ConQuest 48 – Panels and Readings!

Hey guys, I’m excited to announce that I’m going to be sitting on a few panels at ConQuest 48 in Kansas City, Missouri! The convention runs from May 26th-28th (that’s this weekend), and it’s a great resource for fantasy and science fiction writers. Definitely an event to check out to gain all sorts of writing information.

If you’re going to be in the area, and you want to see me on a panel, these are the ones I’m scheduled to be on:

Saturday, May 27th

3:00 pm || How to over-think your way out of writing

5:00 pm || Fantasy and Science

Sunday, May 28th

10:00 am || Creating Languages (I’ll be moderating this one)

12:00 pm || Reading

Thus far I’ve been enjoying practicing a couple different selections I’m considering for the reading, and tomorrow I’ll be brushing up on the panel topics to remind myself of all the awesome things there are out there.

The times I’ve gone to watch the panels in the past have been really informative, and a lot of fun. Plus, there are several other authors and speakers there worth listening to. I hope to see you there! 😀

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Behind the Scenes – Sojourn: Enclave

A cover for Melange Books. For this cover, we wanted to match the style of the previous books, The Wildlands, The Deadlands, and The Beastlands. We considered adding the other companions from this book onto the cover, but the cover looked crowded and lost the consistency of the previous covers, so we chose to stick with the two primary characters. This one used several stock images in order to achieve the effect of the dilapidated, overgrown city. Masking was super-useful for this one, as I removed parts of the skyscrapers to make them look broken, and then cloned in bits of the sky on a separate layer to make it look more natural.

SBibb - Book Cover - Sojourn: Enclave

Back Cover:

SBibb - Back of Book Cover - Sojourn: Enclave
Stock images from Dreamstime:

https://www.dreamstime.com/royalty-free-stock-image-long-span-concrete-beam-image11695956 – concrete wall
https://www.dreamstime.com/royalty-free-stock-photo-asleep-image21589475 – vine overgrowth
https://www.dreamstime.com/stock-photo-atlanta-downtown-skyline-scenes-january-cloudy-day-image66709798 – cityscape
https://www.dreamstime.com/stock-photography-beautiful-inspirational-sun-beams-over-ocean-image30676892 – sky

Deposit Photo Stock
http://depositphotos.com/106813230/stock-photo-cheering-successful-woman.html – cliff/grass
http://depositphotos.com/116621478/stock-photo-tourists-walking-in-the-mountains.html – male hiker
http://depositphotos.com/75580811/stock-photo-friends-group-playing-guitar-in.html – male head
http://depositphotos.com/27318771/stock-photo-little-child-carrying-a-suitcase.html – girl hat
http://depositphotos.com/106813710/stock-photo-woman-over-mountain-view.html – girl head
http://depositphotos.com/116999012/stock-photo-young-woman-backpacker-hiking.html – girl body

Destruction in Background:
https://www.dreamstime.com/royalty-free-stock-images-old-building-image18217109
https://www.dreamstime.com/stock-photography-old-building-image18216992
https://www.dreamstime.com/stock-photo-demolished-building-grungy-detail-partly-image49371768

Weapons:
http://www.dreamstime.com/royalty-free-stock-photography-quiver-made-leather-isolated-white-image34543777
http://www.dreamstime.com/stock-images-archery-equipment-bow-quiver-arrows-target-image29842224
http://www.dreamstime.com/royalty-free-stock-image-hunting-rifle-image12746386

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Thoughts on Writing – A Use for Prologues

Writers often hear that they shouldn’t include a prologue in their novel. That, if necessary at all, the prologue should become the first chapter.

I’ll admit, though I’ve often attempted to write a prologue into my stories, I’ve usually turned back around and taken them out later at the suggestion of beta readers. Prologues are often a breeding ground for unnecessary info dumps that really would be better interwoven into the actual story. (Or in my case, prologues were excuses to bring in confusing characters that weren’t ready to be revealed until a bit more foreshadowing has been dropped into the story).

However, there are exceptions to every rule, and most writing rules are really more like guidelines that, if you know their purpose, can be broken.

For example, I’ve become a fan of the writing podcast, Writing Excuses, which is an excellent resource for writers who want to hone their craft. The podcasters of Writing Excuses cover many different topics, and one topic they covered was the effectiveness (and lack of effectiveness) of prologues. An example they gave of a useful prologue was the intro for A Song of Ice and Fire, in which the readers see an example of the monsters in the introduction long before monsters are shown again in the main story. (Note: I haven’t read A Song of Ice and Fire, so I may be misinterpreting their explanation.) The point of this prologue was to set up reader expectations and promises, to say that even though you aren’t going to see these monsters again for a while, they do exist in this world and the reader will see it again.

This is exactly what we see happen in Marvel’s Doctor Strange movie. The introduction begins with a dark ritual and an exciting, mind-bending fight between the antagonist and the Ancient One, and shows that there is a whole magical side to this universe that the viewer should expect to see later. The movie then launches into the beginning of the story for Doctor Strange, which has absolutely no magic, focuses heavily on a medical-science focus, and shows a rather self-absorbed protagonist. If the movie had not started with the prologue to show the magic that would come in later on, the viewer who simply started with Doctor Strange’s part of the story would be in for a bit of a surprise once the mystical stuff shows up (landing quite a punch for both the main character and the viewer). In the meantime, those viewers who wanted exciting action and magical sequences might have gotten bored and decided to skip out on the rest of the movie. Because of the promises made at the beginning of the movie, the viewer knows that if they wait around long enough, their patience will be rewarded.

A different use of prologues is to help set up foreshadowing that readers won’t see otherwise, at least, not until far too late into the story. (The trick here, it seems, is to make sure it is interesting and still drives the plot, despite a difference in time or perspective). One of my favorite prologues is from Brandon Sanderson’s Steelheart, which is a fast-paced sequence that introduces the concept of “epics” (those who use superpowers tend to go evil in that universe) and sets up the weakness of the antagonist, though it doesn’t explain what the antagonist’s particular weakness is until much later. It does a good job of setting up that this is going to be a novel where the main character is set on vengeance, and setting up promises and expectations for the reader. Another thing I enjoyed about the prologue in Steelheart is that the whole sequence is explained later by starting with the character’s explanation of the events, but cutting before everything is explained and going to the next chapter, allowing the reader assume that the story the protagonist tells is the same one from the prologue. Arguably, this scene could have been shown at that point in the story. But then it would have slowed down the main plot and the reader would have lost knowledge about the driving force behind the main character’s actions, something that helps the reader sympathize with the protagonist (whose original goal is more or less to uncover the weaknesses of various epics so he can assassinate them).

Thus far I have not yet used prologues in any of my published works, but that may change in the future if the right story comes along. What are your thoughts on prologues? Have you used prologues in your fiction? Do you have any favorite prologues?

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Book Signing Today (Saturday) at Sedalia Reader’s World!

Isaac and I will be at the Reader’s World in Sedalia, MO, signing books from 2 – 4 pm. Stop by and say hi! 🙂

 

40654-distant-horizon SBibb - Magic's Stealing Cover The Shadow War - Book Cover

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Book Formatting Services Now Available!

I mentioned yesterday that I was going to start offering formatting services soon. I now have that information gathered in one place… my Interior Book Design page! I’ve also updated the prices on my Book Cover Design page.

So, if you’re interested in having your book formatted for Smashwords, Kindle, and/or Createspace, here’s a list of the services I provide. 🙂

 

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Ebook (Basic Formatting)

What I do: I clean the file of stray formatting and make the file compliant for both Kindle and Smashwords. Allows for one-to-five images, as provided by the author. I can insert a basic copyright page if needed. I also insert a table of contents and hyperlinks, where appropriate.

Cost:

$50.00 for up to 50,000 words

$75.00 for up to 100,000 words

What you get: .doc file for Smashwords and a ZIP file for Kindle (or .doc, if there are no images inside the file).

I allow for 1 round of cost-free corrections to be made after the file has been approved (this is to allow for proofing), as long as the corrections are requested within two months of the original approval of the project.  Note, for 50,000 word projects, I cap the amount of time put into corrections at 1.5 hours. For 100,000 words projects, the cap is 3 hours. After that, additional corrections during the first round will be $10.00 an hour. After the first round, corrections will be made at a rate of $15.00 an hour. For this reason, please provide the file that is closest to what your final product will be.

(Corrections made that are due to my errors will be made free of charge, so long as the corrections are requested within two months of the project’s approval date).

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EBook (Decorative Formatting)

What I do: Same as Basic Formatting, but stylized chapter headings are available and I can insert glyphs for section breaks. Exact details will depend on the book and its genre.

This includes the creation of 1 glyph (a stock image may need to be purchased, or I may design the glyph myself. You’ll have a chance to approve the design). Alternatively, you may provide the glyph. It also includes chapter headings and title text that have been stylized in a font appropriate for your book. (Again, you’ll have a chance to approve the design). Please note that I do not embed the font–I use images to ensure that the headings will be visible on multiple e-readers.

This option also allows for the insertion of 1 – 10 images, as provided by the author.

Cost:

$125.00 for up to 50,000 words

$175.00 for up to 100,000 words

What you get: .doc file for Smashwords and ZIP file for Kindle.

Examples:

Distant Horizon, Magic’s Stealing, The Poe Codec, M.O.B. (Mean Old Bastard)

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Print and EBook Formatting

What I do: Same as Decorative Ebook formatting, except that I also prepare a print edition for Createspace or Ingram Spark.  Because the process I use to format the file for a print book starts with the ebook file, the ebook files come with the print formatting.

Note: If I have created the cover of the book (separate cost–email me for information), I may be able to design a specialty chapter background page and/or title page based specifically on the cover.

Cost:

$250.00 for up to 50,000 words

$300.00 for up to 100,000 words

What you get: .doc file for Smashwords, ZIP file for Kindle, and PDF file for Createspace or Ingram Spark (Please specify which–additional costs apply when formatting a manuscript for both printers).

Examples:

Magic’s Stealing, Distant Horizon, The Poe Codec

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Cleaned-Up Maps

If you have a sketch of a map that you would like included in your book, but need the file cleaned up, I can provide a cleaner version.

Cost: starts at $25.00 and goes up based on complexity. Contact me for a quote on your anticipated project.

What you get: JPG file suitable for ebook and print editions. You don’t have to use my other services to have this done.

Examples: 

(Click the “Look Inside” option, then go back a couple pages to see the maps.)

Show Me the Sinister Snowman – This is an example of maps where I took the basic sketch and made a completely digital version.

Magic’s Stealing – This is an example of a map that I took the pencil version and retouched in Photoshop, then added in the lettering

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.Doc to PDF Conversion

What I do: I take the file you send me (Note: You assume responsibility for having the rights to file to make this conversion) and I convert it into a PDF file. This is helpful if you want to do print edition formatting yourself, but don’t have the program necessary to make the PDF conversion.

Cost:

$25.00 per file

(Note: If you have multiple files that need converting, email me to get a quote for a lower price per file).

What you get: A PDF file in the specifications you provide.

If there are errors uploading, and the fault is mine, I will reconvert the file at no additional cost to you. Otherwise, I allow for three conversions of the same file within a two month period (to allow for proofing, etc) before the same cost applies.

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Interested in one of these services?

Contact me at: bookcovers (at) sbibbphoto.com

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Infinitas Publishing Status Report

Time for another status report! 😀

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Stealth Con: Isaac and I had our books and games at this year’s Stealth Con, a two day event at UCM. We had a vendor’s booth upstairs in the vending room, and we had our games available to play downstairs. This is the first time we had Battle Decks: Trials of Blood and Steel available to sell, as well as its expansion. Though we didn’t sell much of our inventory (3 Magic’s Stealing, 2 Shadow War, 1 “Stone and String,” 1 Distant Horizon, 1 Cloth Phalanx Board, and 2 specialty dice), having the vendor booth did allow us to point interested visitors toward the gaming area. Plus, we got a chance to meet other authors who were at the convention, and visit with the people who had come to look around.

Infinitas Publishing - Stealth Con 2017

Vendor Room Setup for Infinitas Publishing – Stealth Con 2017

We switched up the organization of the table on the second day, to allow different products to shine (put Battle Decks and Phalanx on the ends of the table, and the books in the center).

We also debuted our upcoming game, The Legends of Cirena. For those of you who tried out our games in the gaming area, thank you!

DSCF7325

End of the Day in the Gaming area on Saturday – Stealth Con 2017

The Shadow War: The Shadow War is now available! It’s the second book in the series, available in both ebook and print. It took a month longer than I planned before release, but I’m much happier with the outcome. Soon I’ll be working on the third book of The Wishing Blade series, and I’ve already got quite a bit outlined,.Parts of Toranih’s POV have also been written.

The Legends of Cirena: This game is still in beta, but Isaac has been hard at work developing what will be game-changing expansions and making sure everything in the game works well together. It’s a role-play/adventure board game where you create the map from a deck of cards you draw as you explore… encountering adventures and collecting treasures! It’s also loosely based on the world of The Wishing Blade series.

The Multiverse Chronicles: Still on the back burner, but not forgotten.

Glitch: This is a spin-off of Distant Horizon, and it’s my current writing project. I’m about halfway through the initial reading to see what needs revision, and I have another round of edits I make before I hand this over to Isaac. After that, I expect that there will be substantial revisions, because that’s how this process usually works. But I’m looking forward to getting this one out there, because it delves more into the Camaraderie’s side of things. 😉

SBibb’s Photographic Illustration: Life as usual, except that I’m going to be making my formatting services available soon.

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Don’t forget, if you want to stay up-to-date with our latest book releases and promotions, sign up for our Infinitas Publishing Newsletter!

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I hope you enjoyed this post. 🙂

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Behind the Scenes – Entrance to Dark Harbor

A cover for Melange Books. For this cover, we wanted to keep the same style as the first book, Dusk Runner. I used the same two textures to create the background (though I made sure to do the retouching on the basic layers this time, so that next time will require less retouch work). The author already had an image in mind for the main picture. While it wasn’t from one of our usual stock providers, I used the provided image and their description of the ship to find a similar picture at Dreamstime. I kept the text placement and style the same (though some adjustments had to be made, since the title was longer). We also tried two different font colors, a pale, near-white blue, and then a light blue. We ultimately chose the light blue since the color was still visible and provided the closest match to the previous title.

This is the result:

Behind the Scenes - Entrance to Dark Harbor Book Cover

Behind the Scenes - Entrance to Dark Harbor - Back of Book Cover

Stock images from Dreamstime:

http://www.dreamstime.com/stock-images-brown-leather-texture-image21958744 – leather texture

http://www.dreamstime.com/stock-photos-old-yellow-brown-vintage-parchment-paper-texture-image24082203 – paper texture

https://www.dreamstime.com/stock-image-sailing-ship-image12784651 – ship silhouette

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Behind the Scenes – Sojourn: The Beastlands

A cover for Melange Books. For this cover, we wanted to match the style of the previous books, The Wildlands and The Deadlands. I kept the general placement of the titles and author name the same (though we did experiment with different placements), plus we kept with the general theme of the two characters walking on a path to a different destination. In this case, we used the same model imagery from the second cover, but I did a few adjustments to their images to make them seem a bit different (pushed them closer, adjusted the girl’s hair a bit, and flipped their images). We added a couple pieces of deserted imagery to add to the abandoned feel, and I used a lot of Photoshop masking in layers to get the various jungle layers to mesh properly and look natural.

This is the result:

Behind the Scenes - Sojourn: The Beastlands Book Cover

Behind the Scenes - Sojourn: The Beastlands Back of Book Cover
Stock images from Dreamstime:

http://www.dreamstime.com/stock-photo-jungle-green-thickets-mountains-malaysia-image56303604 – jungle
https://www.dreamstime.com/stock-images-abandoned-road-image16324304 – road
http://www.dreamstime.com/stock-photo-tropical-rainforest-khao-yai-national-park-thailand-world-h-image68662437 – jungle overlook
https://www.dreamstime.com/stock-photo-abandoned-diner-photo-taken-off-interstate-i-usa-image56088809 – abandoned diner
https://www.dreamstime.com/royalty-free-stock-photography-abandoned-car-image23149927 -abandoned car
People – From the Dollar Photo Club

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Thoughts on Writing – Trickster God’s Deleted Scene from “The Shadow War”

I’m not much of an April Fool’s Day fan, but it seemed like the perfect day to post a deleted scene from The Shadow War, one which involves the trickster god, Isahna.

While I loved the scene, I ended up cutting it from the book because we didn’t really need to see Isahna’s point of view and it wasn’t quite matching the tone needed at the point in the book where it was relevant.

Be warned, there may be a few minor spoilers in this, but since this scene was cut in mid-edits, a few things have changed as to what is actually happening behind the scenes.

The overall event does still happen, though… much to Isahna’s displeasure.

Deleted Scene from The Shadow War:

Isahna held the precious oil-skin bundle in his hands. He toyed with the fabric, savoring the anticipation of seeing the shodo’charl in its full glory. He couldn’t use the stone, not yet, but once his shadows had killed the minor gods, their combined powers would give him what he needed to harvest the stone’s power—and maybe even figure out how the whole “time travel” part worked.

Or maybe he’d just dangle the stone in front of Shevanlagiy’s nose and watch her throw a jealous hissy fit. Maybe he could even work a blood deal out of her. A little more info about her past in exchange for this handy-dandy all important stone…

He grinned.

That would be worth her rage, surely.

He rubbed his hands together, made sure no traces of shadow magic were on his person, and then tossed the oil-skin back.

His jaw dropped.

He didn’t have the shodo’charl.

In its place was a piece of shiny black obsidian. Beside it, a small roll of parchment tied with a thin, curly ribbon.

Isahna tore the ribbon from the parchment and cast it into the swirling mist around him. The ribbon vanished, lost forever to the fog of the Immortal Realm.

He unrolled the parchment. In Cirenan script, each letter written precisely by a careful hand, was a note penned to multiple recipients:

If Daernan: I apologize for the inconvenience of taking this stone, but it is needed elsewhere. Too easy that a god might trick you for their own nefarious purposes.

If Cafrash: I apologize that I did not stay and guide you from Shevanlagiy’s plans. I realize you must be hurting now, and I shall try to end this as soon as humanly possible.

If Shevanlagiy: Please go back to your realm and leave us alone. You have caused us enough trouble. Thank you.

If Isahna: *See Daernan above. Oh, and I am thrilled to proclaim that I have made the first move.

If anyone else: I highly advise you avoid pick-pocketing powerful mages. On the bright side, you now have a decent sized lump of obsidian which you might sell for a small fortune.

Isahna cursed and shredded the note. He twisted his lips and tapped the table, trying to decide what to do now. The note was obviously written by someone familiar with his work, and if he were to guess, the culprit was one Nihestan Nivasha.

Did the man still have magic?

After the whole chesnathé incident, Isahna couldn’t be sure.

He rapped his knuckles on the table, then nodded decisively. He would “let slip” Nihestan’s presence to Shevanlagiy. That ought to keep her busy. With her out of the way, Isahna would have no one to stop him from taking over Cirena with his horde of shadows.

But he sure would have liked to dangle the stone in front of her nose.

Another time, another time.

Happy April first… and I hope you enjoyed the scene. 🙂

Have you ever deleted any scenes from your stories? If so, why?

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Thoughts on Writing – Developing a Fantasy Language (Interrogative)

For my short story, “Stone and String,” and for The Wishing Blade series, I’ve been trying to develop a functional conlang (constructed language) to add flavor to the world and for use as plot points. However, I ran into a problem… how do I ask questions in my Cantingen language?

See, I’ve been developing this over a period of time. Figuring out potential words and jotting them down for future use… figuring out a grammar rule (researched a whole slew of grammar rules from various languages to figure out the previous grammar rule)… and adding them to the dictionary as I go. I already had verb conjugations figured out (at least for an imperative style phrase in present tense), numbers, possessives (sort of) and adjectives. Apparently I already figured out adverbs, too, but hadn’t realized it. (And so I jotted that down, too).

But then it hit me that I hadn’t figured out how to ask a question in the Cantingen language.

I considered not having them use questions at all… then decided that would be just a bit too bossy for them. While word magic based on the language isn’t likely to use questions (though Isaac has challenge me to figure out how they might make it work) since it’s based on commanding magic to do what they want, the casual speaker is going to want to ask questions.

So I did some quick internet research on interrogative language stuff… (it may become quickly apparent that while I am trying to learn what the various mechanics are, I have trouble remembering the names for those mechanics)… and began formatting how to create the questions.

First off, I knew that I couldn’t use tone to imply that something is a question. That’s because word magic is intended to be read and still be clear… without the use of a question mark. I didn’t want to mess with swapping sentence structure around to make a question. And I didn’t want to inflect the verb in order to suggest that it’s a question.

Somehow, the result ended up reminding of an elementary school English lesson:

How does the dog run? The dog runs quickly. The dog runs how? Quickly.

And thus I decided on these rules:

  1. Questions are to be phrased so that the interrogative portion of the question replaces the who/what/etc portion of the question.
    1. (Ex. The dog runs how? vs The dog runs quickly.)
  2. To form a question, the who/what/etc suffix is attached before the word quéth, thus forming the phrase which replaces the part of the sentence in question.
    1. (Ex. nanlli mean “how,”quĂ©th indicates that the sentence is question. Together, they create nanlliquĂ©th.)
  3. Because the question is indicated in the sentence, there is no need for a question mark.
    1. (Ex. In English, it would look like the person says: “The dog runs how.” It should read flatter, without the rise in tone that a question in English would have. )
  4. Yes/No questions simply attach quéth to the verb in question.
    1. (Ex. hasil is “dog” and nivĂ© is “to run.” “The dog runs,” translates to Hasil nivĂ©tra. If you say “The dog runs?” in English, you would say Hasil nivĂ©traquĂ©th. in Cantingen.

 

The questions ended up looking something like this:

 

Who – ka 

Who is that girl? Edyli is that girl.

Kaquéth dratethol ali doran. Edyli dratethol ali doran.

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What kas

That sound is of what? That sound is of leaves.

Ali runin dratetha so kasqueth. Ali runin dratethtra so inarame.

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Whenvésa

We leave when? We leave soon.

Yliav vésaquéth. Yliav jano.

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Whereuru

The scroll is where? The scroll is in the box.

Kev dratethtra da uruquéth.Kev dratethtra da vari.

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Whyji

She weaves why? She enjoys to weave.

Walol jiquéth. Kaviol wal.

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How  – nanlli

She weaves how? She weaves quickly.

Walol nanlliquéth. Walol naf.

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Yes/No Questions

This is the girl I seek?

Éda dratetholquĂ©th doran somaria.

It’s still rough, and probably needs some polishing, but that’s what I have so far. It came in handy while working on The Shadow War. While there aren’t anyone asking questions directly in the Cantingen language, there are a few times when the main characters are speaking to people who are from the Cantingen Islands. Knowing how their primary language worked, I was able to change the sentence structure to add to the voice of those character.

For example, there’s a scene that takes place at the marketplace outside of Ashan.

The merchant bowed politely to the horses. She spoke softly in a Cantingen dialect, nothing Toranih understood, before finally turning to her customers and smiling. “Something attracts your eye?” she asked. Her Cirenan speech was articulate and careful, common among the Islanders. A rich blue sash wrapped around her hips and across her slender, bronze shoulders. Her dark hair had been pulled into loose curls and silver ribbons.

Daernan gestured to a pastry with a flaky, golden-brown crust, apricot paste, and streaks of yogurt frosting. “I’ll have that.”

Though I use the question mark here to mark correct English grammar, note how the question is phrased… “Something attracts your eye?” rather than “Does something attract your eye?” or “Do you see anything you like?” Theoretically, you could read it as a statement: “Something attracts your eye.” But if the merchant were to be speaking in the Cantingen language, she would use “quĂ©th” to designate the question. “Eliaved nicolquĂ©th naenlli.” (Literally, it translates to “Unknown sweet bread attracts your attention.” but the merchant knows enough Cirenan to phrase the question in a more familiar way).

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I hope you enjoyed this post. 🙂 Have you tried constructing your own language, and if so, what problems have you run into?

If you want to read more about conlangs, I also have a post about Developing a Fictional Language (Cantingen) and Developing a Fictional Language (Maijevan).

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