Category Archives: Writing

Episode 13: The Test – Part One

Episode Twelve of The Multiverse Chronicles is now up!

Trish goes about her week at camp, facing trials of textbooks and tack…

SBibb's avatarThe Multiverse Chronicles

The Multiverse Chronicles

SEASON ONE: EPISODE THIRTEEN

“The Test – Part One”

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The Multiverse Chronicles: Trials of Blood and Steel - Silent Morning

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Trish chewed on a granola bar from the mess hall as she crossed the campground. The early morning sky was dark. Cool air whispered through her hair and across her cheeks, helping her wake. The stable tent stood as a dark silhouette on the distant hill, mostly silent except for the few wolves prowling nearby in search of a wild snack.

At 0430, Trish had plenty of time to make the journey up the hill, which was fine by her. The chilly air raised gooseflesh on her skin, but lately, the still mornings were the only downtime that could calm her nerves.

At least, the only downtime she’d found.

This was her seventh day at the camp in Francia. Thus far, her training had consisted of textbooks, tests, practicing basic commands with her pterosaur—which…

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Thoughts on Publishing – Infinitas Publishing Status Report

Well, guess what? It’s time for another Infinitas Publishing status report!

The Shadow War: This is slowly, slowly making progress. I did get a little more editing done. The good news is that this process should go faster now that summer is almost here.

The Multiverse Chronicles: Trials of Blood and Steel We recently released episode twelve, and we aren’t quite halfway through the season. There’s still a few more end scenes to write for the later episodes, and I’m about one episode away from having to edit episodes I haven’t yet touched. I’m hoping I can get these edited fast enough to give our beta-reader time to read them before Isaac and I do our final edit before publishing them, or there may be a few episodes spaced out a couple weeks apart rather than just one week.

Battle Decks: Trials of Blood and Steel Isaac and I are continuing to test expansion ideas with our group of beta-testers. However, we’re having to really evaluate where we want the game to go before we release anything. Initially we were talking about deck-building ideas, but then we realized that too many deck-building options would take away from the hero-focus of the game. Right now we’re looking at the idea of limiting the scope of deck-building, while still offering some deck customization within each faction, along with testing more hero card options.

Still very much a work in progress, though I am looking forward to revealing a few of the different faction deck expansions once we iron out the details. And new factions… though those will come later.

Phalanx: We debuted Phalanx at the Old Drum Days Festival, and while we only sold a couple games, we did get to play the game with a number of people who stopped by our booth, and we hope repeated exposure will entice more people to pick up a copy down the road.

SBibb’s Photographic Illustration: Another book cover done, more proof covers made, one formatting project complete, another near-complete, and several more projects to go.

Beta-Reading: I’ve started reading the latest draft of the book I’m currently beta-reading. Seems I’m about as slow beta-reading as I am with editing The Shadow War, and as such, I’ve asked the author to send me weekly email reminders to get the chapters read so I can send her feedback in a timely manner.

Distant Horizon: We’ve got a couple people looking at the current manuscript for typos, and once we have feedback, we’ll be making the final edits and I’ll print out a copy to check for typos. I’ve also been working on a back-cover blurb, and hopefully I’ll have a polished version ready to reveal soon.

Video Blogging: Only a few chapters left of Magic’s Stealing to read, and then I’m not quite sure what to read next. I’ll be evaluating the video blogging project at the end of the readings to decide where I want to go from there and whether or not to continue with the video blogs.

We’ve got a lot of stuff planned for Infinitas Publishing, and I hope you enjoyed this post. 🙂

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Thoughts on Writing – Writing A Serial Novel – MVChron Midpoint Evaluation

Now that Isaac and I have reached the midpoint of The Multiverse Chronicles (or what was originally going to be the midpoint), I thought it might be fun to look at what we had planned for this series, and what the current trajectory is.

For those of you who are new to my blog, The Multiverse Chronicles is a pseudo-steampunk fantasy blog series that my husband and I write. Isaac writes the rough draft for each episode, which I then edit. We send that draft to a beta-reader, who gives us feedback. We polish the episode, and then post it to our blog (approximately once a week between episodes).

The series started because we wanted a way to advertise our Battle Decks: Trials of Blood and Steel card game. So we worked out more of the universe and wrote it into story format. (Fun Fact: The story came from the card game, but the card game from a story… which came from a role-play game Isaac game-mastered and created the world for. It’s just one big cycle.)

When we first planned the series, we thought they’d be short little episodes, each an individual story following the lives of various characters who we occasionally revisited (actually, we first pictured this as a comic strip). As the story progressed, certain themes would reoccur and a larger story arc would appear, but would only be important to those who read the whole series.

That didn’t happen.

The story evolved to have a full-blown plot. Even then, we determined that we would still keep the episodes short (around 500-1500 words), and we would keep some level of independent story from episode to episode, that way new readers could fall in at any time and be able to reasonably follow what was going on.

Ahem.

Let’s take a look at the actual word count of the first twelve episodes, shall we?

  • Prologue: 478
  • Episode 1: 2,318
  • Episode 2: 3,287
  • Episode 3: 2,771
  • Episode 4: 3,395
  • Episode 5: 3,829
  • Episode 6: 2,202
  • Episode 7: 3,082
  • Episode 8: 3,660
  • Episode 9: 2,760
  • Episode 10: 2,018
  • Episode 11: 3,918
  • Episode 12: 4,226

Ignoring the prologue, which we added at the last minute because we wanted to have at least some reference of why we call this “The Multiverse Chronicles,” the episodes are well above the intended length.

Granted, a lot of that is my fault. I like details. I want to see the world…

And I enjoy knowing what the bad guys are doing.

Isaac’s original drafts are closer to the intended length (for example, the original draft of the first episode is only 1,645 words long, and episode twelve was only 1,672 words long (note: this does not include the end scene, which was added later and raised the total count to 2,591 words).

Combined,the total word count for the first twelve episodes without the prologue is 37,466 words, with an average of 3,122 words per episode.

That’s double the original word count we had in mind.

Adding to the word count was the decision to add “Meanwhile“scenes at the end of each episode to show what other characters, especially the antagonists, were up to. The idea was to build suspense. Per feedback from our beta-reader, we later stopped calling them “Meanwhile” scenes and just made them a part of the regular episode, albeit with a section break.

What remained as planned, however, was to have an illustration with each story, hearkening back to the idea of penny dreadfuls and dime novels. Though the style and number of illustration varies a bit from episode to episode, we try to have at least something.

Originally we planned to have 24 episodes, though looking at our current structure, we now have 27 episodes planned, and I haven’t checked to see if any of the remaining episodes need to be split into two parts (as we did with one of the earlier episodes, and the two episodes we’ll be releasing next).

Once the first season has been released, I’m hoping to go back through the full story, make any final changes and polish the writing, and then publish a print and ebook edition. But that’s a post for another day.

Though we deviated from our original plans, I hope that readers will still enjoy The Multiverse Chronicles. And please, feel free to chime in with thoughts and comments as you read each episode. We would love to hear from you. 🙂

Previous posts about the serialization process:

Thoughts on Publishing – Serial Publishing Methods

Thoughts on Writing – What does a Serial Episode Need?

 

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Thoughts on Blogging – A Question For My Blog Readers

As we approach summer, (which means I should have more time to write blog posts), I’ve come up with a question for those of you who read my blog:

What do you like reading on my blog, and what do you want to see more of?

Is there anything you would prefer to see less of?

About a year ago I went from only posting “behind the scenes” content about book covers I had designed, to writing articles on my writing processes and the steps my husband and I were taking in creating our publishing company.

Then I started creating the video blogs with the readings, and then finally reblogging our pseudo-steampunk series, The Multiverse Chronicles.

From what I can tell, most of the people who follow this blog are writers. Do you want to see more posts on writing and the writing craft? Publishing? Self-publishing techniques?

Do you like seeing the Behind the Scenes posts about how I make book covers?

Do you watch the video blog posts I do, and/or listen to the readings of Magic’s Stealing?

Do you read the Multiverse serial episodes?

Is there anything you want to see that I haven’t tried yet?

Feel free to respond via the form below, or to send me an email privately (my contact page).

I look forward to hearing from you. 🙂

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Just a quick reminder, I’m running a giveaway for two ebook copies of Magic’s Stealing! There’s only four days left, so enter while you can. 🙂

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(Reblogged) How to Save Your Twitter Profile from the Algorithm

I don’t often reblog other blogger’s posts very often, but this one has some important information regarding a Twitter algorithm change that may affect how you see posts in your timeline.

(In other words, they’re trying to emulate the Facebook timeline).

It’s an easy fix, but I didn’t realize they had made the change.

drewchial's avatarDrew Chial

On February 5, Buzzfeed reported that Twitter was doing away with their chronological timeline in favor of an algorithmic one. Users would no longer see tweets as they were posted in real time, but rather in an order the algorithm thought users wanted to see them. Buzzfeed theorized that this would help manage spam links and adjust Twitter’s signal to noise ratio, but users remained skeptical.

Many users feared, myself included, that Twitter was downgrading everyone in order to sell priority placement tweets to power users, just as Facebook had done with status updates on its Fan Pages. Social media services were shifting stanchions onto their free dance floors, relabeling the spaces as their VIP sections. Twitter appeared to be doing the same; gutting the democracy of the service to benefit a monopoly held by power users, celebrities, and advertisers.

We feared that the algorithm would put an end…

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Thoughts on Writing – A Blurb For Distant Horizon

Isaac and I are preparing to publish our YA/NA science fiction novel, Distant Horizon, and one of the many things that must be completed is a shiny blurb for the back of the book (and the Amazon storefront).

This particular blurb has been through many incarnations, especially seeing as how it started as a query letter (which went through many revisions on Absolute Write’s forums). Of course, the story changed over time, and some of the query letters became obsolete… even when they sounded half-way decent.

In a query letter, you want to give a little more information than a blurb (though you don’t typically reveal the end in either), and as such, I wasn’t sure what should stay and what should go.

How much information is too much?

If I reveal a certain plot point, is it a spoiler, or does it intrigue the reader?

I’ve read some blurbs that pretty much went all the way to the climax of the book, or ran through each major plot point without room for deviation. I’ve read some blurbs that didn’t tell me much at all.

Needless to say, I’ve started to avoid reading blurbs again once I’ve actually started reading a book, that way I don’t start waiting to see when the next plot point shows up. But I’ve also noticed that it takes a really good blurb to hold my attention and make me read it word for word, rather than skimming for key words that catch my interest.

That being said, let’s take a look at what Isaac and I currently have written for Distant Horizon.

The Community is safe, unless you have superpowers.

 

Eighteen-year-old Jenna Nickleson resides in an efficient, secure society that’s recovering from a hallucinogenic plague. So when Special Forces agents arrive at her university prior to a mandatory Health Scan, Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that they’re sent away for treatment, but when she uncovers a cruel government conspiracy, her ideal world is shattered.

Terrified, Jenna flees her home under the protection of a ragtag band of freedom fighters. The rebels offer her refuge on their rusty airship and claim her hallucinations are elemental plant powers. She’s not so sure she trusts them, but when she comes face-to-face with a cruel telepath in charge of the government’s darkest secrets, Jenna realizes she’ll need more than special powers to escape with her mind and body intact.

This particular blurb has a tagline: The Community is safe, unless you have superpowers.

(There’s an explanation on the difference between a tagline and a logline here, and a quick explanation here.)

We’re briefly introduced to our protagonist (Jenna), our setting (an efficient, secure society), and a conflict (Society is recovering from hallucinogenic plague. Jenna’s been having hallucination. Societal enforcers show up, making her wonder what’s going to happen to her). We also learn there’s a government conspiracy and get information that gets us just about halfway into the book (when she first meets the telepath).

Analyzing this, I wondered if the conflict could be made clearer from the get-go, and if there’s more we should know about Jenna to make her an interesting character right from the start.

I thought about trying to write the blurb in third person, but offhand I could only think of one book that did this well (Delirium by Lauren Oliver), and I think that worked so well in part because it captured the feel of her writing style.

In one article I read about writing a blurb, the author suggested that introducing the setting before the main character was important in science fiction and fantasy. I checked this theory. This holds true for both Hunger Games and Divergent, and to some degree, Matched (the tagline sets up the world).

Given that the world plays a huge role in Distant Horizon, I’m now considering setting up the world first. (In a world where super villains won the day and dismissed super heroes as delusional misfits with a hallucinogenic plague… All right, all right, I won’t start with “In a world”… And I’m fairly certain that “super villains” and “super heroes” are trademarked terms. *Sigh.*)

Based on the idea of setting first, I came up with this rough blurb:

Ever since a hallucinogenic plague wiped out half the world’s population, the Community has been a haven for its citizens. The people of the Community are safe, secure, and efficient. They take a daily pill to ensure their immunity to the plague, and when the time comes for them to enter the work force, they take a mandatory Health Scan. It’s their duty.

But underneath the illusion of safety, the Community’s Special Forces agents enforce a dark secret.

The plague isn’t real.

Eighteen-year-old Jenna Nickleson is a freshman biology student with a secret of her own. She hasn’t taken the pill since her senior year of high school. She feels more alive without it, and she doesn’t show any signs of infection—until just two days before a surprise Health Scan is announced and Special Forces agents arrive at her university. Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that they’re sent away for treatment, but when she uncovers the cruel government conspiracy behind the scans, her ideal world is shattered.

I’d be tempted to cut it off here, but I’m not sure that it shows enough about what Jenna will do next. What are her goals? What are the stakes?

This is the amended blurb (though maybe a bit lengthy…):

Ever since a hallucinogenic plague wiped out half the world’s population, the Community has been a haven for its citizens. The people of the Community are safe, secure, and efficient. They take a daily pill to ensure their immunity to the plague, and when the time comes for them to enter the work force, they take a mandatory Health Scan.

It’s their duty. But underneath the illusion of safety, the Community’s Special Forces agents enforce a dark secret.

The plague isn’t real.

Eighteen-year-old Jenna Nickleson is a university biology student with a secret of her own. She hasn’t taken the pill since her senior year of high school. She feels more alive without it, and she doesn’t show any signs of infection—until just days before a surprise Health Scan is announced and Special Forces agents arrive at her university.

Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that the students who fail the scan are sent away for treatment, but when she uncovers the cruel conspiracy behind the scans, her ideal world is shattered.

Terrified for her life, Jenna flees under the protection of a ragtag band of so-called “freedom fighters” whose arrival coincided with that of Special Forces. These rebels offer her refuge and claim her hallucinations are elemental plant powers, but she’s not so sure she trusts them. Still, her curiosity gets the best of her, and when she comes face-to-face with a cruel telepath in charge of the government’s darkest secrets, Jenna realizes she’ll need more than special powers to escape with her mind and body intact.

Eh… it’s a work in progress.

Let’s look at the taglines real quick.

The current one I have is:

The Community is safe, unless you have superpowers.

An alternative tagline I’ve considered is:

The Community is safe, secure, efficient.

At least, that’s what we were supposed to believe.

Or simply:

The Community is Safe.

The Community is Secure.

The Community is Efficient.

It is our duty.

The first tagline introduces part of the Community mantra, and also brings in the idea of superpowers (which is nice to for attracting the attention of readers who enjoy superhero stories). The downside I’ve considered is that it may not be clear whether the Community isn’t safe for people with superpowers, or if the Community isn’t safe from people with superpowers.

Or both.

Technically, it’s both, but the potential problem is a concern I have.

The second tagline introduces a condensed version of the Community mantra, and instantly sets up that things aren’t as they seem (yay, tension!). Downside… no mention of superpowers.

The third tagline is a bit lengthy, but it clearly shows the Community mantra, which is repeated several times and places a huge role throughout the book. Should be a tad discomforting for the reader, but the downside is that it doesn’t reveal superpowers or and other form tension/conflict.

But what do you guys think? Which tagline do you like best, and why?

What do you think about the blurb? Are there any blurbs you’ve particularly enjoyed reading?

I hope you found this post helpful. 🙂

___

By the way, as a way to say thanks for reaching 1000 Twitter followers, I’m currently running a giveaway for two ebook copies (.mobi file or Smashwords coupon) of Magic’s Stealing!

Click here if you’re interested in entering the Rafflecopter giveaway, and good luck! 😀

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Episode 12: The Keeper of the Deep

Episode Twelve of The Multiverse Chronicles is now up!

The prince and his bodyguard meet the Keeper of the Deep–an eccentric witch in the middle of a mysterious forest.

SBibb's avatarThe Multiverse Chronicles

The Multiverse Chronicles

Season One: Episode Twelve

“The Keeper of the Deep”

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The Multiverse Chronicles: Trials of Blood and Steel - The Witch's Cottage

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Spots of sunlight danced between the trees as Alia and Alfons made their way through the thick undergrowth of the Deep. A cinnamon-colored rat scurried along the bramble, unhindered and well-ahead of the two humans.

Alfons rolled underneath his covers and tugged them to his chin. Some dream. Dreams were not usually so memorable. He could almost believe he had woken in a jail cell, escaped under the guidance of a rat who claimed his fiancé had been murdered, ran from mechanical soldiers into a magical forest, been duped by mischievous fairies, and finally been captured by a man-eating witch.

At least his dream had ended with his capture and not after being fired, baked, or broiled alive.

He sighed and stretched, but his feet smacked against a footboard.

Odd. Had his bed shrunk?

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Thoughts on Publishing – A Video Blog Post – Reading Chapter Seventeen of Magic’s Stealing

I finally got the next reading (chapter seventeen) of Magic’s Stealing uploaded! Enjoy. 🙂

Click here for the link if you can’t see the video.

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

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Episode 11: A Little Bit of Mischief

The next episode of The Multiverse Chronicles is now available! 😀

SBibb's avatarThe Multiverse Chronicles

The Multiverse Chronicles

Season One: Episode Eleven

“A Little Bit of Mischief”

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Spots of sunlight danced between the trees as Alia and Alfons made their way through the thick undergrowth of the Deep. A cinnamon-colored rat scurried along the bramble, unhindered and well-ahead of the two humans.

“Let me get this straight,” Alfons said, ducking a thorny vine above his head. “You saw Alia walk into the princess’s room, but you knew it was not her because you could not smell her?” His pants caught on the prickly edge of a thistle. He cursed and untangled the fabric.

Yes, lad. How many times do I have to tell ya? Henry sent. My sense of smell is more than a wee bit heightened when I’m a rat. Believe me, your pirate friend was apparently hesitant to wash during this last week.

Alfons scowled. “You suggested…

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April 12, 2016 · 11:32 pm

Blog Tour for a Fellow Author – The Goat Children

Today I’m participating in a blog tour for Jordan Elizabeth’s latest book, The Goat Children. Friday I’ll plan on doing the video blog post, along with an update on our booth at the upcoming Old Drum Days Festival. 🙂

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GOAT CHILDREN

A young adult novel with a touch of fantasy, love, and imagination versus reality.

The Goat Children Book Cover

When Keziah’s grandmother, Oma, is diagnosed with dementia, Keziah faces two choices: leave her family and move to New Winchester to care for Oma, or stay in New York City and allow her grandmother to live in a nursing home miles away.

The dementia causes Oma to be rude and paranoid, nothing like the woman Keziah remembers. Each day becomes a greater weight and love a harsher burden. Keziah must keep Oma from wandering off or falling, and try to convince her grandmother to see a doctor as her eyesight and hearing fail, but Oma refuses to believe anything is wrong. Resentful of her hardships in New Winchester, Keziah finds herself drawn to Oma’s ramblings about the Goat Children, a mythical warrior class. These fighters ride winged horses, locating people in need, while attempting to destroy evil in the world. Oma sees the Goat Children everywhere, and as Keziah reads the stories Oma wrote about them, she begins to question if they really exist.

*

GOAT CHILDREN is now available on Amazon from CHBB.

Check out early reviews on GoodReads!

*

Check out Chapter 1:

Bodies crushed against each other, a blur of hair and clothes, in the mad dash to exit the subway. The air smelled of the greasy restaurants above and felt stuffy, despite the bitter cold that rattled through the damp subway tunnel. My mouth watered as I sniffed roasted chestnuts.

 

You haven’t eaten dinner yet, my rumbling stomach scolded.

 

I slipped past a man speaking rapid Spanish to board the train, grabbed a pole, slid on to a seat, and pulled my green bag higher towards my chest. The two paperbacks inside jammed into my ribs. With a groan, I shifted into a new position, wondering what glorious worlds awaited within the glossy covers.

 

“Whoa ho, ho, ho.”

 

More people ranting on the subway. It could never be a quiet ride. I opened my bag to peer at the fantasy novels. I’d chosen thick books because they lasted longer and made the reading more rewarding.

 

“Ho, little one.”

 

A face shoved into mine from the aisle, and I jerked back, squeaking. Oily black hair hung over a scarred forehead. The man swayed, braying a laugh. I glanced at the woman with bright pink hair sitting on the next seat. She read a newspaper without looking up.

 

“So much to you.” The man licked his lips and slurred the words.

 

His pungent odor clawed its way through my nose; no escaping the invisible fumes. They washed over me with groping draws until my eyes watered. I cringed, my craving for chestnuts gone. Anyone on a diet would be thankful to have him around.

 

He stood, clinging to a pole with one gloved hand. Threads poked from the torn seams in the gripping brown leather. Two duffel bags, stained with mud, rested near his feet, bulging with contents.

 

I lowered my gaze, clutching the bag tighter. Please go away. I shouldn’t have taken the subway, but I’d done it to save time. Even though I was seventeen, Mama said it wasn’t safe to ride alone, and now, I agreed.

 

I’m not gonna be home by my seven o’clock curfew. Mama’s gonna freak. I can’t believe I forgot my phone.

 

“You don’t belong on this world.” He smacked his lips. Behind his head, a large sign told the public not to smoke, or they’d get lung cancer and die. It was easier to stare at the anti-smoking sign than him.

 

“Yes, thank you,” I mumbled as he leered at me. Even if he lacked a home and suffered from insanity, he didn’t deserve rudeness.

 

“You like fantasy?”

 

I stared at my lap, but when he repeated the question louder, I nodded.

 

“What would ya do if fantasy became your life? What would ya do if it wasn’t fantasy anymore?”

 

“Fantasy isn’t real.” I shifted my gaze to my black socks. They came up to my thighs and the right sock had a tiny hole near the knee. I’d have to sew it when I got home. If I studied it, maybe he’d grow bored and mosey on elsewhere.

 

“Are you happy here? Don’t you want more, little one? I can take you to another world.” His deep breaths made snot rattle in his nose.

 

I gagged, hiding my mouth behind my hand. The woman with the newspaper glanced over. I pleaded silently for her to make the man go away, but she moved to an empty seat down the car, wrinkling her nose. I still had five more stops before I could get away.

 

Do I dare follow her?

 

“Don’t you believe in destiny?”

 

What if he sits next to me? I slid my bag onto the empty seat, clutching the handle. As the subway curved around the corner, it screeched, the sound echoing through the metallic enclosure as if screaming, “Doom!”

 

“I’ve been to other lands. I’ve seen my future, and I spit at it.” He turned his head to hack on the floor. The saliva bubbled with a yellowish hue.

 

The subway squealed to a halt, and some of the passengers stood to exit. I removed the bag in case someone new sat down, someone safe, but no one came near or looked at us as they found seats. The doors slid shut, and the train moved again. Four more stops to go.

 

“Don’t shun fantasy. I’ve made mistakes and don’t want you to make ‘em too. Take it and see what you can do. Take it!” He pumped his fist, revealing grease stains on his coat sleeves.

 

I scanned the other passengers’ faces. They ignored us, although the ranting man filled the car with his voice. Only the smiling faces on wall advertisements watched. Ever-smiling, ever-trapped in their realm of sales. I fiddled with the zipper on the front of my gray hoodie, heart racing.

 

The subway halted at the next station. Again, people exited and entered, and no one sat beside me. Three more stops to go. I drummed my fingers against my thigh.

 

“I know all about the ones they call the Goats.” He drew a ragged breath. “I’m not supposed to, but I know. My wife was one. She told me all about them. Oh, yes, she did. She wasn’t supposed to, but she did. They don’t let them take over the world. They won’t!”

 

Why do crazies always go for alien invasions? I twirled my brown curls. I’d get off at the next stop and walk the rest of the way, even if I arrived home later.

 

What if he follows me?

 

“The Goats!” He flapped his arm.

 

Alien goat invasion. How awesome. I jumped and clutched my bag like a shield. The subway screeched as it approached the next station. I wanted to run, but he waved both arms, repeating the scream.

 

The doors swished open, but if I stood to escape, he could attack. Two more stops to go. What if I can’t escape at my stop, either?

 

As soon as the subway started, he lowered his arm and drew a few breaths. He reeked of alcohol, and overpowering the sweat stench, the stench made my head swirl.

 

“Beware of the Goats.” His chest heaved. “Help the Goats. Save the Goats!”

 

He really is deranged. There weren’t any goats in New York City that I’d ever seen.

 

“Yes, I will.” Go away. “I’ll … I’ll watch out for the goats.”

 

“The Goats,” he corrected, as if I’d mispronounced the word. He picked up his duffel bags and waddled to the back of the car, where he dropped onto a seat. He took a small paperback book from the pocket of his trench coat and flipped it open.

 

When the doors swished open at the next stop, I exited in the crush of bodies. People coughed and spoke, heels clicked and wheels on backpacks rolled, and the sounds echoed off the stone walls.

 

I slid through the turnstile and bolted up the cement steps two at a time, the edges cracked and crumbled and graffiti decorated the walls with images of fire and obscene language. The brightness of the paint, and the harsh edges that curved and sang were beautiful. The scrawls seemed to want to leap off the stone, suddenly alive.

 

At the top, I grasped the railing. Cold, dented metal bit through the fishnet of my fingerless gloves while I gazed over my shoulder. The people emerging didn’t spare me a glance. I was lost in the crowd, a stationary fixture.

 

The man wasn’t following. I ducked my head to push into the crowd. People bumped into me, jostling with elbows and bags. I almost walked into a tourist, who snapped a picture of the taxicabs.

 

“Hey,” called a stout vender from the corner. “You okay?”

 

I tucked back a brown curl. “I’m fine, but thanks.” Wind whipping between the skyscrapers stole the power of my words.

 

“Wanna dog?” He held one out, nestled in a white roll.

 

“No, thanks. I don’t eat meat.”

 

“Good,” I thought I heard him whisper. “Your kind shouldn’t.”

 

He couldn’t have spoken. It must’ve been someone else. It wouldn’t make sense for a man who made his living off people scarfing down meat-in-a-tube to agree with my vegetarian lifestyle.

 

I ogled the sea of metal vehicles washed in the afternoon sunlight like sharks swarming for a fresh kill. I shook off the thought and ran, an empty Styrofoam cup crunching beneath my foot. I didn’t have a watch, but the sun hung low in the sky.

 

A thought raced through my mind as the sun made windows wink and flash.

 

Beware of Goats.

 

#

 

“Long line at the bookstore.” I dropped my bag on the marble table beside the door to my family’s condo. Instrumental Celtic music wafted from the living room as I left the small foyer, and I almost tripped over my sprawled little sister.

 

“Phebe, you shouldn’t lie on the floor.”

 

“Why are you home so late?” Phebe dragged an orange crayon over the page of her coloring book. Her ponytail bobbed as she tipped her head, studying the picture. “You should’ve taken me with you. Mommy said so.”

 

“I’m sure she did.” I rolled my eyes.

 

When I’d left earlier, Phebe had still been doing her mathematics homework. We were home schooled, so even in the summer, we had work to do. It sucked because other home schooled students I knew had summers off. That was our penalty for having a mother with a Master’s degree in elementary education.

 

“Where’re Mama and Dad?”

 

Phebe sat up on her knees with her eyebrows knit together. “Mommy’s crying.”

 

My heart sunk and dropped clear out of my stomach. Mama never got that upset when I came home late. Did she find out about the party last weekend at Tiffany’s? I’d lied and said it was only going to be Tiff, her parents and siblings, and me. I hadn’t mentioned her parents were in Vancouver on vacation or that Tiff had invited all of her friends, not just me. Regret stabbed my gut.

 

“Mama, I’m home! Mama?”

 

The family photographs glared at me from the wall, none so reprimanding as the face of my Reverend Uncle. I kicked off my flats and hurried into my parents’ bedroom. With the lamp off, only a little light slipped through the closed venetian blinds covering the single window.

 

Short brown hair fanned over the plaid pillowcase, and Mama lay sideways on the king-sized bed, a crumpled tissue pressed against her nose. Dad sat beside her, stroking her shoulders. He still wore his suit from work—an even worse sign. The first thing Dad did when he walked through the door was peel off his jacket and toss the tie onto the table.

 

“Mama?” My voice cracked as my throat constricted.

 

“Your uncle called.” Dad tugged on his green silk tie that should’ve been lost in the pile of mail, not still fastened around his neck.

 

“Uncle Tom?”

 

The Reverend in Massachusetts, Dad’s younger brother, only called once a month, on the first Friday. Even though we called him Uncle Tom around the house, we all referred to him as Pastor Thomas to his face.

 

“No, Uncle Jan.”

 

Mama’s brother, the one who called less than Uncle Tom did.

 

“What…what did he want? Has someone died?” Oh no, is it my grandmother? Uncle Jan lived upstate, in the same town as her.

 

“Keziah, it’s your grandmother,” Dad continued.

 

Oh no, oh no, oh no. When I’d been younger, we’d lived down the street from Mama’s mother. She had taken care of me while my parents worked, and we’d often picked violets in the yard. Sometimes, I imagined I could smell their perfume years later and hundreds of miles away.

 

I’d always called her Oma, which meant grandmother in Dutch. I could still remember the way I’d cried and screamed, begging to stay with Oma when we’d moved to New York City. The hours separating us seemed like an eternity.

 

“She has dementia.” Dad removed his tie and knotted it around his fingers.

 

I blinked at him. “Dementia?” Demented, like the man on the subway?

 

“She hasn’t been officially diagnosed, but the symptoms are there. Uncle Jan doesn’t feel she can live on her own anymore.” Dad dropped his tie onto the alarm clock.

 

“So…she’s moving in with Uncle Jan?” I pictured waking up from a sleepover at Oma’s house with fresh squeezed orange juice waiting in the kitchen beside a bowl of cream of wheat cereal, steamy and sweet.

 

“Good morning, sunshine,” Oma would sing. She’d pull out the chair, the seat hideous and green, leftover from the 1970s. It had been an honor to sit at the kitchen table with her.

 

Dad rubbed his chin. “Your aunt won’t let her do that.”

 

I grinned. “She’s moving in with us? That’s amazing!” I only saw Oma on school holidays, and that summer, we’d had to pass because Mama had taught a summer school class.

 

“You know that wouldn’t work.” Dad gazed at the dresser across the room, a fog coming over his eyes.

 

I pulled at a loose thread on my black skirt. If Oma moved in, then Dad would have to move out or risk family war. The yelling would never stop. She hated Dad with a roaring passion I’d never understood. That anger had contributed to the reason why we’d moved, and when we visited Oma, Dad never went.

 

“Your uncle wants to put her in a home.” Dad leaned over to rub a spot on the wall’s blue paint as if that space was the problem, and he could make it disappear.

 

I licked my dry lips. “You mean like a nursing home?”

 

“No!” Mama rose on her elbows. “I’m not putting my mother in a nursing home. Do you know how they treat their patients? It’s horrible. All those people. Oma would hate it. She’s so antisocial these days. Really hate it.”

 

“Hush. Come on, sweetheart. It’s all right. We won’t put her in a home.” Dad combed his fingers through her hair.

 

“Why would Uncle Jan want to do that?” I didn’t know anything about nursing homes, but Mama was right. Oma had become one of the most antisocial people I’d ever met.

 

“It’s your aunt.” Dad patted Mama’s back. “She wants to put your grandmother away. It’s getting too hard to take care of her, and she won’t let her move in with them. You know how your aunt can be.”

 

My aunt could be downright nasty—a sickish combination of stubborn and controlling. Dad was too nice to say that aloud, though.

 

“What are we going to do?” My question made Mama cry harder, and I flinched.

 

“We’ll think of something,” Dad whispered.

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Jordan Elizabeth - Author Photo

Jordan Elizabeth, formally Jordan Elizabeth Mierek, is known for her odd sense of humor and her outrageous outfits.  Surrounded by bookshelves, she can often be found pounding away at her keyboard – she’s known for breaking keyboards, too.  Jordan’s young adult novels include ESCAPE FROM WITCHWOOD HOLLOW, COGLING, TREASURE DARKLY, and BORN OF TREASURE.  GOAT CHILDREN is her first novel with CHBB.  Her short stories are featured in over twenty anthologies.  Check out her website for bonus scenes and contests.

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