Tag Archives: Wishing Blade books

Lonely Child Song – Conlang Poetry

I enjoy creating the language of word magic and the Cantingen Islands in my Wishing Blade Universe. So much so that I have a handy Excel sheet with a handful of pages and a semi-clear structure that I’ve realized I really need to get organized (because it’s rather… fun… trying to remember sentence structure when I’m in the middle of revising my current project, The Dark Forest of Aneth, and need to construct a sentence in Cantingen and don’t remember if I’ve decided how that particular grammar is supposed to look.)

One exercise I’ve especially enjoyed, however, is the creation of poetry and songs using the conlang (constructed language). Whether or not I’m actually good at poetry is an entirely different matter, but it’s still fun.

Wind and Words, the second book in the Stone and String series, features two different poems/songs (well, one is intended to be a chant), and one of those songs is called “Dornoram” (“Lonely Child”) and features Madia when she was still a young goddess, before she created mortal-kind.

Though I don’t include the entire song in the story itself (I did include both the Cantingen version and the rough English translation in the back of the book), here’s a look at part of the song:

Dornoram, dornoram
Lonely child, lonely child

illselvimorin sut wuget so vinllada’ralencos.
wandering in the fog of her father’s new world.

Dornoram, dornoram
Lonely child, lonely child

fallamin kidame nevésil vego cochome si kecirme.
She has no toys to play with but feathers and strings.

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Viskar vrethin si walin
So she sits and she weaves

drogos osain vieram jévidasil.
while she yearns for a playmate that she understands.

Vego éda ralencos dratethia shadi si fashuvasia.
But this new world is magic and does not comprehend.

*

Dor so shadi si niitéra
Child of magic and creation,

morladiin vieram.
she dreams of a playmate,

Morladiin vieram néollased.
dreams of a playmate to keep company.

Viskar novanin vincede loch lalli esil, esildo.
So she weaves her hair into the form of a doll, little doll.

Morladiin kryl vinvieram llullamia.
Dreams of the story her playmate might have.

Vego esil dratethia goréso,
But the doll is a puppet,

fallamia kareme,
has no thoughts of its own,

si luuh vinmorladsme ketondruv nékryl.
and only her dreams give it life.

Essentially, the Cantingen Islanders believe they are Madia’s esilme, her dolls, who return to her from the mortal realm after they die. The rest of the song continues that story, and the idea plays an important role in the Stone and String series.

Do you enjoy seeing fictional languages in stories?

If so, what’s your favorite one? (I’m personally a fan of Tolkien’s Sindarin Elvish, though I never learned more than a few words).

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A spell to infuriate the goddess of the dead…

Quick reminder… you can read Stone and String for free by signing up to my newsletter!

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Happy reading and writing!

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Story Length in the Wishing Blade Universe

When I set out to write The Wishing Blade series, I originally planned on it being a set of novellas. (Especially because the very first draft I wrote for the entire story arc of the series was 64,000 words).

Magic’ Stealing, the first book I published in the Wishing Blade series, was around 34,000 words, and I figured that future books would be similar.

What I didn’t count on was adding so many more words once I started exploring additional points of view.

Daernan got a chance to shine in The Shadow War, and the main plot really centers around him. Siklana has a major role and character arc in Magebane… and we still get the original views of Toranih and Shevanlagiy.

Not only were viewpoints added, I ended up further developing, and adding, magic systems (who knew word magic and charlago/magebane would play such a critical role in future stories?), and I added words as I reworked scenes to make more sense. Because Isaac–my writing partner and developmental editor–has a point: why try scaling a guarded wall when you could just… I dunno… take the sewers and discover even more fun stuff that affects the plot?

The result was that The Shadow War ended up clocking in around 55,000 words – a short novel, and Magebane clocked in at a whopping 109,000 words – a full-length novel.

(Fun fact… the first version of this post, sent to my newsletter years ago, had Magebane still in progress at 89,000 words.)

The Stone and String stories have also found themselves with longer stories than I originally planned. “Stone and String” was a short story of 8,000 words (surprisingly, it stayed within its expected count). It was meant to be a standalone story. But, of course, I wondered what happened next…

And so Wind and Words came along. While it took a couple starts to actually get it going the direction I wanted, I realized quickly it wasn’t going to be a short story. It ended up being a novella at 23,000 words.

Now the real question is, how long are the next books going to be? (Especially considering that Stone and String 3 should have direct ties to Wishing Blade 4).

While I cringe to look at the release dates of those books and realize I haven’t yet released the next in the series, I’ve found a similar pattern occurring within The Legends of Cirena series as it progresses.

  1. The Wind Mage of Maijev – 15,000 words
  2. The Gryphon and the Mountain Bear – 12,000 words
  3. The Restless Sands of Neel – 25,000 words
  4. The Cursed Halls of Kalecen – 18,000 words
  5. The Scars of Her Past – 21,000 words
  6. The Dragons of the Mist – 21,000 words
  7. The Wind Mage and the Wolf (Cross-over) – 47,000 words
  8. The Trial of Bells and Blood (Cross-over) – 32,000 words
  9. The Dark Forest of Aneth (Cross-over) – WORK-IN-PROGRESS Currently 68,000 words.
    • In its defense, it not only has the cross-over points of view, it got a third viewpoint and is delving into preplanned lore that wraps up the arc from the first 9 books while setting up the next arc. 🫣

I think a lot of this has to do with adding characters, getting deeper into the lore… stuff like that.

There’s a couple drafts already written for stories that will eventually come after The Dark Forest of Aneth, which you might have seen if you’re signed up for the Wishing Blade Universe newsletter. And then there’s the ongoing story which definitely is building into pre-planned lore and I don’t know if it’s going to be a novella or novel, but the next chapter is eight of sixteen, and it’s already 17,000 words long.

Anyhow, do you have a preferred book length you prefer to read or write?

Full-length novels, novellas, short stories? 🙂

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Three series starters…

Quick reminder… you can read Stone and String for free by signing up to my newsletter!

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Happy reading and writing!

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