Tag Archives: writing process

✨ ~ How “The Singing Coil” came to be

“The Singing Coil” was not on my to-write list.

In fact, the idea for the world of Singing Coil sprung into my mind one night as I’d been dwelling on the genre conventions of romantasy and cozy fantasy.

I’d recently read and enjoyed Automatic Noodle by Annalee Newitz, and for some reason my head went, “What if we mashed up Legends & Lattes (which I happen to love) with Babylon 5… or even Deep Space 9? What if we focused on the characters who aren’t out saving the world, but are just trying to live their lives on the space station while everything else is happening around them?”

And because it was super late at night and I couldn’t pester my creative writing partner, and because I’d been studying what Claude AI could do, I dropped into the chat and started a brainstorming session.

(Note: when it comes to CliftonStrengths, Ideation is among my top five. And I’ve recently realized that brainstorming new story ideas, even using an AI to bounce them off of like a talkative rubber duckie, apparently equals lots of energy pennies for me).

“Okay, bear with me Claude… but I had a story idea that I want to brainstorm with you and consider for market viability.

I was thinking about cozy fantasy and science fantasy romance, and then I had an idea for a cozy science fantasy story…

Think something like a baker or trinket trader or salvage seller sets up shop on a space station and is trying to get their shop up and running while navigating alien culture differences and supply chain issues and building an unexpected found family… all while the “usual” space opera happenings are going on around them. Red alerts…. meteor storms… random weird time travel episode…

Think Legends and Lattes meets Deep Space 9 or Babylon 5. Maybe with a dash of Lower Decks.

What do you think? Think anyone (besides me) would want to read that? 

For better or worse, Claude is an overenthusiastic cheerleader, and this conversation starter shifted into me tossing in world and character ideas, and reining in Claude because I wanted to be the one to make most of the suggestions for the different alien races and worlds.

Ultimately, by the end of all the brainstorming I had formed a rough idea of a six part novella series centering around Harte and Eica navigating their grumpy/sunshine friendship while dimensional wonkiness was happening aboard an ancient space station with secrets of its own.

But I still needed to focus on writing the third Huntress book, so I shelved the cozy sci-fi idea.

For all of two days.

I’d been on a major kick of reading everything I could on entrepreneurship, innovation, and generative AI. In one of those books I found an interesting prompt where you specify the amount of time and money you have during a given week to devote to a small side business, along with your interests or skills, and then you ask your favorite AI to suggest potential business ideas based on those constraints.

Very long story short, I ended up with the concept of micro fiction prompts.

This time I had been testing ChatGPT, and once again I had to curb its enthusiasm. It generated neat ideas, but its idea of how fast micro fiction could scale as a side income seemed… very optimistic… for what I know about the market.

(Important: If you choose to use generative AI, please keep in mind that it is not a professional. It’s generating responses based on probability and what data it trained on, in addition to weighted leaning intended to make you happy... meaning it often tells you what it ‘thinks’ you want to hear.)

And because I was curious as to how well the micro fiction idea would work, I grabbed my series guide I’d had Claude compile for me for the cozy sci-fi idea, tossed in the micro fiction guide ChatGPT made for me, and asked Claude to give me ten story seed ideas.

The ideas surprised me. I was interested in them, and more than a little jealous that I hadn’t come up with these ideas myself.

But, I admit, I sometimes have a hard time finding those emotional connection points that resonate on a personal level. That part usually takes me a while, and go figure, the AI pinpointed it easier than I usually can. (Downside is the lack of satisfaction of the ah-ha! moment of finally figuring out which moment touches the heart strings).

One of those micro seed ideas was for “The Singing Coil.”

This was Claude’s suggestion based on the prompts and information I’d provided:

5. The Singing Coil

While repairing a food synthesizer, Harte discovers it’s been producing an ultra-low frequency hum that perfectly matches a Vyraenar lullaby. They track down why—and find an elderly Vyraenar engineer who installed it decades ago, homesick.

POV: Harte
Setting: Station mess hall/communal dining area

I asked Claude to further develop that story seed using the micro fiction seed template. (As a note… I did not succeed in making “The Singing Coil” a piece of micro fiction. I was lucky to keep it under 5,000 words).

Claude gave me a heart-tugging outline that I legitimately wanted to write. (I’d share the full response here, but it does have spoilers for the story. Let me know if you are interested in seeing it in a later so you can make comparisons to the final story).

Then I wrote the story based on that outline.

Now, I did make a few changes. I added several details that weren’t in the outline. I was very insistent that I write the lullaby, though I did use its suggested title, “Stars Remember Home” as the inspiration.

Because here’s the thing. While I have been super fascinated by generative AI and what it can do, I also know it has some major downsides and concerns (lack of transparency surrounding environmental impact, as well as copyright issues, being among the main ones I’ve been watching).

And while I have writer friends who are AI-positive, I also have friends who are very much AI-negative and want nothing to do with AI.

So, because I did use generative AI heavily for brainstorming and to give me the basic plot for “The Singing Coil,” I wanted to keep the rest of it as human as possible.

I did all the drafting and revisions myself.

I wrote the lullaby and came up with its melody myself.

And I hit the oh-so-fun wall of realizing cozy fantasy/sci-fi stories tend to have illustrated covers, and since I didn’t want to use AI to generate a cover (I tend to avoid image generation as much as possible since that’s one of the more energy-demanding tasks and its copyright practices can be… really questionable, if I’m being generous), and since I didn’t have the funds to properly pay an illustrator to make the cover I had in mind…

That left me to illustrate the cover.

Oof.

I think creating the cover took me as long as writing the story.

Usually I either use stock photography and do photomanipulation, or use Daz Studio to render a base image that I can then polish, but neither would have given me the desired effect.

So I broke out the pencils and fine-line pens, scanned the resulting foreground and background line art, then brought them into Photoshop CS6 to clean and color digitally.

(You know how long it’s been since I’ve done digital coloring? It’s been a while. A really long while).

But I’m reasonably happy with the final result and I can always change the cover later.

So there you have it.

I never planned to write “The Singing Coil.”

It was a spur of the moment, “Huh, I wonder what would happen if…” idea that I used to incentivize myself to keep revising Huntress #3. (As a daily practice, I wouldn’t allow myself to write anything on “The Singing Coil” until I finished revising at least one chapter of revisions for Huntress #3. It was effective).

But I hope you enjoy the story as much as I enjoyed writing it, creating a new lullaby, and then getting that lullaby stuck in my head.

“Home among the stars, let the stars remember me…”

💫

Pre-Order “The Singing Coil” today and get it as soon as it goes live on February 17th!

Amazon (US) | Amazon (UK) | Apple Books | Barnes & Noble | Google Play | Kobo | Smashwords

Sometimes a broken machine sounds like home…

The Singing Coil Book Cover

💫

Happy reading! 📚

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Christine’s Influence on the Distant Horizon Universe

Back when I was originally writing the rough draft for Little One and the Glitch saga (many many years ago, because I was still in the process of figuring out what I was doing with my writing and hadn’t started publishing), I decided to read a few horror books to get a feel for how those stories worked and how to get an underlying tone of dread and something bad about to happen.

One of the books I read was Christine by Stephen King.

Though I don’t remember a whole lot about the plot now, one of the things that stood out to me when I was reading it was how Arnie’s personality slowly changed over the course of the story, and at one point, the narrator realizes that Arnie’s signature has changed due to how he scribbles it on a cast.

That image stuck in my head, and while I had originally read Christine in hopes of getting inspiration for Little One and GlitchChristine ended up being far more influential on the Distant Horizon series.

Especially for book three, Starless Night.

The book ended up influencing the concept of brain seeds… a telepathic attack that rewards and punishes its target’s behavior so they’ll do what the seed wants. The more the seed grows, the more the target changes.

It’s an issue Jenna, the main character of the series, is all too familiar with.

When Isaac and I first came up with the Distant Horizon world, memory seeds and brain seeds weren’t a thing. Lady Winters did have a tendency to mentally blast people with telepathy and horrifying images, but these weren’t the constant attacks that Jenna has to deal with… or the slow change of personality that we start to see in Fractured Skies and that tries to assert control in Starless Night.

These were small changes in mannerisms, occasional phrases of speech… and Jenna’s general preference in regards to coffee (which were really fun to write).

Below is a scene from Starless Night that takes place between Jenna and Stuart, a butler for the Camaraderie. Stuart has been around for quite some time, and he is perceptive. (And also a powerful telepath who was not fond of Lady Winters).

He can recognize a threat to both Coalition and Camaraderie:

Stuart inclined his head toward the cup in my hands. “It is my understanding you only recently took an interest in coffee. Is that correct?”

I frowned. “Tastes change. Why?”

“Though I shall continue to suggest tea as the superior drink of choice, may I ask how you like your coffee?”

“What do you mean?”

“Cream? Sugar? Or black—”

“Black as a starless night,” I interrupted, taking a sip of the drink. It was more burnt than black, but bitter was bitter.

The butler’s eyebrows narrowed almost imperceptibly. Danger…

The feeling faded. He was only a butler.

“For the sakes of those you care about,” he said, “you should do your best to fight the seed. No one cared for Winters except herself. But there are many who care about you.”

(That said, I somehow managed to nix the phrase “coffee, black as a starless night” from the drafts of both the Glitch series and in Distant Horizon, which effectively destroyed some of the foreshadowing I had intended. *Facepalm.* If I ever do a revamp of the series, that’s getting added back in somewhere. Isaac even gave me a coffee mug for Christmas one year with the Camaraderie symbol and the quote, though it’s long since faded).

How Jenna refers to people, whether she’s nice to them or condescending, whether she knows a little more than she should about a particular situation… all these were little details I got to tinker with.

The biggest issue for me was keeping track of what changes have already started in one book and which ones had yet to take root.

Once we get to book four (currently drafted/semi-revised), she sort of has control again, but she’ll have some all-new problems to deal with.

Either way, the idea of a shifting personality and how the others around the person being affected person respond to those changes, definitely got at least some inspiration from reading Christine.

* * *

An evil brain seed is determined to take root in Jenna’s brain…

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Happy reading and writing!

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Changing names to better fit a story world

When Isaac and I first created the Distant Horizon universe, we made it as a homebrew role-play game, sort of a cross between the 90s cartoon X-Men, and The Giver. (Dystopian world with superheroes). There were a lot more superhero references in the game…

And in the names.

Especially for the villains.

For example, Lord Black (the founder of the Community), was usually called “Jellyman” or “Lord Gelatinous” due to his natural form looking something like jelly.

*Cough.*

We eventually decided he probably wouldn’t call himself that, and he definitely wouldn’t have encouraged the people in the Community to call him that (especially since they’re very particular about maintaining appearances and hiding the existence of super powers). But the rebels, particularly those who had a grudge against him, might.

I found a stray reference in an early draft of Starless Night where a character grumbles “Son of Gelatinous!” in frustration. Lord Black’s son was something of a rebel, and therefore a source of frustration to his father. Needless to say, that line got reworked, since it no longer made sense.

Another example was Lady Winters, who was first referenced as Brainmaster. She had a couple name changes, actually. First was Brainmaster, then we changed that to Lady Bridget. But that was too easily confused with Lady Black when reading, so we changed it yet again to Lady Winters.

Long story short, we decided there was no way she would call herself Brainmaster, and most of her underlings would know better than to call her that, too. And they try not to think it either, in case she’s reading their mind. That said, due to her cruelty, the Brainmaster moniker has stuck around for both the Camaraderie and rebel faction if she’s not within earshot or mind-reading range.

And then there’s “The Camaraderie of Evil.”

That name actually got to stay. In Whispers in the Code, Commander Rick explains why they kept the name.

“You will be challenged by much of what we do,” he continues. “In the Community, your tasks were simple: program basic systems, keep everything running smoothly… This job is not so simple. We call ourselves the Camaraderie of Evil because we are willing to take steps others wouldn’t dare consider. That’s the only way we can accomplish security and efficiency. I don’t personally believe we are evil, but the name stuck around from our earlier days, and they were… an interesting bunch.”

What the commander doesn’t mention is that they got the name because the founders were a group of young, ambitious (and variably “evil”) people with powers getting frustrated with their uptight “mad scientist” of the group and deciding they would call themselves that to taunt him.

They didn’t expect it to stick and, nowadays, the COE typically just calls themselves the Camaraderie… or if they’re in the Community, “The Community of E-Leadership.”

Other names were changed for ease of reading. Janice became Gwen because we had so many “J” names already and that was the easiest one to swap and keep the others.

Overall, I think the changes were for the better, though they did change the flavor a bit from role-play game to reading.

* * *

Most of the names got updated. Even so, characters leaving the Community for the outside world still have a few superhero/supervillain surprises in store…

* * *

Happy reading and writing!

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Oh, the joys of proofreading

It seems like dishes… and just about anything else… gets done when it’s time for the proofreading stage.

Oh, there’s a chore that needs done? Dishes been piling up? The counters are clean now!

Laundry need washed? Everything’s now been washed and hung in the closet! (Or neatly stacked in a chair because the closet is cold and I’d rather put on warm clothes in the morning thank-you-very-much).

Plants need a little bit of pruning? Even those pesky scale bugs are about to face the gardener’s otherwise defeated wrath.

Or, for a little more fun… new stories need written? Old stories need revised? Let’s do this!

(Inner voice just scowls. “No new stories for you right now. Jot down a few notes and get back to proofreading! Finish what you’ve started!”)

*Sigh.*

There’s all these other new stories calling you to write them, but you’re stuck giving that manuscript you’ve looked over nearly a dozen times one more read to look for typos, and then after you’ve given it that maybe-final/maybe-not-final read you’ve got to actually input those notes into the manuscript.

*Cue second sigh.*

Proofreading might be my least favorite part of the process.

Still, proofreading is important, and helps me to correct little typos I don’t want you guys to suffer through. Missing “a”s and “the”s. The occasional word that just doesn’t make sense. Minor plot points I thought I removed during the read-aloud but accidentally remained in place. That sort of thing.

It’s all about polishing… even if, for me, it is the least interesting part of the process.

Funny thing is that in the 2018 newsletter email I’m adapting this post from, I was lamenting the proofreading process for Fractured Skies.

Now I’m lamenting the proofreading/editing process for The Dark Forest of Aneth. The reading part’s been done. I just need to add my editing notes to the manuscript. But… uh… there’s been an outline and draft written for Huntress 3 and a whole new 5,000-word short story drafted, polished, and sent to beta-readers since I finished that reading a few months ago. *Cough.*

So… yeah.

Do I need to write that draft I’ve been meaning to write for five years?

Looks like I just need to get myself some proofreading or editing notes!

In the meantime… here’s a throwback to when my Legion Spore plushie got to help out with the proofreading:

A plushie Legion Spore sits atop a printed manuscript with a red pen

Isn’t it adorable? (Well, as adorable as living airships made from shapeshifters go). Isaac made it for me for Christmas a few years back.

Actually, I also made him a Legion Spore plushie (we both had the same idea), but let’s just say that the one he made better matched the first Legion Spore, and the one I made closer resembled the Manticore. We had a productive discussion after that regarding the differences between how we saw the living airship of The Glitch Saga.

Needless to say, the Legion Spores you see in the books have been refined a bit.

Or a lot.

And that’s another reason that proofreading… and read-alouds… and beta-reading… is important!

* * *

Read a few polished books that I at some point had to proofread or edit…

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Happy reading and writing!

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📋50,000 Words and a Change of Plans

🖋️A few months ago, I decided for NaNoWriMo that I’d like to write Huntress #3. I’d written the first two during earlier NaNos, and I tried last year but didn’t have a solid outline, so my attempts to rewrite it floundered.

This year, I thought, once I finished Legends of Cirena #9, I’d reread the first two books, make myself an outline, and then be ready to go come November.

Fast forward to the end of October… when I was still trying to wrap up the rough draft for LoC #9 (to be fair, at this point it is a mostly revised draft with a handful of first draft scenes because the process for this one has been messier than usual, though I’m considerably happier with where it is now)… I realized I was not going to be able to start Huntress #3 and still start on the first of November.

And there were a couple factors I’ve learned about myself:

  1. I enjoy the momentum/self-competitiveness of starting at a set day (especially with other people) and trying to reach a goal by a set time.
  2. I really need that outline if I want a streamlined process that doesn’t involve me staring blankly at the screen. I am very much a plotter/plantser. I like some leeway to run with a tangent, but I need to be able to fully envision the scene if I’m going to avoid getting derailed and also write quickly.

With that in mind, Isaac suggested that maybe I should try working on another project that was ready to go.

The one project I could think of that didn’t have anything else attached to it yet was Isaac’s Untitled Fantasy Story project that we heavily outlined a year or so ago but hadn’t written.

So I grabbed that Scrivener file come midnight on October 31st, reviewed a couple of the scene notes, and went from there.

It’s been a little rough going, but so far I’ve managed to stay on par (above 1667 words per day) and reached the 50K word goal as of last night.

Biggest problem is trying to remember exactly how the magic system works and the context for some of the scenes. The ones with the biggest questions I skipped and plan to go back to later. But it’s been fun rediscovering the big twists and key plot points as I write, since I’ve really only been reading a few scenes of the outline at a time. (By outline I mean something like a synopsis… it’s got detail).

And this has really led me to realize that I write faster and better when I have the scene envisioned in my head, either because I’ve already told myself that story (The Wishing Blade series), or because someone has told that story to me (such as in this case, in which the story is Isaac’s creation, but I’m doing the writing. Or like in some of our role-play games turned novels, like Distant Horizon.)

Anyway, though this story had been a back-burner project a month ago, I’m now debating how much attention I want to give this.

  • Finish the rough draft? – definitely
  • Make revisions accounting for things I remembered while writing later scenes? – probably
  • Do a polishing revision pass? – not sure yet
  • Write rough draft for book two? – well… I should probably go finish LoC #9 and Huntress #3 first. probably

But I really am enjoying it, and kind of excited to move forward on the project. So we’ll see. ☺️

Here’s the short pitch:

In a world where non-mages are systematically killed or enslaved, a notorious elderly mage known for protecting non-mages drops an over-zealous “chosen one” youngster into the training of an academic mage whose polyamorous family secretly harbors a non-mage.

Mages have wands and staves, there’s an evil empire, some secrets about what happens when magic gets over-used, and animal familiars. Lots of fun! 😁

What writing processes have you found work best for you?

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Happy writing and reading!

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