Tag Archives: Stephanie Flint

Episode 14: The Test – Part Two

The next episode of The Multiverse Chronicles is now online! 😀

Trish must successfully complete her flight examination or lose her pterosaur for good…

SBibb's avatarThe Multiverse Chronicles

The Multiverse Chronicles

SEASON ONE: EPISODE Fourteen

“The Test – Part Two”

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The Multiverse Chronicles - Pterosaur and a Steam Boat

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After the young pterosaur’s capture, the mangy humans kept her chained to their floating hut. At first, she fought the chain. She snapped at it and flapped her wings, but the chain held fast and the boat was anchored. Though the humans at the hatchery had kept her enclosed in their dome, they never bound her with a dirty, ragged chain, which tore at her skin and mangled her scales.

She was not a happy pterosaur.

Later that evening, the weathered man with straw-colored hair and grit in his wrinkled skin approached her with a pile of hemp rope in his hands. She shrieked at him and flared her wings, but he just smiled, revealing a set of broken teeth. The pterosaur snapped at him—let him see that her teeth were not broken! He…

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Thoughts on Writing – Referencing Other Books For Writing Style

One of the things I’ve found helpful when writing specific scenes, especially if I’m aiming for a certain tone or voice, is to read a book with a similar style. For example, in the latest scene I’m editing for The Multiverse Chronicles, I’m working on part two of an episode that has a certain pterosaur’s point of view. In the previous episode (Episode 13: The Test – Part One), the curious pterosaur has been captured by “mangy humans.”

This is the first paragraph from one of the earlier drafts of the intro to Part Two:

 

For days, the mangy men dragged the young pterosaur around the island with their floating hut. If she could keep up, she was rewarded with fresh fish. If she failed to keep up, the pain of the chain around her neck motivated her to try harder. Eventually she got fast, and then the men started taking her to a small village on the main land.

 

Curious about what the antagonists were actually doing, I asked Isaac what he was picturing the antagonists doing (partially because I wanted to know more about the boat). He gave me a bit more detail, and I ended up taking a 700 word scene and turning it into a 1,600 word scene. (Remember what I said before about my tendency to go into detail? This is especially true when I ask him questions about a small scene, then run rampant.)

When I first tried figuring out how we might flesh this out, the imagery that came to mind was an old book. If I have my classics right, that book is Black Beauty, which I vaguely remember as a story about a horse’s life as he’s passed from owner to owner. Though I could be mixing up horse stories, I seem to remember a scene with a cruel or uncaring master, which is similar to what I wanted for this scene.

While I didn’t have a copy of Black Beauty on hand, the Goodreads page for this book had a nice-sized preview which gave me a feel for the writing style, voice, and things I might look for. In fact, reading about the horse’s “breaking” reminded me of handicapped horse races, which involved using weights to slow horses down (I was a fan of horse-racing computer games).

Thus, I wondered if the antagonists might be able to use lead weights to burden our pterosaur protagonist, intending to build her strength so she would fly faster. (Originally, they started up their steamboat and dragged her around the island, making her keep up. But when the pterosaur is mentioned later in the story as being able to fly up to 80 miles per hour without a rider, and a quick Google search revealed that an average steamboat speed was 30 miles per hour… our antagonists had to improvise.)

 

Anyhow, the first paragraph turned into something like this (still needs polishing):

 

After the young pterosaur’s capture, the mangy humans kept her chained to their floating hut. At first, she fought the chains. She snapped at the chain and flapped her wings, but the chain held fast and the boat was anchored, and she found herself pulled from the shore and into the water. Though the humans at the hatchery had kept her enclosed in their dome, they never bound her with a dirty, ragged chain, which tore at her skin and mangled her scales.

 

She was not a happy pterosaur.

 

Later that evening, the weathered man with straw-colored hair approached her with a pile of hemp rope in his hands. She shrieked at him and flared her wings, but he just smiled, revealing a set of broken teeth and grit in his wrinkled skin. The pterosaur snapped at him—let him see that her teeth were not broken! He only laughed. He dumped the rope on the sand and returned to his hut.

 

Shortly thereafter, the two men cornered her. The jeered as she tried to thwap them with her wings, and too soon they had cast a net of rope over her head. Her beak caught and her claws caught and her crest caught, too. She struggled, but the only result was to become further tangled. No escape.

 

Now that she was tethered, the weathered man knelt beside her and bound her beak so she could not bite, tied her claws so she could not scratch, and finally, strapped a leaden pad to her back.

 

They removed the net.

 

Furious, she tried to launch herself at them, only to stumble and collapse in the sand. How heavy were these weights, which prevented her from standing. She shrugged her shoulders, trying to at least sit upright. No such luck, for the weights held her down.

 

A fierce whistle pierced the air and a gust of steam rose from a metal pipe above the floating hut. What a terrible noise!

 

Then suddenly her chains lurched and she was torn into the ocean. Salty water splashed into her eyes and nostrils.

 

The floating hut moved, and the weights dragged her deeper. Her mind screamed that she could not fly, nor swim, so long as the chain held her fast. She sank, still flapping her wings, splashing.

 

This goes on for a bit before we see the end of the original paragraph with the pterosaur in the village, but hey… we get a lot more personality from the characters, more of the world, and more emotion. However, there might be some trimming in the near future. We’ll see what our beta-reader says.

The scene might not feel exactly like Black Beauty, but it isn’t meant to. I was looking for inspiration. Reading sections of a book with a style you want to mimic helps improve similar scenes as those books can give insights into the style of writing, voice, and terminology you might need.

I’ve used this technique several times. Reading Ray Bradbury’s Fahrenheit 451 and Something Wicked This Way Comes for the rough draft of Little One, various horror stories for Glitch, and Steelheart for final touches on Distant Horizon.

You don’t want to match the voice exactly, but seeing what other books do or don’t do well can teach you tricks to use in your own writing.

I hope you enjoyed the sneak peek of the next episode of The Multiverse Chronicles. 🙂

Have you found any books to be helpful in developing the stories you’re writing?

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Behind the Scenes – Red Sun Over Mexico

A cover for Melange Books. For this cover we wanted to stick with the same theme as the first book in the series, Red Sun Over Panama. I kept most of the same imagery, including quite a bit of the retouching I’d already done, and inserted an image symbolic of Mexico.

To figure out which image to use, I emailed the author about symbolism relevant in the book. Other than the Japanese Red Sun, pulled from the first cover to give this a historical touch, he mentioned the temples as a landmark. So that’s what we went with.

The publisher repurchased a licence for each of the images we used a second time, as well as picked up the new image we needed.

Keeping with the first cover, I hid part of the title behind the landmark. In this one, more of the title is hid than in the first, but I was careful to make sure that the title was still legible.

This is the end result:

SBibb - Red Sun Over Mexico - Book Cover

SBibb - Red Sun Over Mexico - Back of Book Cover

Stock images from Dreamstime and Dollar Photo Club.

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Thoughts on Writing – A Blurb for Distant Horizon: Part Two

Last week I did a post about writing a blurb for Distant Horizon, the YA/NA Dystopian novel that my husband and I will soon publish.

After writing the previous post, then editing the blurb, I came up with three versions that Isaac and I took to the writer’s meeting we attend. The first version was a short blurb in present tense that focused on the world of the novel, but didn’t mention the protagonist. The second was the blurb-ified query letter. The third was a cross between the two.

At the writer’s meeting, we struck out the first one. The second and third versions tied for favorite in regards to which each person preferred.

I’ve made the suggested edits, and I’ve come up with two versions as possible options.

Which one would entice you to read the book?

Version 1

The Community is safe.

At least, that’s what we are supposed to believe.

 

Eighteen-year-old Jenna Nickleson resides in an efficient, secure society that’s recovering from a hallucinogenic plague. So when agents of the Community’s Special Forces arrive at her university prior to a mandatory Health Scan, Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that they’re sent away for treatment, but when she uncovers a ruthless government conspiracy, her ideal world is shattered.

Terrified, Jenna flees her home under the protection of a ragtag band of freedom fighters. The rebels offer her refuge on their rusty airship and claim her hallucinations are elemental plant powers. She’s not so sure she trusts them, but when she comes face-to-face with a cruel telepath in charge of the government’s darkest secrets, Jenna realizes she’ll need more than special powers to escape with her mind and body intact.

 

Version 2

The Community is safe.

At least, that’s what we are supposed to believe.

 

Sixty years ago, a hallucinogenic plague annihilated half the world’s population, leading to the formation of the Community—an international government that promises its citizens safety, security, and efficiency. Every day, Community citizens swallow a mandatory pill to ensure their immunity to the plague. A year after graduating high school, they take the Health Scan.

Most pass, and continue with their lives.

Others disappear.

Eighteen-year-old Jenna Nickleson hasn’t taken the pill since her senior year in high school. She feels more alive without it, and she hasn’t shown any signs of infection—at least, not until two days after a surprise Health Scan is announced and Special Forces arrive at her university campus.

Spurred by the recent string of hallucinations, Jenna searches for any inkling of what happens to those who fail the scan. Rumor has it that they’re sent away for treatment, and once cured, receive a menial job. But when she uncovers the cruel truth behind the plague, her ideal world is shattered.

Underneath the illusion of safety, Special Forces agents harbor a dark secret.

The plague is a lie.

Version one is based on the final query letter we wrote before deciding to create our own company. The blurb reveals a lot more information, but (as some of the writers at the meeting pointed out) narrows the options that the protagonist might choose. With this blurb, we know that the government’s secrets involve super powers, a telepath, and that the protagonist goes with the rebels (at least to start with).

This blurb seems to ask the question, “How will Jenna escape the telepath?” “What other secrets does this government have?”

For the moment, I’ve chosen the same tagline for both versions and changed them completely to present tense. The goal is to draw readers into the story by giving them the sense that all this is happening immediately.

Version two sets up the world before the protagonist. We don’t know what she ultimately chooses to do, though we know that she’s uncovered some kind of secret, Special Forcess agents are enforcing that secret, and that the plague is a lie.

“Why is the government lying about the plague?” “What’s really going on?” “What’s going to happen to Jenna?”

We don’t know, but the blurb promises the reader that if they read the book, they’ll find out.

What do you think? Which blurb catches your attention, and why?

I hope you’ve enjoyed this post. 🙂

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Episode 13: The Test – Part One

Episode Twelve of The Multiverse Chronicles is now up!

Trish goes about her week at camp, facing trials of textbooks and tack…

SBibb's avatarThe Multiverse Chronicles

The Multiverse Chronicles

SEASON ONE: EPISODE THIRTEEN

“The Test – Part One”

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The Multiverse Chronicles: Trials of Blood and Steel - Silent Morning

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Trish chewed on a granola bar from the mess hall as she crossed the campground. The early morning sky was dark. Cool air whispered through her hair and across her cheeks, helping her wake. The stable tent stood as a dark silhouette on the distant hill, mostly silent except for the few wolves prowling nearby in search of a wild snack.

At 0430, Trish had plenty of time to make the journey up the hill, which was fine by her. The chilly air raised gooseflesh on her skin, but lately, the still mornings were the only downtime that could calm her nerves.

At least, the only downtime she’d found.

This was her seventh day at the camp in Francia. Thus far, her training had consisted of textbooks, tests, practicing basic commands with her pterosaur—which…

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Thoughts on Publishing – Infinitas Publishing Status Report

Well, guess what? It’s time for another Infinitas Publishing status report!

The Shadow War: This is slowly, slowly making progress. I did get a little more editing done. The good news is that this process should go faster now that summer is almost here.

The Multiverse Chronicles: Trials of Blood and Steel We recently released episode twelve, and we aren’t quite halfway through the season. There’s still a few more end scenes to write for the later episodes, and I’m about one episode away from having to edit episodes I haven’t yet touched. I’m hoping I can get these edited fast enough to give our beta-reader time to read them before Isaac and I do our final edit before publishing them, or there may be a few episodes spaced out a couple weeks apart rather than just one week.

Battle Decks: Trials of Blood and Steel Isaac and I are continuing to test expansion ideas with our group of beta-testers. However, we’re having to really evaluate where we want the game to go before we release anything. Initially we were talking about deck-building ideas, but then we realized that too many deck-building options would take away from the hero-focus of the game. Right now we’re looking at the idea of limiting the scope of deck-building, while still offering some deck customization within each faction, along with testing more hero card options.

Still very much a work in progress, though I am looking forward to revealing a few of the different faction deck expansions once we iron out the details. And new factions… though those will come later.

Phalanx: We debuted Phalanx at the Old Drum Days Festival, and while we only sold a couple games, we did get to play the game with a number of people who stopped by our booth, and we hope repeated exposure will entice more people to pick up a copy down the road.

SBibb’s Photographic Illustration: Another book cover done, more proof covers made, one formatting project complete, another near-complete, and several more projects to go.

Beta-Reading: I’ve started reading the latest draft of the book I’m currently beta-reading. Seems I’m about as slow beta-reading as I am with editing The Shadow War, and as such, I’ve asked the author to send me weekly email reminders to get the chapters read so I can send her feedback in a timely manner.

Distant Horizon: We’ve got a couple people looking at the current manuscript for typos, and once we have feedback, we’ll be making the final edits and I’ll print out a copy to check for typos. I’ve also been working on a back-cover blurb, and hopefully I’ll have a polished version ready to reveal soon.

Video Blogging: Only a few chapters left of Magic’s Stealing to read, and then I’m not quite sure what to read next. I’ll be evaluating the video blogging project at the end of the readings to decide where I want to go from there and whether or not to continue with the video blogs.

We’ve got a lot of stuff planned for Infinitas Publishing, and I hope you enjoyed this post. 🙂

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Thoughts on Writing – Writing A Serial Novel – MVChron Midpoint Evaluation

Now that Isaac and I have reached the midpoint of The Multiverse Chronicles (or what was originally going to be the midpoint), I thought it might be fun to look at what we had planned for this series, and what the current trajectory is.

For those of you who are new to my blog, The Multiverse Chronicles is a pseudo-steampunk fantasy blog series that my husband and I write. Isaac writes the rough draft for each episode, which I then edit. We send that draft to a beta-reader, who gives us feedback. We polish the episode, and then post it to our blog (approximately once a week between episodes).

The series started because we wanted a way to advertise our Battle Decks: Trials of Blood and Steel card game. So we worked out more of the universe and wrote it into story format. (Fun Fact: The story came from the card game, but the card game from a story… which came from a role-play game Isaac game-mastered and created the world for. It’s just one big cycle.)

When we first planned the series, we thought they’d be short little episodes, each an individual story following the lives of various characters who we occasionally revisited (actually, we first pictured this as a comic strip). As the story progressed, certain themes would reoccur and a larger story arc would appear, but would only be important to those who read the whole series.

That didn’t happen.

The story evolved to have a full-blown plot. Even then, we determined that we would still keep the episodes short (around 500-1500 words), and we would keep some level of independent story from episode to episode, that way new readers could fall in at any time and be able to reasonably follow what was going on.

Ahem.

Let’s take a look at the actual word count of the first twelve episodes, shall we?

  • Prologue: 478
  • Episode 1: 2,318
  • Episode 2: 3,287
  • Episode 3: 2,771
  • Episode 4: 3,395
  • Episode 5: 3,829
  • Episode 6: 2,202
  • Episode 7: 3,082
  • Episode 8: 3,660
  • Episode 9: 2,760
  • Episode 10: 2,018
  • Episode 11: 3,918
  • Episode 12: 4,226

Ignoring the prologue, which we added at the last minute because we wanted to have at least some reference of why we call this “The Multiverse Chronicles,” the episodes are well above the intended length.

Granted, a lot of that is my fault. I like details. I want to see the world…

And I enjoy knowing what the bad guys are doing.

Isaac’s original drafts are closer to the intended length (for example, the original draft of the first episode is only 1,645 words long, and episode twelve was only 1,672 words long (note: this does not include the end scene, which was added later and raised the total count to 2,591 words).

Combined,the total word count for the first twelve episodes without the prologue is 37,466 words, with an average of 3,122 words per episode.

That’s double the original word count we had in mind.

Adding to the word count was the decision to add “Meanwhile“scenes at the end of each episode to show what other characters, especially the antagonists, were up to. The idea was to build suspense. Per feedback from our beta-reader, we later stopped calling them “Meanwhile” scenes and just made them a part of the regular episode, albeit with a section break.

What remained as planned, however, was to have an illustration with each story, hearkening back to the idea of penny dreadfuls and dime novels. Though the style and number of illustration varies a bit from episode to episode, we try to have at least something.

Originally we planned to have 24 episodes, though looking at our current structure, we now have 27 episodes planned, and I haven’t checked to see if any of the remaining episodes need to be split into two parts (as we did with one of the earlier episodes, and the two episodes we’ll be releasing next).

Once the first season has been released, I’m hoping to go back through the full story, make any final changes and polish the writing, and then publish a print and ebook edition. But that’s a post for another day.

Though we deviated from our original plans, I hope that readers will still enjoy The Multiverse Chronicles. And please, feel free to chime in with thoughts and comments as you read each episode. We would love to hear from you. 🙂

Previous posts about the serialization process:

Thoughts on Publishing – Serial Publishing Methods

Thoughts on Writing – What does a Serial Episode Need?

 

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Thoughts on Blogging – A Question For My Blog Readers

As we approach summer, (which means I should have more time to write blog posts), I’ve come up with a question for those of you who read my blog:

What do you like reading on my blog, and what do you want to see more of?

Is there anything you would prefer to see less of?

About a year ago I went from only posting “behind the scenes” content about book covers I had designed, to writing articles on my writing processes and the steps my husband and I were taking in creating our publishing company.

Then I started creating the video blogs with the readings, and then finally reblogging our pseudo-steampunk series, The Multiverse Chronicles.

From what I can tell, most of the people who follow this blog are writers. Do you want to see more posts on writing and the writing craft? Publishing? Self-publishing techniques?

Do you like seeing the Behind the Scenes posts about how I make book covers?

Do you watch the video blog posts I do, and/or listen to the readings of Magic’s Stealing?

Do you read the Multiverse serial episodes?

Is there anything you want to see that I haven’t tried yet?

Feel free to respond via the form below, or to send me an email privately (my contact page).

I look forward to hearing from you. 🙂

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Just a quick reminder, I’m running a giveaway for two ebook copies of Magic’s Stealing! There’s only four days left, so enter while you can. 🙂

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Thoughts on Writing – A Blurb For Distant Horizon

Isaac and I are preparing to publish our YA/NA science fiction novel, Distant Horizon, and one of the many things that must be completed is a shiny blurb for the back of the book (and the Amazon storefront).

This particular blurb has been through many incarnations, especially seeing as how it started as a query letter (which went through many revisions on Absolute Write’s forums). Of course, the story changed over time, and some of the query letters became obsolete… even when they sounded half-way decent.

In a query letter, you want to give a little more information than a blurb (though you don’t typically reveal the end in either), and as such, I wasn’t sure what should stay and what should go.

How much information is too much?

If I reveal a certain plot point, is it a spoiler, or does it intrigue the reader?

I’ve read some blurbs that pretty much went all the way to the climax of the book, or ran through each major plot point without room for deviation. I’ve read some blurbs that didn’t tell me much at all.

Needless to say, I’ve started to avoid reading blurbs again once I’ve actually started reading a book, that way I don’t start waiting to see when the next plot point shows up. But I’ve also noticed that it takes a really good blurb to hold my attention and make me read it word for word, rather than skimming for key words that catch my interest.

That being said, let’s take a look at what Isaac and I currently have written for Distant Horizon.

The Community is safe, unless you have superpowers.

 

Eighteen-year-old Jenna Nickleson resides in an efficient, secure society that’s recovering from a hallucinogenic plague. So when Special Forces agents arrive at her university prior to a mandatory Health Scan, Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that they’re sent away for treatment, but when she uncovers a cruel government conspiracy, her ideal world is shattered.

Terrified, Jenna flees her home under the protection of a ragtag band of freedom fighters. The rebels offer her refuge on their rusty airship and claim her hallucinations are elemental plant powers. She’s not so sure she trusts them, but when she comes face-to-face with a cruel telepath in charge of the government’s darkest secrets, Jenna realizes she’ll need more than special powers to escape with her mind and body intact.

This particular blurb has a tagline: The Community is safe, unless you have superpowers.

(There’s an explanation on the difference between a tagline and a logline here, and a quick explanation here.)

We’re briefly introduced to our protagonist (Jenna), our setting (an efficient, secure society), and a conflict (Society is recovering from hallucinogenic plague. Jenna’s been having hallucination. Societal enforcers show up, making her wonder what’s going to happen to her). We also learn there’s a government conspiracy and get information that gets us just about halfway into the book (when she first meets the telepath).

Analyzing this, I wondered if the conflict could be made clearer from the get-go, and if there’s more we should know about Jenna to make her an interesting character right from the start.

I thought about trying to write the blurb in third person, but offhand I could only think of one book that did this well (Delirium by Lauren Oliver), and I think that worked so well in part because it captured the feel of her writing style.

In one article I read about writing a blurb, the author suggested that introducing the setting before the main character was important in science fiction and fantasy. I checked this theory. This holds true for both Hunger Games and Divergent, and to some degree, Matched (the tagline sets up the world).

Given that the world plays a huge role in Distant Horizon, I’m now considering setting up the world first. (In a world where super villains won the day and dismissed super heroes as delusional misfits with a hallucinogenic plague… All right, all right, I won’t start with “In a world”… And I’m fairly certain that “super villains” and “super heroes” are trademarked terms. *Sigh.*)

Based on the idea of setting first, I came up with this rough blurb:

Ever since a hallucinogenic plague wiped out half the world’s population, the Community has been a haven for its citizens. The people of the Community are safe, secure, and efficient. They take a daily pill to ensure their immunity to the plague, and when the time comes for them to enter the work force, they take a mandatory Health Scan. It’s their duty.

But underneath the illusion of safety, the Community’s Special Forces agents enforce a dark secret.

The plague isn’t real.

Eighteen-year-old Jenna Nickleson is a freshman biology student with a secret of her own. She hasn’t taken the pill since her senior year of high school. She feels more alive without it, and she doesn’t show any signs of infection—until just two days before a surprise Health Scan is announced and Special Forces agents arrive at her university. Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that they’re sent away for treatment, but when she uncovers the cruel government conspiracy behind the scans, her ideal world is shattered.

I’d be tempted to cut it off here, but I’m not sure that it shows enough about what Jenna will do next. What are her goals? What are the stakes?

This is the amended blurb (though maybe a bit lengthy…):

Ever since a hallucinogenic plague wiped out half the world’s population, the Community has been a haven for its citizens. The people of the Community are safe, secure, and efficient. They take a daily pill to ensure their immunity to the plague, and when the time comes for them to enter the work force, they take a mandatory Health Scan.

It’s their duty. But underneath the illusion of safety, the Community’s Special Forces agents enforce a dark secret.

The plague isn’t real.

Eighteen-year-old Jenna Nickleson is a university biology student with a secret of her own. She hasn’t taken the pill since her senior year of high school. She feels more alive without it, and she doesn’t show any signs of infection—until just days before a surprise Health Scan is announced and Special Forces agents arrive at her university.

Jenna’s paranoia—and recent string of hallucinations—prompt her to find out what happens to the students who fail. Rumor has it that the students who fail the scan are sent away for treatment, but when she uncovers the cruel conspiracy behind the scans, her ideal world is shattered.

Terrified for her life, Jenna flees under the protection of a ragtag band of so-called “freedom fighters” whose arrival coincided with that of Special Forces. These rebels offer her refuge and claim her hallucinations are elemental plant powers, but she’s not so sure she trusts them. Still, her curiosity gets the best of her, and when she comes face-to-face with a cruel telepath in charge of the government’s darkest secrets, Jenna realizes she’ll need more than special powers to escape with her mind and body intact.

Eh… it’s a work in progress.

Let’s look at the taglines real quick.

The current one I have is:

The Community is safe, unless you have superpowers.

An alternative tagline I’ve considered is:

The Community is safe, secure, efficient.

At least, that’s what we were supposed to believe.

Or simply:

The Community is Safe.

The Community is Secure.

The Community is Efficient.

It is our duty.

The first tagline introduces part of the Community mantra, and also brings in the idea of superpowers (which is nice to for attracting the attention of readers who enjoy superhero stories). The downside I’ve considered is that it may not be clear whether the Community isn’t safe for people with superpowers, or if the Community isn’t safe from people with superpowers.

Or both.

Technically, it’s both, but the potential problem is a concern I have.

The second tagline introduces a condensed version of the Community mantra, and instantly sets up that things aren’t as they seem (yay, tension!). Downside… no mention of superpowers.

The third tagline is a bit lengthy, but it clearly shows the Community mantra, which is repeated several times and places a huge role throughout the book. Should be a tad discomforting for the reader, but the downside is that it doesn’t reveal superpowers or and other form tension/conflict.

But what do you guys think? Which tagline do you like best, and why?

What do you think about the blurb? Are there any blurbs you’ve particularly enjoyed reading?

I hope you found this post helpful. 🙂

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By the way, as a way to say thanks for reaching 1000 Twitter followers, I’m currently running a giveaway for two ebook copies (.mobi file or Smashwords coupon) of Magic’s Stealing!

Click here if you’re interested in entering the Rafflecopter giveaway, and good luck! 😀

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Behind the Scenes – The Rovers

This is a cover for Melange Books. For this cover, the author already had an idea of what image he wanted used for both the front and back. However, the stock image we looked at initially was marked “editorial only,” so that one wasn’t available. However, we did find a similar photograph on the Library of Congress website that didn’t have any known restrictions, in part due to its age.

So, though it was black and white, I retouched the image and filled it in with color, along with sharpening the picture. (Ironically, while I retouched the back cover image as well, I removed the color from that one). We also found a free font that resembled the baseball logo of the referenced team. This was the result:

Book Cover - The Rovers

I changed the border a bit for the front and back of the print covers, due to the trim lines.

Book Cover - The Rovers - Print Edition

Back of Book Cover - The Rovers

 

Primary stock images from the Library of Congress: https://www.loc.gov/item/91725980

We had a modern-day image we considered using, but couldn’t due to licencing restrictions.

Post Card Border from The Dollar Photo Club (Now Closed)

http://www.dreamstime.com/stock-photos-quinn-abbey-image18602883 – Churchyard

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Filed under Book Covers, Client Work, Photo Illustration