Tag Archives: writing a series

Story Length in the Wishing Blade Universe

When I set out to write The Wishing Blade series, I originally planned on it being a set of novellas. (Especially because the very first draft I wrote for the entire story arc of the series was 64,000 words).

Magic’ Stealing, the first book I published in the Wishing Blade series, was around 34,000 words, and I figured that future books would be similar.

What I didn’t count on was adding so many more words once I started exploring additional points of view.

Daernan got a chance to shine in The Shadow War, and the main plot really centers around him. Siklana has a major role and character arc in Magebane… and we still get the original views of Toranih and Shevanlagiy.

Not only were viewpoints added, I ended up further developing, and adding, magic systems (who knew word magic and charlago/magebane would play such a critical role in future stories?), and I added words as I reworked scenes to make more sense. Because Isaac–my writing partner and developmental editor–has a point: why try scaling a guarded wall when you could just… I dunno… take the sewers and discover even more fun stuff that affects the plot?

The result was that The Shadow War ended up clocking in around 55,000 words – a short novel, and Magebane clocked in at a whopping 109,000 words – a full-length novel.

(Fun fact… the first version of this post, sent to my newsletter years ago, had Magebane still in progress at 89,000 words.)

The Stone and String stories have also found themselves with longer stories than I originally planned. “Stone and String” was a short story of 8,000 words (surprisingly, it stayed within its expected count). It was meant to be a standalone story. But, of course, I wondered what happened next…

And so Wind and Words came along. While it took a couple starts to actually get it going the direction I wanted, I realized quickly it wasn’t going to be a short story. It ended up being a novella at 23,000 words.

Now the real question is, how long are the next books going to be? (Especially considering that Stone and String 3 should have direct ties to Wishing Blade 4).

While I cringe to look at the release dates of those books and realize I haven’t yet released the next in the series, I’ve found a similar pattern occurring within The Legends of Cirena series as it progresses.

  1. The Wind Mage of Maijev – 15,000 words
  2. The Gryphon and the Mountain Bear – 12,000 words
  3. The Restless Sands of Neel – 25,000 words
  4. The Cursed Halls of Kalecen – 18,000 words
  5. The Scars of Her Past – 21,000 words
  6. The Dragons of the Mist – 21,000 words
  7. The Wind Mage and the Wolf (Cross-over) – 47,000 words
  8. The Trial of Bells and Blood (Cross-over) – 32,000 words
  9. The Dark Forest of Aneth (Cross-over) – WORK-IN-PROGRESS Currently 68,000 words.
    • In its defense, it not only has the cross-over points of view, it got a third viewpoint and is delving into preplanned lore that wraps up the arc from the first 9 books while setting up the next arc. 🫣

I think a lot of this has to do with adding characters, getting deeper into the lore… stuff like that.

There’s a couple drafts already written for stories that will eventually come after The Dark Forest of Aneth, which you might have seen if you’re signed up for the Wishing Blade Universe newsletter. And then there’s the ongoing story which definitely is building into pre-planned lore and I don’t know if it’s going to be a novella or novel, but the next chapter is eight of sixteen, and it’s already 17,000 words long.

Anyhow, do you have a preferred book length you prefer to read or write?

Full-length novels, novellas, short stories? 🙂

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Three series starters…

Quick reminder… you can read Stone and String for free by signing up to my newsletter!

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Happy reading and writing!

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About Ruetravahn – a god of wind, language, and Truth

I have a lot of fun creating the world and culture of the Wishing Blade Universe (Isaac has fun with this, too, as seen by the existence of the Legends of Cirena stories, which started because he went and created a role-playing guide for each of the regions).

One aspect of world-building I especially enjoy is creating the pantheon of gods, goddesses, and deities.

Many of the gods interact directly with mortals, as well as immortals, meaning we see their personalities and how people deal with them (or try to avoid them). Some worship them, some scorn them (especially the dragons of the Immortal Realm) and others are indifferent.

Today, I wanted to take a closer look at Ruetravahn.

As one of the older gods, Ruetravahn has a place in both the Cirenan and Cantingen pantheons, though he features more prominently in the latter. (But even Cirenan characters get stuck dealing with him, as Livena finds when she accidentally gets saddled with a truth spell/curse in The Wind Mage of Maijev).

Per Cirenan tales (as of The Wishing Blade series), when the high god, Listhant-Nsasrar, chose to retire, Ruetravahn convinced him to leave the gift of word magic with mortals so they would not always be at the mercy of the gods, and those without ribbon magic would have a defense against born mages.

As such, Ruetravahn became known as the god of language. Though the Cantingen language had been around for as long as mortals could remember, the ability to use it in spells only came after Ruetravahn’s deal. (Which gets fun when I’m writing anything in the Legends era, because I have to remember they don’t have access to word magic yet).

Even with this gift, Ruetravahn is rarely worshiped in Cirena, possibly because they continued to rely more on ribbon magic than word magic.

As for the Cantingen Islands, the people looked to him as not only the god of language, but also the god of Truth, the world as it really is, and the god of wind, capable of hearing everything that is spoken. Those who worship him consider lying an affront to the gods, and they are careful to choose their words and speak as accurately as possible.

He is the primary god that Edyli, the protagonist of Wind and Words (book two of the Stone and String series), chooses to worship. Her respect for him affects her actions. However, there are those who still see him as a lower god, and who therefore ignore his teachings in favor of completing tasks assigned by the high goddess, Madia.

This scene touches on the conflict between them. 🙂

From Wind and Words

The priestess spun on her heel and surveyed the room. “Do not tell anyone of your intentions, and do not tell them who sent you.”

“Nasillah?” Edyli asked, confused. What temple work could be so secretive? “I cannot lie. That is against Ruetravahn’s will.”

The priestess turned sharply and narrowed her eyes, but even the acolyte pressed his lips into a thin line behind her, his concern evident. “Do you question the will of Madia?” she demanded. “Would you put a lower god above Her Graciousness? You must do as she commands, and that is to bring the monster who stole the child’s string to justice. If you must lie to achieve that task, then it is necessary.”

Anger rushed through Edyli. Ruetravahn might not have been a high god, but his intentions were sacred. Their language rode in his wind, and he was the one who established the treaty with Lishivant, Madia’s father, to bring word magic to mortals.

Whatever happened, Edyli would not lie. She would not betray him.

“I will do what I must,” she said firmly. Even saying that much made her cringe, because the priestess would likely assume that she was agreeing to do as she had been asked. But, as familiar fables said, it was not the truth-sayer’s fault if they spoke Truth, but the listener turned a deaf ear.

While Edyli is determined to serve Ruetravahn faithfully, not everyone is so faithful, as seen above. Of course, those who don’t like magic or gods are even less inclined to like him, as we find with Livena after her magic goes haywire near a blessed scroll in The Wind Mage of Maijev.

(But hey… things like that happen when you accidentally mix a blessed scroll, wind magic, and magebane).

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A spell to infuriate the goddess of the dead…

See more of Edyli’s faith in Ruetravahn in the Stone and String series:

Quick reminder… you can read Stone and String for free by signing up to my newsletter!

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Happy reading and writing!

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Backstory Between Toranih and Siklana

In The Wishing Blade series, there’s a rivalry (often unspoken), between Toranih and her older sister, Siklana. Though they care for each other (in fact, the one magical item Toranih actually likes and frequently uses is a light crystal Siklana made for her), Toranih has always felt like she was in her sister’s shadow… that, no matter what she did, her sister was always better. Better at academia, better at fitting in with social expectations, and better at earning their parents’ approval.

Once, when they were younger, Toranih and Siklana were instructed to create a small tapestry to showcase what they’d learned of weaving and embroidery. Toranih chose to painstakingly render a detailed depiction of a beautiful knife wielded by the legendary noble, Duke Nomca, who was known for his fairness and protection of those in need, including those without magic. (And of the beastmen, which gets shown in a story I’m currently writing). Toranih worked hard on that tapestry, and when her work was complete, the final piece was beautiful… if in its own pragmatic way.

She was quite proud of that work, and sure she had finally managed to achieve something her sister couldn’t. But when they unveiled their tapestries for their parents, Siklana’s detailed work far outclassed anything Toranih dreamed of achieving… and her hopes were dashed.

After that day, she refused to touch the loom except for the most basic of lessons, and she turned to Captain Brekartn for lessons wielding a weapon like Duke Nomca. Though any skill with knives eluded her, she soon found mastery in swords. The more she practiced, the better she became.

As the years passed, Toranih denounced the arts her sister excelled at—including magic—and instead focused her talents on the one thing Siklana showed little interest in—swordsmanship.

If all went well, she would one day become a guardswoman, while her sister would become an academy mage.

But, of course, life doesn’t go as planned.

Magic is stolen.

Siklana is left without the magic she’s become known for, and Toranih’s traditional weapons prove useless against the army of shadows invading the kingdom. Toranih finds herself forced to consider the role her sister once studied for—the role of a mage, while her sister is left wondering where she fits into this strange new world.

And there you have it, a little history between Toranih and Siklana.

Toranih’s reaction to the change of her world is the primary focus of Magic’s Stealing, whereas we see more of Siklana’s reaction in The Shadow War, and Siklana has a major arc in Magebane, the third book in the series.

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A heinous plot is unveiled when magic is stolen…

See how Toranih and Siklana adjust in The Wishing Blade series:

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Happy reading and writing!

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How the Wishing Blade Universe changed over time

When I first created the world of The Wishing Blade, I had no idea how much I’d change of the story as it progressed. And how much I’d add. Like a whole ‘nother language… (Wheee, language creation!) I had only really considered the main series, and how some of its immortal characters lived throughout time, but not the lives of the characters from The Legends of Cirena series. Not Edyli and her sister in Stone and String, or how varied Litkanston might look.

Even major elements now, like the Cantingen Islands with its word magic, were only briefly mentioned and didn’t play a large role in the story. (Word magic didn’t even exist yet… I don’t think?) Pretty sure the islands weren’t directly mentioned in any of the early drafts, though I did find a later pixel version of the map that had them added in, likely as I expanded the story after the events of The Wishing Blade series.

I think this was “storyideamap26.gif” if that gives you any idea of my process. For reference, the map below is one of the first maps I ever made referencing Cirena, in all its pixel-y goodness.

(I later created the current version in pencil and ink and then polished it in Photoshop)

Notice that several features have changed from this version (storyideamap26) for The Wishing Blade series…

To the most recent version for The Wishing Blade series:

  • For example, scaling and spacing got readjusted. Neel, while still a city, also became a desert region.
  • Toranih’s estate doesn’t even get a dot on the map.
  • The Cantingen Islands (and pretty much every landmark) got redefined.
  • The Shadow’s Pass and the Pass of Cirena haven’t even been touched in the current series. (Though we might still see a version of these as the series continues).
  • The Midder Triangle (in my head now as “Midder’s Triangle”) also hasn’t been addressed… though some of the Legends stories that are in development (The Dark Forest of Aneth) are now making references to that goddess, and the concept of the Triangle might eventually make it into Litkanston lore if any of my current headcannon makes it into published cannon.

As the story developed, much of the plot and world-building changed. I guess that’s what happens when my first ideas for this series started 12 years before I published the first book (Magic’s Stealing). I was still in junior high, daydreaming in choir and whenever I had free time.

I set the idea for The Wishing Blade series aside for a while after high school, though I occasionally tried rewriting the concept without much success.

Then, after college, I tried reworking the story again, and finally published Magic’s Stealing in 2015.

It took a while to finally get the world to a place where I was satisfied, but I’m excited to see what changes as the series continues, and what plot points and characters stick around.

For example, Toranih’s sister, Siklana, plays a major role in the current version of the series, which was a big change since she was only seen in a couple scenes in the earlier drafts. She even has a major arc in the third book, Magebane.

I expect plenty more to change, though there are still major scenes that I look forward to finally writing.

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A heinous plot is unveiled when magic is stolen…

See the result of my world-building changes in The Wishing Blade series:

(And yes, there’s at least one, if not two more books planned for the complete arc).

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Happy reading and writing!

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