Tag Archives: The Wishing Blade

Thoughts on Publishing – Magic’s Stealing – The Paperback Proof Is In!

Today I’m going to interrupt my usual post with an announcement: I have received my paperback proof of Magic’s Stealing!

It came in a small, cardboard wrap (not quite a box, but not a bag, either), and was delivered to my front door. Upon opening the package, I took a few pictures. 😀

SBibb - MS Proof(( Please ignore the various HeroMachine pictures and cool artwork in the background… those aren’t our personal works (Though if you want a good way to organize the general look of your characters, HeroMachine is quite fun. There’s a whole row of pictures off the frame that we based on one of our campaigns). ))

SBibb---MSproof2

Fancy Title Page

Anyway, this book has 158 pages of content, plus additional pages for the front and back matter, and it clocks in at 170 pages long. Here you can see the the title page (there’s a few pages before it), and further down this post are samples of a chapter page and a regular, full-text page. You can click the images to see them at a larger size.

I did all the formatting in Microsoft Word 2007, and I hope to do a post later on some of the fun tools you can use to add a professional touch to your books. Once I tested a few pages out on my printer for various fonts and sizes and line spacing, I saved this as a PDF, and checked it in the digital proofer on Createspace. Once that looked good, I ordered the print edition.

This particular book is 5.25 x 8 inches (based on a few of my favorite books with easy-to-read formatting), which uses the same dimensions as a 6 x 9, so the cover converted easily. Glossy cover and black-and-white, cream pages. I chose the “bleed” option so that I could use the full page image treatment (pulled from the background of the cover) for the chapter intros and title page.

SBibb---MSproof3

Page Full of Text

I did notice that the words got a tad bit close to the gutter, so that’s something I’ll have to keep in mind for future series, but it’s still readable. Of course, I also justified the text.

This is the end result, and I’m now reading through the book to make sure the formatting is correct before I release the print edition (Amazon only, for now).

I’ve found a couple typos, which I’ve made note of, but if those are all I find, I will most likely let those slide for now so that I don’t potentially mess up the formatting right before ordering a large number of books. If I find a large number of typos, I may go ahead and do the initial revision now.

Though that one I’ve found may keep pestering me…

I don’t know. Maybe I’ll order a second proof, that way I can be sure the formatting looks right and that there are as few errors in the print book as possible.

Anyway, regardless of what I choose to do, I plan to go back and revisit both the print and ebook editions at some point for typos, but I’m considering doing that all at once, when more typos have inevitably been found.

In the meantime, look forward to the paperback edition, coming soon! 😀

SBibb---MSproof4

Sorry, this photo got a little blurry…

I hope you’ve found this post helpful. 🙂

Have you had any experiences with proofing a print edition of your book? How do you decide when to update for typo corrections?



 SBibb --- MS Proof  SBibb---MSproof5 

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Thoughts on Writing – Multiple Character Motivations in One Scene

Though I’ve primarily been focusing on getting the paperback edition ready for Magic’s Stealing (I ordered the proof copy today!) and making edits to The Multiverse Chronicles, I’ve still been thinking about the plot for The Shadow War. My goal is to iron out as many inconsistencies as possible before I get into the heavy writing/editing phase.

Today I’m going to look to look at a scene from The Shadow War and focus on how knowing the multiple character motivations in that scene can help improve the logic of what’s going on.

Warning: There are spoilers in this post regarding events in Magic’s Stealing, along with certain character motivations and the first major event of The Shadow War.

In other words, if you don’t want spoilers, you might want to pick up a copy of Magic’s Stealing before reading this post, then come back to read this post. If you don’t mind spoilers, then by all means, please continue reading. 🙂

Toward the beginning of The Shadow War (the second book) there is a scene in which it is very important that the main character, Toranih, is captured by the shadows. In the current draft of this scene, a city guard requests her presence for legitimate reasons, but once she’s separated from her friends, a pair of shadows ambush her and the guard, then drag her through a portal to where Shevanlagiy (the antagonist from the previous book) is waiting to kill her. Shevanlagiy makes the attempt, but Toranih takes her by surprise and knocks her aside, leaving Lord Menchtoteale (the leader of the Shadows) to try. He attempts to strike her once, but since Toranih knows that shadows can’t be killed by mortal weapons, she grabs the nearest shadow’s knife and strikes her own hand. She falls into the shadow realm, and Menchtoteale again attempts to kill her, this time making what should be a devastating blow with the Wishing Blade, but Isahna (the trickster god behind the shadows, the god Menchoteale answers to) heals Toranih, orders Shevanlagiy to leave Toranih alone, and orders Menchtoteale to train her.

At this point in time, though, I’m a bit concerned that all of that is going to seem rather… confusing.

Why does Isahna prevent Menchtoteale from killing Toranih, and more importantly, why can’t these big bad guys successfully kill an almost defenseless teenager?

(Though I do have to say that Toranih has been working on her magic, and she is good at physical combat. But still… shouldn’t a well-trained sword fighter with a magic sword, or a super-powerful sorceress, manage one partially-trained kid?)

Since I want these scenes to make logical sense, I did my usual day-dreaming to work out the problems with this scene. As a result, I considered the character motivation for each character involved.

Toranih: She wants to get out of this alive. Being caught by shadows? Not exactly conducive to her plans of warning the port city of the upcoming attack. Now, she’s been in the shadow realm before (in a slightly alternate timeline that got erased because of her actions–read Magic’s Stealing if you want to know how that went), so she has a bit of an idea of how shadow magic works. She also knows that–at least according to her memory–she’s resistant to Menchtoteale’s attempts at magic’s lure (basically, a mind control power).

Shevanlagiy: Thanks to events in Magic’s Stealing, Toranih has part of Shevanlagiy’s magic… specifically her resistance to magic’s lure. Before that event, Shevanlagiy could ignore Isahna’s commands (so long as ignoring his commands don’t alert him to her own secret plans). Now that Shevanlagiy has lost part of her magic, she’s not sure how much it will take for Isahna to give her orders that she must follow, which isn’t good when she plans on stealing the Wishing Blade from him later. At this point, she needs to kill Toranih as soon as possible. However, it’s important that she be the one to kill Toranih, otherwise she won’t get her magic back.

Menchtoteale: He’s in charge of wielding the Wishing Blade, and his job is to collect as much power into the sword as possible. He needs an army of shadows (to overrun the Immortal Realm so that he can kill the gods and force their powers into Wishing Blade). Toranih was one of the few mages who didn’t lose her powers when he wished the magic of Cirena into the Wishing Blade, largely because she had the support of a lower-tier goddess behind her. For Menchtoteale, killing Toranih with the sword means finishing that part of the job. Alternatively, striking her with a shadow blade means he should be able to command her. But he knows that someone who looked like Toranih was particularly resistant to his ability to command the shadows. As such, killing her is the more practical option, even though having a shadow mage on his side could be good for the army.

Isahna: His intent is to have Menchtoteale get as much power in the Wishing Blade as possible so that he can eventually take that sword, confront the high gods, then take their place. (It’s a bit of a vendetta after he lost the bid for power to a different god). He’s gotten surprisingly useful information from Shevanlagiy, but he’s certain that she’s playing him for a fool. Unfortunately, he’s not all-knowing, so he’s not sure what her end-game is. He does have an idea that her resistance to his powers may have dropped recently, and has something to do with Toranih. Thus, keeping Toranih around might give him a few insights into what Shevanlagiy has planned… especially since the kid has strong powers (if she can be coaxed into using them) and an interest in military operations (unlike Menchtoteale, who Isahna chose as his general mainly because the guy could forge the Wishing Blade).

There are other motivations behind these guys, as well, but I’m trying not to give away all the twists of this scene. 😉

Anyway, looking at those motivations, let’s take a look at the scene again and at what could happen instead.

First, Toranih must be captured early on in the story (or at least, she needs to be in a position where she becomes a shadow). This is critical to the plot, as she needs to be working against the shadow army from the inside. The problem with this is that, in theory, Shevanlagiy really should just sneak up on Toranih and stab her in the back.

Problem solved (And we have one very happy Shevanlagiy).

But we know from Magic’s Stealing that Shevanlagiy is hesitant to do that so long as Toranih’s other two friends are around. They have an artifact which can effectively wipe out shadows (and is a large detriment to her own powers). Not only that, but one of those people is Toranih’s sister–who has proven to have particularly good aim with a throwing knife and nearly killed Shevanlagiy once before (Shevanlagiy doesn’t die, per se, but she can get thrown into another realm and thus lose all her progress in this realm). The other person is Daernan–someone Shevanlagiy has been working very hard at making sure he stays alive. Putting him in danger isn’t a good idea for her–not yet.

Even if Shevanlagiy simply stabbed Toranih with a shadow knife and commanded her to hold still while she delivered the finishing blow, the possibility that Toranih might get destroyed by the artifact her friends have–thus permanently losing her “stolen” magic–is not a good risk.

So that’s an area I’m still running into issues with. Shevanlagiy needs Toranih dead, so the question is how does she make that attempt?

For now, let’s say that Shevanlagiy still orders a pair of shadows to kidnap Toranih and bring the girl to her. Now she’s putting the shadows–but not herself–at risk. Shevanlagiy’s first goal is still to kill Toranih… just on her own terms. She’s ready to strike when Toranih arrives, and makes an immediate attempt on Toranih’s life.

Since we don’t want Toranih dead yet, this is where we can see Toranih’s growth with magic from the previous story. She successfully thwarts Shevanlagiy with telekinesis… even though her chances are looking bleak if she can’t find a way to quickly escape.

Now enter Menchtoteale. He’s in the same location (which makes me consider… why would Shevanlagiy bring her captive to the same place as someone who might kill Toranih before her? Perhaps he comes back to their base unexpectedly early? Or perhaps Isahna gets wind that Shevanlagiy is up to something, so he sends his puppet along to check things out). Either way, Menchtoteale arrives unexpectedly, realizes Toranih is the same person he saw earlier, and he knows he won’t be able to control her easily. Forget making her a shadow, then. While Shevanlagiy is still dazed from her earlier attack, he attempts to kill Toranih and be done with it… except that Toranih, in her desperation, snags the knife from one of the nearby shadows and prevents her death by turning herself into a shadow. The catch here is that if he uses the Wishing Blade, that would kill her (but she might not be thinking about that)… unless he stops mid-strike because he’s bewildered that anyone would willingly make themselves a shadow.

He’s not the only one. Toranih isn’t sure what to make of her decision, either.

In the meantime, Shevanlagiy has had enough time to get back into the game. Now it’s more important than ever that she kill Toranih. She prepares to make the kill, but is stopped when Isahna shows up and orders them to stop. She can technically disobey his orders at the moment, but deliberately breaking his rules now would make it clear that she has her own agenda, which would jeopardize her later plans. She holds back, though she’s still trying to figure out how to take out her enemy.

Now, this next section needs some work, but this is what I have in mind so far:

Isahna orders them not to harm Toranih. Both Menchtoteale and Shevanlagiy protest, and Isahna makes the case that Toranih might be useful to have around. He orders Menchtoteale to train her, and orders Shevanlagiy not to kill her. When Shevanlagiy expresses her displeasure with the idea, he begins to question her why. Shevanlagiy tries making excuses, to which Isahna starts giving her minor orders with magic’s lure, ones which he knows she will deny if his suspicions about her are correct. Each time she refuses, her ability to resist magic’s lure dwindles, until he finally gives the order not to kill Toranih. This time, he successfully uses his power against her. Not only can he now keep Shevanlagiy away from his new military interest, but he has also discovered exactly where her resistance to his powers ends.

This is important for multiple reasons.

1st – This sets up a rule of magic that we will see throughout the rest of the series, one which Menchtoteale tells Toranih (paraphrased): “Better to accept the little things that Isahna orders of you, and thus be able to resist the commands that matter to you, rather than resist the insignificant things and be forced to do something terrible.”

2nd – We now see exactly why Shevanlagiy is afraid of Isahna… and why she is more desperate than before to push her plans along and find some way to strike Toranih and get her powers back… especially now that she physically can’t unless she takes care of Isahna first. Not only that, but this puts her in a position to ignore Toranih for the time being and focus her attention on Daernan, which gets into the sub-plot regarding glass-stone and protecting the kingdom from the shadows. Shevanlagiy is playing both sides, which makes her, to some extent, unpredictable.

3rd  – Toranih has now seen firsthand how magic’s lure works from Isahna, which affects her decisions through the rest of the series. This is especially important when Isahna offers her a legitimately useful deal later (Though it comes with it’s costs,of course. I rather enjoy stories with villains who can offer a hard-to-resist deal. Probably one of the reasons that I enjoyed Rumpelstiltskin’s character in Once Upon A Time). Along the same token, we’ll also see Isahna offering Menchtoteale a deal regarding Menchtoteale’s own freedom if he can get Toranih interested in trading places with him… and that gets into a whole nother set of character motivations. Needless to say, Isahna is going to try covering all the angles.

In the long run, taking a close look at what motivates each primary character to act, especially early on in your manuscript, can really help to work out the kinks not only in a specific scene, but also in the full length of the plot. Not only that, but you’ll also have more believable antagonists and stronger protagonists, because we can understand what they’re up against.

Now I just have to figure out how much to actually show in the story. On the bright side I’ve already shown multiple points of view in the first book, so it won’t be as odd if we see the occasional point of view from the antagonists.

I hope this post has been helpful. 🙂 Have you ever explored a character’s motivations to solve problematic scenes?

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Author Photo Results and Magic’s Stealing Cover Reveal

I am thrilled to announced that Magic’s Stealing is now available for pre-order!

Now, for the moment you’ve been waiting for…

The cover reveal!

SBibb - Magic's Stealing Cover

For centuries, ribbons of magic have provided the kingdom of Cirena with light, healing, and protection. Then, in a span of minutes, those ribbons fly from their masters, stolen, save for the magic of a few chosen mages. One of these mages is Toranih, a young noblewoman who would rather have a sword in her hand than use her powers to heal or throw fireballs. As a result, her magic skills are lacking. But with former mages dying from magic withdrawal, and the looming threat of an army of shadows who are impervious to mortal weapons, she must either embrace the responsibilities of a mage or watch her home perish.

This is a 34,000-word novella. Book one of The Wishing Blade series.

Preview the first four (almost five!) chapters at  Smashwords. 😀

Pre-order on Amazon US

Pre-order on Amazon UK

Pre-order on Smashwords

Add to Goodreads Shelf

*The Wishing Blade - Section Break - Magic Swirl*

In the meantime, you may have noticed that my author photo has changed across several of the sites I frequent. It’s time to reveal the author photo I chose!

The choice was between 1 and 4 (Read the post about author photos here):

Author Photo #1

Author Photo #1

Author Photo #4

Author Photo #4

 

It was a tough choice, but I ultimately chose #4, since that picture seemed to convey a quirky, adventurous feeling. You can see the three versions I’ve made for different social media uses. However, I plan to keep the first one around, since it has a nice, professional look to it. 🙂

Stephanie Flint - Author Photo Stephanie Flint - Author Photo Stephanie Flint - Author Photo

I hope you’ve enjoyed this post. If you like fantasy stories, please pick up a copy of Magic’s Stealing and share the news of its release (September 17, 2015) with your friends. 😀

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Thoughts on Publishing – A Novel or Three Novellas?

In general, I write novels. Then I trim said novels because their early drafts are excessively long. However, I’ve recently become fascinated with the concept of serial novelization. You release the novel in several parts, with the idea that readers know they aren’t getting a complete work at one time and that the next installment will come in a timely manner. I toyed with the idea of doing this for my current manuscript, The Wishing Blade, with each installment between 10,000 to 15,000 words. But as I started the rewriting stage, I realized that each section didn’t feel complete. The sections left on a cliffhanger, and weren’t really satisfying.

The other serialized option I’d studied was to write a complete short story (or novella), and make sure it had a full beginning, middle, and end, even if it was part of a larger work. At the moment, I’m thinking that might actually work well for The Wishing Blade. Each installment would be around 30,000 words, maybe more, with an expected three installments. I could release the story sooner, while still producing a reasonable quality work. Each story would be complete in itself, so there would hopefully be fewer unhappy readers who aren’t satisfied with the ending. With each installment, the reader should feel the series has made progress. Think about the show Avatar: The Last Airbender. (I think Legend of Korra and Fullmetal Alchemist where this way in their first seasons, too, but it’s been long enough since I’ve watched them that I don’t remember). For the most part, each episode (or set of episodes) felt complete, even though there was a larger story arc in progress. Granted… I’m still in the second season of Avatar, so that might change.

 

So here’s how it would work.

1. I separate The Wishing Blade into three novellas. They’re tentatively called Magic’s Stealing, The Shadow War, and The Immortal Realm. (What do you think of the names? Good? Bad? Neutral?)

2. I then figure out the story arc for each individual novella. This is crucial, because while reading them in order would be preferable, I also want readers to be able to pick up book three, enjoy it, then go back to book one. I personally have a habit of grabbing whichever book interests me… even if it’s in the middle of the series.

So the novellas would look something like this:

  1. Magic’s Stealing: Focus on the loss of ribbon magic in Cirena. Main character who hates magic is suddenly one of the few who can still use magic, and she’s trying to figure out what happened to the magic and where she fits into the whole scheme.
  2. The Shadow War: Main characters get separated. One works from within the shadows to foil the trickster god’s plot to kill the gods and get magic for himself. The other seeks out glass-stone, a material which has been proven to kill shadows and not be susceptible to shadow magic, then seeks to protect and warn others in the mortal realm. (For those of you who read my post on creating fantasy languages, this is where word magic shows itself).
  3. The Immortal Realm: Character in shadow realm escapes into ‘immortal realm’ and seeks out artifact (from book one) which could wipe out shadows for good. Other character defends Cirena’s capitol city from the shadows’ massive onslaught. They’ll either succeed in their separate goals, which serves to aid the other, or they’ll fail and the shadows will take over the kingdom.

3. Edit book one and make shiny. Send to beta readers for feedback. Work on a different story in the meantime (either finish the rough draft for The Wishing Blade: The Shadow War, or work on long-overdue edits to book two in my husband’s and my Distant Horizon universe). Once beta readers return comments, I’ll review said comments, make edits as necessary, then set book one aside for a while. Work on The Shadow War in the meantime.

4. Polish book one. Do what editing I can, maybe get an additional beta reader to proofread for errors.

5. Begin publishing process. Upload to Kindle and Smashwords, and consider other markets (I’m currently considering Drive Thru Fiction and Draft2Digital, but I haven’t had experience with either). For now, The Wishing Blade will be in ebook format only. I hope that once I have all three books out, I’ll be able to earn enough from them to purchase a block of ISBNs. Then I’ll need to decide if I want to make a collected print edition with all three books, or make a separate edition for each story. (If you’re looking for a length comparison, I’ve been looking at the old Animorphs series. Wrong genre and age group, but the word count is about right.)

6. Continue process with book two. I’m hoping to release each book around two months apart, though I may change my mind on that once I get further into this process.

 

Granted, there’s a lot more going on in the background (my husband and I setting up a partnership to publish this, and we’re picking up the DBA, EIN, and trying to figure out tax forms, etc…) but this is what I’ve got going on in the front end. Hopefully you found this post to be interesting, and I’d love to hear what your thoughts are regarding this process. 🙂

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Thoughts on Writing – To Time Travel or not to Time Travel

In my current manuscript, The Wishing Blade, I’ve been streamlining the original story while striving to maintain the overall tone. I started the original draft in 2003, and I set it aside for several years before pulling it out again this year to revise it into a workable manuscript. While some plot points have been easy to keep or discard, there’s one point I’ve been going back and forth on… whether or not to keep the time travel incident in the novel or whether to remove it all together.

Now you get to have a first hand look at my thinking process regarding revisions… all while I try to work this out for myself.

First, let’s look at reasons to remove this incident:

1. Potential Confusion: I have a tendency to confuse people once I start talking about time and dimensional travel in my stories, and I’ve seen agents list ‘no time travel’ in what queries they accept. (However, the last point is negated since I intend to self-publish this particular story. And technically, while some agents might not want time travel, others might. So this bullet revolves entirely on whether or not the incident is confusing to readers and pulls them out of the story.)

2. Potential Loss of Tension: One of the main characters must ‘die’ if the time travel incident remains. The other character goes back in time with the aid of the gods, and they prevent the death of the other character. There are complications that arise once the character returns to the present, but those complications are minimal. Worse, by showing readers that there’s an object that does allow time travel in this particular universe, any future sequences threatening the main characters’ lives is moot, because readers may then wonder why the characters don’t just go back in time and fix it?

3. Unnecessary Plot Point: At this point, the time travel device only allows time travel once in the story. It does do other things, but I could pretty easily remove the time travel incident and chalk up its bizarre powers to other magic.

Possible solutions:

1. Streamline the sequence: Make sure what happens is clear to readers (or is as clear to the readers as it is to the main characters…).

2. Consequences: To avoid loss of tension, I could make sure there are consequences to going back in time. (In this case, I need to make sure those consequences are clear to both character and reader). Also, I could make the complications that arise from time travel a little more immediate. This was actually the case in the original draft, but was removed when I didn’t find a reasonable place to reinsert the point. (And this is a good example of where having fresh eyes to look at a manuscript can be useful, because you might remove an important tidbit without noticing the resulting effects).

3. Increase Relevance: Similar to the point about consequences, if I can better tie in the time travel incident to the main plot, along with making the incident crucial with what’s to follow (along with the irony of the incident regarding the antagonist), the incident shouldn’t feel out of place. Linking the antagonist further into this scene could also improve the overall story.

Besides the reasons I might remove the incident, I’m also considering reasons to keep the incident:

1. Character Development and Increased Tension: We get to see the antagonist step forward to protect one of the main characters– and get a hint as to why, and what she’s willing to do if that character dies (and remains dead). The goal? Tension rises as the character she’s trying to protect risks their life time and time again, because if the antagonist loses said character, all bets are off in regards to what she’s willing to do to achieve her larger goal, and what she isn’t.

2. Magical World Building: We have an explanation of why the ‘time travel device’ reacts a certain way to the bad guys later. Cause and effect comes into play, and the world gets a little more exploration. And we get to see more of the various character relationships.

3. Time Travel Is Cool: I like time travel and dimensional world travel. I know, that’s not a good excuse. But really… we’ll get to see the effects of time travel first-hand in the story. We don’t just hear about it from a side character.

4. Paradoxes! Or so the characters think…: The incident sets up tension between the antagonist and protagonist, because the protagonist knows who the antagonist is but doesn’t know how they got there…

This is a case where beta readers will come in handy. They’ll help decide if the time travel plot point should be removed altogether (requiring a light restructuring of the plot), or whether the plot point works. For now, (thanks in part to having a friend enthralled by the backstory of the antagonist), I’m going to keep the incident.

So… onward to editing, and I hope you enjoyed this post. Let me know what you think, and please let me know if there’s any topics you’d like me to cover. 🙂

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