

https://www.dollarphotoclub.com/Search?k=5187071 – sword
https://www.dollarphotoclub.com/Search?k=88389030 – background
http://www.123rf.com/search.php?word=29866867 – moon and sun emblem
http://www.123rf.com/search.php?word=10707247 – book

2 Comments

Filed under Book Covers, Client Work

Thoughts on Publishing – A Video Blog Post – Reading Chapter Two of Magic’s Stealing

Haha! I am finally uploading the chapter two reading of Magic’s Stealing! I’m much more satisfied with this version, so I’m glad I didn’t rush this, even if it is two blog days later than I intended. I hope you enjoy it, too. 🙂

Here’s the Youtube link in case you can’t see it.

You can hear the first chapter here. 🙂

Leave a comment

Filed under Business Ventures, Writing

Thoughts on Blogging – Video Blogs

For the past month, I’ve been experimenting with doing a weekly video blog post. The goal was to see if doing a video blog would allow me to spend more time writing fiction and working on Isaac’s and my tabletop games, rather than writing blog posts.

While doing video blogs is certainly fun (I enjoy reading the stories aloud), it doesn’t necessarily speed up the blogging process. Since I’ve just started learning how everything works (the Youtube editor, Premiere Pro…), it actually takes longer. Combine this with the tendency for the computer to take a while to upload the videos, and for Youtube to process the edited video once I’ve finished making edits, this takes time.

For example, I actually did create a video for last Friday. By the time I got it loaded, however, it was already early Saturday. And once I started to edit it on the Youtube editor, I realized that the blog portion was very rambly– the result of trying to rush. So, rather than uploading a rushed video while I was half-asleep, I decided to write this post today, and I plan to upload the video blog on Monday (I’ll be reading chapter two of Magic’s Stealing).

Based on my results thus far, I’m considering trying to do the video blogs earlier in the week. That way I could set up the video during the weekend, then schedule it to release on whichever day works best.

The biggest challenge of scheduling blog posts is discipline. If I plan for a Monday update, I’ve got to remember to make the video early in the weekend, that way I have time to upload it. For each blog–at least ones  where I do a reading–I need to practice the reading, do the reading, edit the reading, and then piece together the reading and the “blog” portion of the video.

So that’s the quick update for today. 🙂

3 Comments

Filed under Writing

Behind the Scenes – Dark Spirits – Book Cover Remake

This is a cover for Rebekkah Ford. For this cover, we were revamping an older series of covers I did for her a few years ago. The goal was to more clearly give the books the paranormal romance aspect (rather than horror), and possibly center the books toward an older audience. (You can see the new cover for Beyond the Eyes here, and you can check out Rebekkah Ford’s website here).

Before:

 SBibb - Dark Spirits

SBibb - Dark Spirits

After:

SBiibb - Dark Spirits - Book Cover Remake

SBiibb - Dark Spirits - Wrap-Around Book Cover Remake

For the new covers, we chose models with visible faces, and we’ve been placing them in approximately the same position for each cover. We’ve also changed the text to be more straight-forward. The back covers are easier to read and now include an author bio and photograph. I also made the testimonials easier to spot. Overall, this should have a more professional look. (Not that the originals were bad, but my skills have improved, and book cover trends have changed).

Stock images from Shutterstock:

http://www.shutterstock.com/pic.mhtml?id=133833233 – man
http://www.shutterstock.com/pic.mhtml?id=237688516 – spooky entrance

1 Comment

Filed under Book Covers

Thoughts on Writing – Swearing in Audio Formats

In my last post, I read from Magic’s Stealing. It was the first time I edited one of my Youtube blog videos using Premiere Pro, and I used it to remove some of the more obvious stumbles where I tripped over my words. However, I ran into a bit of a conundrum that I hadn’t considered before. For public readings, should I bleep out swear words, or should I leave the text as-is?

If you recall, I wrote a post a while back on To Swear or Not To Swear, in which I debated whether or not to include actual swear words in the dialogue of the book. Ultimately, I decided to keep that particular instance, because it fit the character’s intentions and offered readers a bit of insight into the characters.

Keeping the swear as-is continued to bug me, though, largely because I wondered whether or not a middle grade audience (not just young adults) might be inclined to enjoy the book–but might have a less-inclined parent if those parents read the first chapter.

And that in itself is a whole new debate. Is it a good idea to tailor a story to a specific audience, with certain marketing expectations in mind? Middle grade novels are typically expected to be free of swearing. YA ranges the gamut, and adult depends on the genre.

The conundrum I’ve run into is that I intended Magic’s Stealing to be YA. However, I wouldn’t be surprised if a middle grade audience enjoyed it. As such, it’s led me to a new thought… if I ever do a public reading, should I censor the word? Then again, if I didn’t keep the swear, the passage wouldn’t have quite the same meaning. It’s unfortunate from a marketing standpoint that the only real-word swear is in the first few pages. Should I simply find a different chapter to read, perhaps in the middle of the action?

I suspect this will depend on the venue in question. Some venues, especially ones that are geared towards being family friendly, may ask to not have the swear read. Others may not care at all. It’s probably up to the type of fiction you write as to whether or not you choose to use venues that have specific preferences.

But what about audiobooks?

My first thought was, why change what we wrote? We choose our words for a reason.

On the other hand, people reading a book can very easily skim over words they don’t like. It’s not so easy when those words are being spoken aloud.

(I’ll admit that I don’t tend to listen to audiobooks, so I’m not sure what the general protocol is here.)

Granted, censoring spoken swears will depend on the audience. Obviously, censoring an erotic novel would be ridiculous. The target audience has expectations as to the contents of the novel.

But what about a YA novel with the occasional swear? Should this be censored in audio format? My first thought was “no.” That’s not how the author wrote it. But when read aloud, does that change the impact of those words?

Does reading the book aloud change the impact of the intent, and thus, change what should be read? Does reading aloud change how the text is perceived?

Or does trying to censor a word–whether by dropping the volume or inserting a bleep– actually draw more attention to it?

What about switching the word? The meaning changes, but what if, by switching words during a spoken performance, you actually get the intended reaction?

Is there a difference between the impact of something spoken, versus something silently read?

That, to me, is the real question.

If what we write on the page takes a different meaning when said aloud, then perhaps we should consider that impact, and decide what to change from there.

After all, screenwriting is different from novel writing. Adaptations are made because a book is a different format than what you might see in a live or recorded performance, and has different advantages and limitations.

But if the spoken word has the same impact as the written, then perhaps no changes should be made.

Honestly, I’m probably over-thinking this. For the previous reading, I left the swear in. I figured that pretty much anything I did would draw more attention to it (other than writing a whole blog post pondering the question), while letting it flow in context should keep the story running smoothly.

And in general, I’m thinking I’ll read the text as-is. If the one swear is likely to pose a problem, I could always chose a later segment to read.

But now I’m curious as to what you think. How would you handle a reading that has the occasional swear, whether an audiobook or in public?

9 Comments

Filed under Business Ventures, Writing

Thoughts on Publishing – A Video Blog Post – Reading Chapter One of Magic’s Stealing

Today I’m continuing the trend of doing a weekly video blog post, but instead of doing a reading from 1000 Words, I’m reading the first chapter of Magic’s Stealing. 🙂

(And  a Youtube link in case you can’t see it).

This is a day late–I normally try to post on Fridays– but this time I edited the audio to remove the more obvious stumbles where I tripped over my words. It’s been a while since I used  Premiere Pro, so it’s not perfect (and I caught a couple spots I missed once I listened to the full video), but hopefully the edits will make the overall listening experience smoother.

As a side note, I started doing the video blogs as an experiment in seeing whether or not that would help shorten the amount of time I spent producing material for the blog.

Did it?

Nope.

I want the videos to look and sound at least semi-professional, so I practice the reading at least once beforehand, so that the actual reading has as few stumbles as possible. Since I’ve now rediscovered how to use Premiere Pro, removing obvious stumbles also takes time, and then I have to export the edited clip from Premiere Pro and create a “movie” image in Movie Maker for the book (because I haven’t quite figured out the video options in Premiere Pro). Then I upload the different clips to Youtube (I do the reading separate from where I talk beforehand). Depending on my internet speed (which has been lacking as of late), those clips can take a while to upload. Then, once uploaded, I need to splice them together using Youtube’s video editor (handy thing, though limited), listen to transition points to make sure those flow smoothly, and create the new video. Once that’s uploaded, I listen to the full thing to make sure that everything has correctly processed.

It’s a lot more time-consuming that I thought it would be, but I suspect part of that is the learning curve involved with each program.

I still enjoy doing the readings, however, and I hope you enjoy them, too. 🙂

2 Comments

Filed under Business Ventures, Writing

Behind the Scenes – The Girl Who Flew Away

This is a cover for Barking Rain Press. The author had several ideas on their art form for how the cover might look, and they listed a few options for symbolism. After reading the form, I had an idea of the style I thought might work. I found the images (including the sketchy dragonflies, both the illustration and the creature referencing the book) and put together a mock-up. My initial mock-up had a different background, which included cliffs and a waterfall but didn’t really give the right feel in regards to setting. I sent another idea for the background, just the picture, along with the mock-up, and they asked to try it. This is the end result. 🙂

SBibb - The Girl Who Flew Away - Book Cover

SBibb - The Girl Who Flew Away - Wrap-Around Book Cover

Stock images from Shutterstock:

http://www.shutterstock.com/pic.mhtml?id=94726207

http://www.shutterstock.com/pic.mhtml?id=171422249

http://www.shutterstock.com/pic.mhtml?id=116280835

http://www.shutterstock.com/pic.mhtml?id=146807903

2 Comments

Filed under Book Covers, Client Work, Photo Illustration

Thoughts on Publishing – Infinitas Publishing Status Report

Wow, time flies. O_O

It’s time for another Infinitas Publishing status report!

The Wishing Blade: Magic’s Stealing (Book One) – I’ve just about got the print version ready. I’ve gone through the first proof and searched for typos, and one of my beta readers graciously agreed to look through it a (third? fourth?) time, and they pointed out a few grammatical suggestions here and there. I’ve made notes about which changes I plan to implement, and my next step is to apply those changes across the three files (print edition, Kindle edition, and Smashwords edition), then order a proof copy to make sure my formatting is still correct. Shouldn’t take too long, but I don’t want to rush and accidentally botch something.

Also, at the suggestion of my beta reader (and the encouragement of Isaac), I went ahead and polished up the Cirena map. So the print edition should have this map, and once I release the print edition, I’ll also update the ebook editions with it, as well. 🙂

SBibb - Cirena Map

(Read about my earlier map-making process here.)

The Wishing Blade: The Shadow War (Book Two)- I’m about where I was last time I wrote one of these reports (*Cringe*). However, my NaNoWriMo goal is not to complete 50,000 words, but to revise the first portion of this book, then finish writing the rest of it so that I can hand this over to beta readers. Let’s see if we can get this story on track.

The Multiverse Chronicles: Trials of Blood and Steel – I’ve given the first thirteen episodes their basic revisions, and I’m currently polishing episode five, including the end scene. In addition, I’ve been sending these off as I finish them to our beta reader for this series, and she’s been giving us good notes that I intend to implement. Then Isaac will go over them one more time to make sure any revisions I made fit with his vision, and afterwards, we’ll start releasing them. The goal is to release the first six episodes at one time, with one episode a week following that. We still need to make tweaks to the Multiverse blog site, and the release has been put on hold until we have our Battle Decks game ready.

In the meantime, Isaac’s NaNoWriMo goal involves writing the rough draft for season two of The Multiverse Chronicles. 🙂

Battle Decks: Trials of Blood and Steel -We’re off schedule on this project. Got the latest proof in, found a few minor edits to tweak, but then we had a friend come over who pointed out a lot of things that could help make the game stronger. As such, Isaac adjusted one hero character card into a basic reinforcement card, brought in a new hero card (he already had the sketch completed, but I need to clean it up in Photoshop and color it). Plus, Isaac’s changed a few stats and abilities on the other cards, and changed what certain abilities actually do. As such, this game is going to be released later than planned. Hopefully next month, if we’re able to get a new proof ordered in the next couple weeks. Not only that, but we’re currently considering offering two editions–one that has dice and tokens and a full, easy-to-read set of rules, and one version which only has the cards and a single sheet of rules (harder to read, but we’ll have the rules available for free online), which should also be a bit easier on players’ pocketbooks.

Phalanx – Won’t be released for a while, but this is a board game Isaac put together based on a game that’s mentioned in one of the Multiverse episodes. Something like a cross between Chess and Tetris. Look for more details in the upcoming months. 🙂

SBibb’s Photographic Illustration – Working through book covers, per usual. Finalizing a couple and working on the proof of another.

Lesson to be learned?

Give yourself plenty of time to complete projects. Count on needing to make more revisions than planned. Come out with a stronger product in the end…

And try not to pull out your hair in the meantime.

I hope you enjoyed this post. 🙂

Leave a comment

Filed under Business Ventures, Writing

Thoughts on Publishing – A Video Blog Post – Reading Four Way Stop

Last week I did my first video blog post, in which I read “The Magician,” one of my 1000 Words short stories. Tonight I’m continuing  that trend by reading “Four Way Stop” (also from 1000 Words), in a special, Halloween edition. 🙂

I had a bit of help with this one from Isaac, who helped create a few themed props, and the process which much faster than last time, since I had a better idea of what I was doing.

Anyway, here’s the video!

(And  a Youtube link in case you can’t see it).

I hope you enjoyed this post. Please let me know if you would like to see more of these. 🙂

 

Leave a comment

Filed under Business Ventures, Writing

Thoughts on Publishing – YA Paperback Prices

In my last post, I discussed my thoughts on pricing an indie card game. That got me thinking back to pricing paperback books. I’ve already determined that I’ll probably sell the paperback edition of Magic’s Stealing for $7.99. It’s an odd price, but a compromise since there weren’t a whole lot of YA novellas in paperback that I could find to reference, and the ones I did find were by well-known authors, and therefore priced higher.

Since there’s a slight possibility that Magic’s Stealing may appeal to the upper range of the middle grade audience, I referenced the $7.99 price point of similar-sized books. Here, AR quizzes can be of use determining word count.

However, I’ve now been thinking about Distant Horizon (a 97,500 Ya/NA science fiction novel), and wondering how I want to format the print edition. Granted, it still needs to be proofread, and Isaac and I are quite a ways from releasing it, but I like figuring out these things.

The print format that I used for Magic’s Stealing won’t work… we would end up with a huge page count, which means that the production costs would be too high to bring the book into local stores.

Createspace gives us the option to compare basic book costs, shipping, and royalties. With a quick check of the Distant Horizon file in the same format as Magic’s Stealing, I found that the initial page count was 450. That’s not including getting the chapter spacing formatted to look nice.

But let’s plug that into the calculator and get some numbers.

For a single copy of a 5.25 x 8 book, black and white pages with bleed, we’re looking at $6.25 for the book and $3.59 for standard shipping. $9.84 per book.

Let’s take a look at volume discounting for a moment, since that’s what makes it possible to get these books into stores.

If we buy 25 copies of the book, we pay $156.25 plus $15.50 for shipping, for a total of $171.75, or $6.87 per book. Notice how much the cost per book went down? If we buy 50 copies of the book, we pay $312.50 plus $23.00 shipping (be sure to adjust your quantity value in both calculators). That’s $335.50 total, or $6.71 per book. A slight difference from 25, but not so different that we couldn’t purchase the smaller quantity of books if funds are tight.

For royalties on Amazon (not looking at any expanded distribution options), we start making a profit at $10.99 (34 cents), $11.99 (94 cents), $12.99 ($1.54), $13.99 ($2.14), and $14.99 (2.74). Books printed in Great Britain need to be priced higher than the converted $12.99, or they lose money, while books printed in Europe need to be priced higher than the converted $10.99 or they lose money.

Keeping in mind that we can adjust those prices separately, I’m not worrying about non-US prices right at the moment.

However, without knowing how to format the book, it’s hard to say what the right price point is.

So I decided to run over to Hastings and take a look at their YA section. Figured I’d take twenty minutes to do some quick research.

One hour later…

*Ahem.*

Anyway, I came up with a list of various young adult books across different genres. I noted their title, my best guess at their genre (I referenced Goodreads for a few of them), their page count (by last page of the story, not including front and back matter), line count per page (unfortunately I didn’t think to count the average words per line), price (there may be some variation here due to price stickers covering the price listed on the book), and book size.

I found that, overwhelmingly, the young adult paperbacks were 5.25 by 8 inches, or very close to that size (some variations from printer to printer should be expected). In general, if they came from a traditional publisher, they were 5.25 x 8. Keep that in mind if you’re self-publishing, and you want your book to “look” professional. On the other hand, I briefly skimmed the adult section with the 6×9 book, and there were several more instances of the 6×9 trade paperbacks available. At some point I would like to go back and check the adult book price points and line counts and such, since I think my previous research has suggested that the average adult trade paperback would sell for roughly $14.99.

Keep your target audience in mind, and research similar books to get a feel for how to format and price your own book.

This is the list of YA books I compiled at Hastings.

Michael Vey: Rise of Elgen (Science Fiction) – 6 x 9 – 335 pgs – 35 lines per page – $10.99

Hush, Hush (Paranormal Romance) – 5.25 x 8 –  391 pgs – 25 lines per page – $11.99

Perfect Chemistry (Contemporary Romance) – 5.25 x 8 – 359  pgs – 29 lines per page – $9.99

Barely Breathing (Romantic Thriller) – 5.25 x 8 –  502 pgs – 32 lines per page – $9.99

Perfect Ruin (Dystopian) – 5.25 x 8 – 356 pgs – 29 lines per page – $9.99

The Jewel (Dystopian Romance)- 5.25 x 8 – 359 pgs – 30 lines per page – $9.99

Beautiful Creatures (Paranormal Romance) – 5.25 x 8 – 563 pgs – 30 lines per page – $9.99

Eye of Minds (Science Fiction) – 5.25 x 8 – 310 pgs – 30 lines per page – $9.99

The Dark Is Rising (Complete Sequence, Fantasy) – 6 x 9 – 1082 pgs – 30 lines per page – $16.99 (The Amazon edition is different than the edition I found)

The Hunger Games (Dystopian – Original Edition) – 5.25 x 8 – 374 pgs – 29 lines per page – $8.99 originally. Now has sticker that says $10.99

The Hunger Games (Dystopian – Movie Edition) – 5.25 x 8 – 374 pgs – 29 lines per page – $12.99

The Hunger Games (Dystopian – Shiny Gold Edition) – 5.25 x 8 – 436 pgs – 27 lines per page – $12.99

City of Bones (Urban Fantasy – New Cover) – 5.25 x 8 – 485 pgs – 30 lines per page – $13.99

The Sight (Fantasy) – 5.25 x 8 – 464 pgs – 33 lines per page – $8.99

Graceling (Fantasy) – 5.25 x 8 – 471 pgs – 28 lines per page – $8.99

The Demon King (Fantasy) – 5.25 x 8 – 506 pgs – 29 lines per page – $9.99

The Testing (Science Fiction Dystopian) – 5.25 x 8 – 325 pgs – 29 lines per page – $9.99

The Darkest Minds (Dystopian) – 5.25 x 8 – 488 pgs – 30 lines per page – $9.99

(About here I discovered that Dreamland is out. *Squee!* I’ve been wanting to read that since I read the first few chapters… *Ahem.* Back to cataloging…)

Mortal Gods (Mythology Fantasy) – 5.25 x 8 – 366 pages – 33 lines per page – $10.99

Never Fade (Dystopian) – 5.25 x 8 – 507 pages – 30 lines per page – $10.99

Fourth Comings (Contemporary Romance… looks New Adult) – 6 x 9 – 310 pages – 31 lines per page – $13.99 (Amazon has the list price at $15.00, so I think this may technically be categorized as an adult romance, though it was in the young adult section)

IMPORTANT: Some of these numbers may be incorrect due to my notes having tiny handwriting. I’ve linked to the books in the Amazon store where available, and those may have product details for the print editions that include the front and back matter. As another note, you could probably do a lot of this same research on Amazon by checking the scratched-out list price when you have the paperback edition selected.

I also found that hardback books tend to lean toward the 6 x 9 mark, but they completely vary as to the exact size, and some are considerably smaller. Also, font size and line spacing varied from book-to-book, so when formatting your own book, be sure to take that into account, and study your favorite books in the genre of the book you are formatting.

Now, let’s do the same categorizing for Magic’s Stealing that I did for the above books.

Magic’s Stealing (Fantasy) – 5.25 x 8 – 158 pages – 28 lines per page – $7.99 (once the print edition is available)

Based on the above list, most of the YA books are sized 5.25 x 8 inches, typically range around $9.99 to $10.99, higher if they’re a well known book. Based on this sampling, there aren’t as many at $11.99 as I originally thought, though more research may be needed regarding specific genres. The biggest benefit to this list that I see for Distant Horizon is that a large number of those books allow for 30 lines per page, which can significantly decrease page count. Additionally, something I didn’t check for at the time is the average word count per line, which would give a rough font size estimate.

Let’s go back to our Distant Horizon book and see what happens. I lowered the font size (which isn’t the end-all answer, but this is a rough estimate), which brought the line count to 31 lines per page (a little high, but still acceptable), and now only have 370 pages. Let’s round this to 400 pages, since formatting changes could increase the count.

With those variables, a single book is $5.65 plus $3.59 shipping, or $9.24 per book. A volume purchase of 25 books would be $141.25 plus $15.50, for a total of $156.75, or $6.27 per book. 50 copies would be $282.50 plus $23.00, for a total of $305.50 or $6.11 per book.

At the common price points, a 5.25 x 8, 400 page book would profit on US Amazon at 34 cents ($9.99), 94 cents ($10.99), and at the uncommon prices $1.54 ($11.99), and $2.14 ($12.99)

Let’s say that we want to take this into local bookstores. We choose to pick up 50 books to start with, so each book costs us $6.11. At the high end, a store asks for a 40% discount, which doesn’t work at all for the $9.99 book, but yields about 50 cents for the $10.99 book, or $1.09 for a $11.99 book.

So… it is possible to sell the book to stores at a 40% discount, though the profit wouldn’t be high. The profits would increase as the store’s requested discount decreases.

Alternatively, we could hand-sell the book at conventions, keeping all profits for ourselves (minus sales tax… and the cost of a booth), earning $3.88 per $9.99 book. Potentially, we could list it as $11.99, and still have room to discount it at conventions. However, it’s still not the best price point available, and I’d need to play with formatting to get the lowest number of pages possible, while still keeping the book as readable as possible.

Remember, poor formatting can drive a reader away from a book without them ever knowing why, while good formatting can help them ease into the reading experience, so make sure your book is readable to your target audience.

I hope you enjoyed this post, and these are just a few things to consider when you’re preparing to format your book. Good luck. 🙂

2 Comments

Filed under Business Ventures, Writing